I remember August 3, 1987 really well. I ran to the store and bought the Vinyl, CD and cassette of Hysteria and on the way home, I opened the cassette and put it in the car stereo and cranked it. And the rest is history. Def Leppard was my favorite band in 1987 and after waiting four years since ‘Pyromania’, I couldn’t wait for the new album. When I got home, I opened the rest and inside the Vinyl, I remember an order form for the Def Leppard book called ‘Animal Instinct’ written by David Fricke who was Rolling Stone magazine’s senior editor and the photos were by Ross Halfin. I remember filling that in and sending a check and several weeks later the book arrived.
Now, years later, I would sell the book on eBay and make a hefty profit. Then years later, I regretted it and bought it again. After re-reading it, I remembered a lot of what I read the first time. The book is fantastic. David did a great job writing the biography of Def Leppard. He covers the whole gamut of the band which at this time wasn’t very old. The book opens with the car crash that took Rick’s arm and the effect that had on everyone, but it quickly moves to the origin story of Def Leppard and how the members came to be members of the band. There are some great pictures including the first photo of the band. That is what is great about this book. Not just the stories but the photos that go along with it.
The final single for the album ‘Pyromania’ was unplanned. “Too Late For Love” would be the fourth single and was released on November 25, 1983. A song that wasn’t going to be a single, but due to the success fo the first three singles, they thought let’s release another one and it went to #9 on the US Mainstream Rock chart, but didn’t hit the Top 40 as no official video was done for it.
The single I have is a 12″ Single and it is also out of the U.K. like the “Photograph” single from last week. However, this I actually found in the wild here in the States so I grabbed it up quickly. You have “Too Late for Love” on one side and the other side has two tracks, “Foolin'” from Pyromania and “High ‘N’ Dry (Saturday Night)” off the ‘High ‘N’ Dry’ album. I’m sure that was done to help drive sales of the prior album…and it worked.
I love to collect singles with picture sleeves and I love to find them in the wild. I generally will never buy a single on eBay or Discogs. However, there was one big exception and that was for the song “Photograph” by Def Leppard. The song is off the album ‘Pyromania’ and was the very first single released for the album and it was huge. It was released in January 1983 and went to #12 on the Top 40 and #1 on the US Mainstream Rock Chart for an impressive six weeks. The U.K. didn’t see them have as much success as it only went to #66, but the band was not overly loved in its home country because they felt the band were sellouts to the U.S. market..which truth be told, they were. But the single I wanted was a U.K. only release and I had to buy it online as I wasn’t expecting to ever find it in the wild in the U.S.
Now, why I did I have to have this U.K. only version? Simple…the cover is a 3-Dimensional cover that folds out to look like an actual camera. The Pop-up camera picture sleeve was very rare and only limited to 500 copies and I have now have one. See it below…
…but that isn’t the only cool thing about it. When you look into the view finder you see a photo of Marilyn Monroe. But…the song is NOT about Marilyn Monroe. She is only in the video for the song, see the info below which will talk more about the song. Now, I think this was pretty cool and a must have for any Def Leppard collector.
The tide was changing, Def Leppard’s success was palpable at this point, but not quite there…YET! Robert John “Mutt” Lange was back as producer and the band hit the studios in January 1982 and went through November of that year at Park Gates studio in London. All didn’t go smoothly, there was one big issue and that issue was Pete Willis.
Pete’s drinking problem was…well, becoming a problem. It was causing issues that were impacting his work and the band. It got so bad that on July 11, 1982, mid-way through work on the album, the band fired Pete. This was not a rash decision as it was discussed fully amongst the band because on July 12, 1982, the very next day, the band announced his replacement in the likes of Girl’s guitarists, Phil Collen. By this point in recording, Pete had already recorded all his rhythm parts and those are still on the album. Phil came in and added a few guitar parts and as well as some solos, he had it easy.
The album was finished, it was called “Pyromania” and it would basically change the landscape of music for quite some time. It saw the band’s sound go from heavy metal to a more polished hard rock sound that was more radio friendly. They worked on their craft diligently with Mutt and their playing and their songwriting was getting better and better. The band was now Phil, Steve Clark, Rick Allen, Rick Savage and Joe Elliott, this is considered the classic line-up to some. The album saw the light of day on January 20, 1983 and would shoot up the charts going to #2 on the Billboard Charts. It was held out of the #1 slot thanks to Michael Jackson’s ‘Thriller’ album.
Thanks to MTV and the Leppard videos, the band would sell over 6,000,000 copies within the first year or so and go on to sell over 10 million copies making it Diamond Status. There would be 4 singles from the album and it would change me forever as this was the album that made me a lifelong fan and collector of the band’s music. It changed my listening habits and the 80’s hard rock sound was it for me and that would be all I listened to during the 80’s…heck even today I still love it as much as back then!
To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. This disc is the second prized disc to have. It is full of studio recordings and live songs from various BBC recordings in those early years. Some pretty cool stuff and the only way to get it is to buy The Early Years ’79-’81 (2020)
The first set of songs were recorded in June 1979 and they were for a show hosted by DJ Andy Peebles. The really cool thing about these four songs is that all the guitar parts were handled by Steve Clark. Pete Willis was unable to get off work to record the sessions. This was back when the band was still trying to make it. Those 4 songs that were recorded were “Glad I’m Alive”, “Sorrow is a Woman”, “Wasted” and “Answer to the Master”. The guitar sound on these songs all sound a little different as a result, There isn’t as much depth as the guitar parts sound too similar than when Pete is on it as this guitars sound different than Steve’s.
The solo on “Glad I’m Alive” sounds different almost hollow like in a stage far from the band. Still, this is one of the coolest non-album tracks the band has ever done. “Sorrow is a Woman” sees Joe shine on vocals, but the music this time around lacks a little punch. “Wasted” is all guitar so it is all Steve. It isn’t as raw and crunchy as the original recording, but there is something cool on this one. Rick Savage’s bass seems to be higher in the mix to offset the lack of Pete’s guitar and it adds a new dimension to the song. They also added a lot of echo to Joe’s vocals at time which i very different from the original. Lastly, “Answer to the Master” really misses the second guitar,but still a solid recording of the song. I’d still would’ve been a fan of these songs if these were what I heard first. I didn’t have these versions in my collection so I think they are awesome.
To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. Released on March 20, 2020, “The Early Years 79-81” box set was full of goodies. Not only did we get the first two albums, ‘On Through the Night’ and ‘High ‘N’ Dry’, but we got the live album ‘When the Walls Come Tumbling Down’ which we have alread talked about. The fourth disc, “Too Many Jitterbugs’ title is actually a line from the song “Glad I’m Alive”, was chock full of Rare songs and B-Sides as well as Single Edits and remixes. For someone new collecting Lep stuff, this is a great disc. For someone like myself, I had most everything already in some form, but not quite everything which is why this is so great.
The set kicks off with the three songs from The Def Leppard E.P. which are “Ride Into the Sun”, “Getcha Rocks Off” and “The Overture”. The first track is “Ride Into the Sun”. The song is very different than the two other versions of the song released later that are more familiar to most fans. The first version was a B-Side on the “Hysteria” single and the last version was on the album ‘Retroactive’. The B-Side version was my favorite until I heard the original which is now my favorite version of this song. It is the true intention of the song and it has a better sound and feel. The guitar and drum work are awesome and Joe sounded so young and fresh. The guitar solo was better and an overall more satisfying experience. It is the more rock version of the song and pure Def Leppard at their best.
Track two on Side One is “Getcha Rocks Off”. This track was re-recorded for their first full length album “On Through the Night”, but the title was changed to just “Rocks Off”. I think this song sounds better as well over the re-recorded version. It doesn’t have the fake crowd noise or the weird guitar sounds that are thrown in needlessly. The E.P. version is also a more hard rock sounding song.
“The Overture” is an epic song at over 7 minutes long. It was also re-recorded for the ‘On Through The Night Album’ like “Getcha Rocks Off”. Again, due to how amazing this record sounds, I prefer this song over the version on “On Through the Night”. What I love about the song is the changing tempos, the great double guitars of Steve & Pete. The song takes you on a great musical journey.
“Wasted”, but this single is different than the album version which is odd. It had never been released on an album until the release of The Collection, Volume 1 (2018). it sounds more raw and like an early demo of the studio track or something. It is still great though. The same with “Hello America” as it is a single version that isn’t the album version either. I’m not sure the reason behind this, but I like different versions so I’m all good.
After that we get a previously unreleased version of “Rock Brigade”. The song is a very early version of the song which lacks the punch of the guitars on the “On Through the Night’ version and the drums don’t sound like Rick Allen’s and for that it the lesser track. But you can hear the promise of what was to come. Then the coolest song they’ve never released on a studio album, “Glad I’m Alive”. It is a fast paced, groove-tastic piece of brilliant rock that is such a shame they never did anything with this as it is perfection. It is also the namesake for this album. “Good Morning Freedom” is a B-Side to “Hello America” and opens with some great drumming from young Rick Allen. His drumming throughout is fantastically slamming. Another rocker and another gem from this band. It is more razor sharp guitars cutting through those Elliott vocals.
The rest of the album are single edits and remixes. We get the single edit for the opening track for ‘High ‘N’ Dry’ called “Let It Go” which chops 30 seconds off the album version. It cuts out a lot of the guitar wankering which is what makes the original so bad ass. Then we get a single edit for “Switch 625” and the only I can see that is different is it removed some of the fade that comes off of “Bringing on the Heartbreak”.
The next two tracks are the single edit for “Bringin’ On the Heartbreak” which knocks off about 40 seconds from the original and again, doesn’t make it better. It also has a cleaner ending rather than the fade in to “Switch 625”. The next track is the original version of “Me And My Wine” and it is the version that is the B-Side to “Bringin’ On the Heartbreak”. It has more punch and more of a rawness to it than the later remix version. I like it a lot! A punk attitude with dash of hard rock.
The final two tracks are the Remixes of “Bringin’ On the Heartbreak” and “Me and My Wine” that were on the 1984 re-issue of the ‘High & Dry’ album. The remixes were done with added synthesizers and piano overdubs to make it sound more like what was done on ‘Pyromania’. which was out at the time of the re-issue. The remix doesn’t make them better, but they are already great songs so fine, whatever they felt was necessary. It did cause the album to sell a lot more copies so all good.
And that wraps this one up. Being a compilation of tracks, I wouldn’t delete anything on this one. A lot of great tracks with only a couple I didn’t already have in the collection. It is a lot like the bootleg I have “First Strike” which we already reviewed, but better sounding. It is nice having the songs all on one disc rather than spread out on singles or E.P.’s so for that it is worth buying. My Overall Score is a 5.0 out of 5.0 Stars as you can’t go wrong with The Early years of Def Leppard.
While touring in support of their debut album, ‘On Through the Night’, Def Leppard opened for one of the biggest bands at the time, AC/DC. Famed producer, Robert John “Mutt” Lange, who produced AC/DC’s massive album “Back in Black”, took notice of the band and he was very impressed. So much so, he agreed to be their producer for the band’s sophomore album ‘High ‘N’ Dry’. A move that would change the course of history for this band and catapult them in to the stratosphere of rock stardom. But first, they had to do an album and this album saw the band head to a more melodic phase, however, the edge and rawness of the debut was still present.
The songwriting was more refined, everything seemed more purposefully composed, it was cleaner yet it was still powerful, engaging and after over 40 years with it, it is one of the best rock & roll albums of all time. Well…it is for me. The band, who was Joe Elliott, Steve Clark, Rick Savage, Rick Allen and Pete Willis, recorded the album between March and June of 1981 and it was released a very short time later on July 11, 1981. A short 16 months after the debut. Man, if they could’ve only kept that pace of releases, how much could they have released over the years. The album would go to #38 in the U.S. and #26 in the UK. Not a massive success, but enough of one thanks to the ballad “Brinin’ on the Heartbreak” which saw massive airplay on MTV, that the band was setup nicely for the next album.
Their third album ‘Pyromania’ was so big, so successful and so amazing, that ‘High ‘N’ Dry’ was re-released in 1984 with 2 additional tracks. One was a re-mix of “Bringin’ On the Heartbreak” which added synthesizers and piano overdubs to make it sound more like what was done on ‘Pyromania’. The other track was “Me & My Wine” which was the B-Side of the original release of “Bringin On the Heartbreak”. It too was re-mixed for a more modern sound. This re-release helped sell more albums which has since seen the album go double platinum. They even did new videos for it with Phil Collen on guitar who was not on this album at all as Pete Willis was at the time. The copy we are reviewing today is the original release without the 2 new tracks, the way it should be heard. Let’s get to it.
Def Leppard never wanted to release live albums. At least that is what I remember them saying years and years ago. Was it something like “a band only releases live albums when they’ve run out of ideas”. Don’t quote me on that, that is something I swear I heard them say a very long time ago. And for 31 years, Def Leppard never officially released a live album. A live video, yes. But never an album until around 2011 with ‘Mirrorball’. And it would be another 9 years before we ever got a live show from their Early Years! But thanks to the box set ‘The Early Years’, we finally had a live show from 1980. It doesn’t get much earlier than that for them. It was recorded at New Theatre in Oxford on April 26, 1980. The show is completely unedited and as is (so they say) and I would believe it.
But it wasn’t my first early show of Def Leppard. I have a bootleg from a show at BBC’s Paris Theatre, London, England, 22nd August 1979 and some recorded at the Reading Festival, Reading, England, 24th August 1980 and it was called “Live at the Top”. That was my first taste of early Lep and what a taste it was. This show is even better and sees a hungry, raw Def Leppard giving it their all. There are four historical pieces on here as we get a liver version of Good Morning Freedom which the band had never released, an early version of Lady Strange from an album that hadn’t come out yet and two songs that would wind up completely different when they were finally released on two different albums. The show was first released in that box set, then they decided to release a vinyl of the show as well which I have both versions as you can see in the last picture.
The Def Leppard E.P. from 1979, sold really well and saw the band’s popularity rise heavily in their home country of the U.K. The Union Jack was their friend, but that was soon about to change. With the release of their debut album, shouts were coming from the media that Def Leppard were sell-outs and trying to pander to the American public especially with a song called “Hello America” and the fact that they toured way more in the U.S. then they did anywhere else. As a result of those shouts, they were abused and heckled and bombarded with bottles of piss at the Reading Festival, but to be fair a lot of bands were abused during that festival.
Def Leppard were one of the first bands on this ride called the New Wave of British Heavy Metal which included the likes of Iron Maiden, Saxon, Tigers of Pan Tang and many more. Their sound was more raw, definitely more heavy and yet a little more polished then some of the other bands. There was no denying that this young gang of boys with an average age of 18, were ready to rock America and the World. The band consisted of singer Joe Elliott, guitarists Steve Clark and Pete Willis, bassist Rick Savage and the Thunder God himself, Rick Allen who was the tender age of 16 when the album came out.
The album was produced by Colonel Tom Allen who you might know from producing acts like Judas Priest and engineer on albums from Black Sabbath. He helped craft a really solid and exciting debut album which saw the light of day March 14, 1980. The album saw three singles with only 2 charting in the UK, but the album did sell over a million copies over time thanks to their big albums ‘Pyromania’ and ‘Hysteria’ I am sure. Through the success of the album and the touring, they band caught the eye of producer, Robert John “Mutt” Lange. The man saw something special and these young lads and would change their world forever.
I remember growing up and seeing this album in my brothers collection and I remember him seeing them live and telling me how great they were. So I grabbed this album and listened to it a lot. I had a strange fascination with it using it for two projects in school. One was a paper in English which I talked about the song “Wasted”. That paper sucked and I was lucky to walk away with a “C” when it probably deserved and “F”. The second was for Art Class when I drew the album cover. I still have the original album on vinyl and the cover is all marked up since I drew lines on it to help with my actual drawing. It is rough. Not the drawing, it looks great and is below…
I do love bootlegs. They are a chance to hear a band’s live shows that were never released, a radio broadcast, old forgotten demos or whatever it may be. Bands hate them because they don’t get paid, however, diehard fans want them as they want to consume everything from their favorite bands. I own quite a few bootlegs for Def Leppard on CD, vinyl and DVD so we will go through a bunch, but first we will start with this one. It was released in 2013 and what is cool about this one it is a collection of various demos and rare albums from Def Leppard.
The first 3 songs, which were recorded a Fairview Studios in Hull, England back in November 1978, were actually released by the band. The songs “Ride Into the Sun”, “Getcha Rocks Off” and “The Overture” are taken from the band’s debut E.P. called ‘The Def Leppard E.P.’. We discussed that album in full detail on the first post in this series so we won’t repeat that story here. Back in 2013 when this bootleg was released, those three songs were extremely hard to find. There were only 1,000 copies or so of the first E.P. The band has since released them as a Record Store Day Release on a 12″ Single rather than the 7″ E.P. originally (The Def Leppard E.P. (1979/2017)). They have also re-released in the Box Set called The Early Years ’79-’81 (2020). Check those out as well.
The next batch of demos, songs 4-10, were recorded back at Fairview Studios during the Summer of 1979. These songs were never released, then in 1984, the bootleg called ‘First Strike’ was released without the permission of the band or management. Def Leppard sued to get the production stopped and they won. They even were paid royalties on what was sold. You can still find these on Discogs or ebay, but be prepared to pay through the roof on them as they are very rare. Someday I’ll get one.
What was great about these songs is that “Heat Street” and “See the Light” I don’t think I have seen the light of day yet, while “Glad I’m Alive” was on The Early Years Box Set. The other 4 songs were re-recorded for the debut album ‘On Through the Night’ which we will get to later. These demos were recorded live and are raw and fantastic.
2 Loud 2 Old Music 