‘Glenn Hughes The Autobiography: From Deep Purple to Black Country Communion’ by Glenn Hughes & Joel McIver – Book Review

I was down in St. Augustine, Florida in early August and went by a second-hand book store where this book was waiting for me it to rescue it. A couple weeks later on a flight to New York, I opened it up and started reading. On the flights there and back, I got through 2/3’s of the book as I couldn’t put it down. I finished it up in another sitting or two and really enjoyed it. I knew some stories on Mr. Hughes, but I didn’t know this story. The book, ‘Glenn Hughes The Autobiography: From Deep Purple to Black Country Communion’ was written by Glenn and Joel McIver. It actually starts off earlier than Deep Purple as it cover some of his childhood and does go to Black Country Communion which means it goes from 1951 to 2010.

The forward is by Metallica’s own Lars Ulrich. He discusses the first time he saw Glenn Hughes play and what a big fan he is. I have to admit, it was a little light as forewards go as I expected a little more insight in to what he knew about Glenn, but wasn’t much meat to it. Sorry Lars. But that was the only thing I didn’t like about this book. One of the really cool features in the book is the fact they have interviewed a ton of people close to Glenn through the years, parents, girlfriends/wives and bandmates. Snippets of those interviews are sprinkled throughout each chapter adding color commentary and texture to what Glenn is talking about. It also lets you despite all the drugs, people tended to agree with what he talks about with some minor different interpretations at times.

I know Glenn was an avid drug user, but I guess I didn’t realize to the extreme it became. Imagine my surprise when he is talking about his massive drug use in the mid-to late 80’s he was living in Atlanta. In fact, he ended up buying a house not terribly far from where I grew up and was living at the time. Who knows I could’ve passed Glenn back in the day and never knew it. Doubtful, as he was help up in house a lot doing drugs.

I really loved learning about Trapeze, his band before Deep Purple. I need to explore them more. For me, the activities surrounding his joining Deep Purple were pretty cool and to learn that he David Coverdale were actually friends and got a long really well despite them competing a little for lead vocals. Glenn’s drug problem didn’t really start until around the third album with Purple, ‘Come Taste the Band’ when Tommy Bolin joined. Glenn and Tommy became drug buddies. Glenn’s tenure ended withe Purple without him really knowing it as that is how bad it was getting.

The 80’s were a drug filled mess. His projects with Gary Moore and Pat Thrall all suffered greatly as well as relationships with his many lady friends and his wife. His times with Tony Iommi and Black Sabbath was brief and interesting as well. He was not pleasant person to be around when he was drugged out…which was often. He is lucky to have made it out alive. The drugs were so bad, he only wanted to be around those people that were heavy in to drugs. This lasted until the 90’s when he started to get cleaned up. He revitalized his solo career and eventually gets clean and gets back to his singing as the focus as he is the Voice of Rock. I’m not going in to detail as that is what the book is for so get it.

The book ends with his joining Joe Bonamassa, Jason Bonham and Derek Sherinian as they form Black Country Communion. Glenn really loves this band and believes it might be one of the best things he’s done. They’ve since done four albums total and they are pretty amazing. Too bad the book ends back in 2010 as we know Glenn is still going strong as he now fronts The Dead Daisies and his voice is still amazing!

The Glenn Hughes autobiography is one of the most enjoyable ones I have read in a long time. Glenn is so likable in the book despite some of the crappy things he does. It is amazing he can remember what he does, but he is open and honest about how bad the drugs were and takes full responsibility. He is lucky to be around and we are lucky to have all this great music and have that Voice in our lives. My Overall Score is a 5.0 out of 5.0 Stars as I truly couldn’t put this down and don’t think I’ve read a book that fast in a very long time.

Europe – “Superstitious” – 7″ Single

We are now on single #5 of the 6 I bought at Repo Records a few weeks back. This is also the third Europe single and this time we have the song “Superstitious” from the 1988 album ‘Out of this World’. The single was the first one off the album and was released on July 31, 1988. It did really well going to #1 in Norway and Sweden and as far as the U.S. it broke the Top 40 landing at #31. Not too bad.

The song was written by Joey Tempest and sadly, he doesn’t remember much of what the inspiration was behind the song. He told Greg Prato at songfacts.com that he was probably interested in superstition at the time. The song is basically about a relationship that is going through changes, he isn’t superstitious that something is causing it. He has faith and such trust in love and the other person that things will work out. He is saying that a broken mirror, a black cat, or things of that nature aren’t signs that the relationship is doomed.

My copy is another standard U.S. edition with “Lights & Shadows” as the B-Side which is also from ‘Out of this World’. This is the third copy with the “Demonstration-Not For Sale” stamp which I now is all from the same guy who had them. This one leads me to believe it was a radio DJ that had them because noted on Side A around the barcode is a hand written note that says “cold ending” which means the song stops abruptly rather than fade out. I am sure that is a radio term so they know how the song will end so they can cue up the next track. Pretty cool.

Continue reading “Europe – “Superstitious” – 7″ Single”

Scorpions – ‘Best of Scorpions’ (1979) – Album Review (The Scorpions Collection Series)

With their 1979 album, ‘Lovedrive’, Scorpions were starting to see international success. In the States, the album went to #55 and was certified Gold. In the UK, two of the singles charted. The band was enjoying their new success and the label was ready to capitalize on that success. On November 17, 1979, the band released their first compilation called ‘Best of Scorpions’. The album reached #180 on the Top 200 album chart and didn’t garner I think the fever the band and label were hoping.

The songs from the compilation come from four of their first five albums. There were no songs chosen from their debut album, ‘Lonesome Crow’. All the songs were from ‘Fly to the Rainbow’, ‘In Trance’, ‘Virgin Killer’ and ‘Taken By Force’. There were also no songs from the newest album ‘Lovedrive’. All the songs were from the Uli Jon Roth era of the band. I’ve read some of the songs were new mixes, but not all and the ones that were sounded pretty much the same. I am sure they cleaned them up so they would all sound consistent here on the album. Let’s jump right in…

Continue reading “Scorpions – ‘Best of Scorpions’ (1979) – Album Review (The Scorpions Collection Series)”

My Sunday Song – “Long Time Coming” by Cheap Trick

For My Sunday Song #317, we are going to talk “Long Time Coming” by Cheap Trick. The song is off their 2017 album ‘We’re All Alright’ which I think is one of their best. It was the only single from the album and only hit #36 on the Mainstream Rock Chart but it is way better than that. A band that has been around for over 40 years comes along and delivers a song and album like this shows they still have a ton of gas in the tank. The song was written by Rick Nielsen, Robin Zander, Tom Petersson and producer Julian Raymond and it was released as a single on April 27, 2017.

This song was my first indication of the album sound, but I wasn’t prepared for this onslaught of greatness.  Billboard’s Gary Graff and Cheap Trick’s Rick Nielsen had this to say about the song…

“Long Time Coming,” a crunchy hard rocker driven by a Kinks-flavored riff, is a bit of a one-song tribute to Cheap Trick’s influential forebears. “It’s our interpretation of Slade and MC5 and AC/DC and Aerosmith — a lot of riffs that are reminiscent of the Move, but they’re not steals,” Nielsen says. “It’s just, like, all the bands we like.” The song also features a synthesizer underbelly that was a signature in “Surrender,” “Dream Police” and other Cheap Trick songs.

There is nothing I can say that will summarize better than Rick Nielsen does. It is full of that classic angst of early Cheap Trick with their influences laid out on their sleeves. It rocks out and is about as heavy as these guys get. And though they are 40 years in, you don’t know that based on this song. They sound, hungry and fresh as ever! And if you want to sound like The Kinks and AC/DC and mix the two together, sign me up.

Give the song a listen and let me know what you think. These guys are still going strong and seem to be getting better and better. Not too many old bands still excite me like these guys do!! Thanks for stopping by and I hope you have a wonderful and Happy Sunday!!

“Long Time Coming”

I’m in the middle of something
And it sure feels good
It makes me feel better
Do I look like a should?

Get me on the tour bus
Then put me on a plane
Take me to the city
Before I go insane

I can feel, I can think, I can show ya
What you want, what you need, get to know ya
I don’t care what they say all the time
Believe me, you’re gonna feel fine

It’s been a long time coming (long time coming)
It’s been a long time coming down (long time coming)
It’s been a long time coming (long time coming)
It’s been a long time coming down (long time coming)

Shake it, shake it, shake it
About to blow my mind
A real pole grinder
I leave my troubles behind

I can feel, I can think, I can show ya
What you want, what you need, get to know ya
I don’t care waht they say, I can tell all the time
Believe me, you’re gonna feel fine

It’s been a long time coming (long time coming)
It’s been a long time coming down (long time coming)
It’s been a long time coming (long time coming)
It’s been a long time coming down (long time coming)

I can feel, I can think, I can show ya
What you want, what you need, get to know ya
I don’t care what they tell all the time
Yeah, believe me, you’re gonna feel fine

It’s been a long time coming (long time coming)
It’s been a long time coming down (long time coming)
It’s been a long time coming (long time coming)
It’s been a long time coming down (long time coming)

Long time coming (long time coming)
Long time coming down (long time coming)
It’s been a long time coming (long time coming)
It’s been a long time coming down (long time coming)

It’s a long time!

Written by Rick Nielsen, Robin Zander, Tom Petersson and producer Julian Raymond

You Pick It! – Which Album to Review in October?

You, my reader, are going to pick an album for me to review each month.  It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site.  See…simple! Now, if you want to cast more than one vote, comment on the Twitter and Facebook post and you could get up to 3 votes on your favorite pick.

There are a few simple rules I have put in to place in my selections.  They are…

  • One has to be a new release (within the last month)
  • One has to be one I have never heard before (new releases don’t count for this one)
  • One has to be from a genre I don’t normally listen to at all or very often
  • And the last two are choices from my collection that I haven’t reviewed before

What are the 5 albums you ask?  Funny you should ask because I have those right here…

  New Release – Ozzy Osbourne – ‘Patient Number 9’

  Never Heard Before – Joy Division – ‘Unknown Pleasures’

  Not My Normal Genre – Loretta Lynn – ‘Van Lear Rose’

  From My Collection – The Darkness – ‘Permission to Land’

  From My Collection – Peter Gabriel – ‘So’

Let me know which one you would like to see and sometime in October, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.

Thanks for participating!!

Friday New Releases – September 16, 2022

Friday, Friday, Friday!!! It is time for new releases and we have a few…okay, more than a few. There are well over 50 releases this week so I am sure you will find something. I only have one that I’m interested in and maybe will listen to a few more over time. Thanks for stopping by and I hope you all have a great weekend!

  • 81QipCV7DrL._AC_UY436_FMwebp_QL65_  Smith/Kotzen – Better Days…And Nights (LIVE) – (BMG Rights): Adrian Smith and Richie Kotzen are back and this time we get live and studio albums. You get 5 previously unreleased live tracks from theirTrans-Atlantic 22 Tour plus the four studio tracks featured on their sold out ‘Better Days’ vinyl EP!

And then all the rest…

  • 41aUvB+6r4L._AC_UY436_FMwebp_QL65_  Marcus Mumford – (self-titled) – (Capitol Records / UMG)
  • 91LbxG8uFVL._AC_UY436_FMwebp_QL65_  The Devil Wears Prada – Color Decay – (Solid State Records)
  • A1oqg7N0X-L._AC_UY436_FMwebp_QL65_  Michelle Branch – The Trouble with Fever – (Audio Eagle Records / Nonesuch Records)
  • 81QEMdZ+HDL._AC_UY436_FMwebp_QL65_  Ringo Starr – EP3 E.P. – (Universal Music / Roccabella)
  • 81XnU1zsH+L._AC_UY436_FMwebp_QL65_  Pink Floyd – Animals (2018 Remix) – (Pink Floyd Music / Sony)
  • 61y4fLkCidL._AC_UY436_FMwebp_QL65_  Creedence Clearwater Revival – At the Royal Albert Hall – (Craft Recordings / Concord)
  • 81+Qu-20HCL._AC_UY436_FMwebp_QL65_  LeAnn Rimes – God’s Work – (EverLe Records / Thirty Tigers)
  • 91ryCA1cxSL._AC_UY436_FMwebp_QL65_  Little Big Town – Mr. Sun – (Capitol Records / UMG)
  • 71XpdJwaLKL._AC_UY436_FMwebp_QL65_  Noah Cyrus – The Hardest Part – (Records Label / Columbia)
  • download-23  The Mars Volta – The Mars Volta – (Clouds Hill)
  • 71FFLqjzM-L._SX522_  Death Cab for Cutie – Asphalt Meadows – (Atlantic Records / WEA)
  • 71n00b4TR9L._AC_UY436_FMwebp_QL65_  Starcrawler – She Said – (Starcrawler Music / Big Machine Label Group)
  • 817CRl2TCtL._AC_UY436_FMwebp_QL65_  Clutch – Sunrise on Slaughter Beach – (Weathermaker Music)
  • 91WdsFGhu1L._AC_UY436_FMwebp_QL65_  House of Lords – Saints & Sinners – (Frontiers Records)
  • 81IUyCqDJlL._AC_UY436_FMwebp_QL65_  Ginevra – We Belong to the Stars – (Frontiers Records)
  • 71mdIsVKqeL._AC_UY436_FMwebp_QL65_  Fans of the Dark – Suburbia – (Frontiers Records)
  • 51EvmwHtOdL._AC_UY436_FMwebp_QL65_  Joe Strummer & the Mescaleros – Joe Strummer 002: The Mescaleros Years – (Casbah Productions / Dark Horse Records / BMG)
  • 91WR+epPXSL._AC_UY436_FMwebp_QL65_  The Black Angels – Wilderness of Mirrors – (Partisan Records)
  • 81NAft7MRDL._AC_UY436_FMwebp_QL65_  Behemoth – Opvs Contra Natvram – (Nuclear Blast)
  • 81aWnxG5CBL._AC_UY436_FMwebp_QL65_-1  Edenbridge – Shangri-La – (AFM Records / Soulfood Music)
  • 81sw5JZJlkL._AC_UY436_FMwebp_QL65_  Wolfheart – King of the North – (Napalm Records)
  • 61N0+E4hBOL._AC_UY436_FMwebp_QL65_  Sumerlands – Dreamkiller – (Relapse Records)\
  • 71NDwasldfL._AC_UY436_FMwebp_QL65_  Lybica – Lybica – (Metal Blade Records)
  • 91Rj7+BBtQL._AC_UY436_FMwebp_QL65_  Destrage – So Much. Too Much. – (3DOT Recordings / Many Hats Distribution)
  • 717wuILgS2L._AC_UY436_FMwebp_QL65_  Omophagia – Rebirth in Black – (Unique Leader Records)
  • 71+1qXvPu8L._AC_UY436_FMwebp_QL65_  Ondara – Spanish Villager No. 3 – (Verve Label Group / UMG)
  • 61mopsCfAQL._AC_UY436_FMwebp_QL65_  Julian Lage – View With A Room – (Blue Note Records)
  • 51MLKFYs5NL._AC_UY436_FMwebp_QL65_  Miles Davis  – That’s What Happened 1982-1985: The Bootleg Series Vol. 7 – (Columbia Records / Sony Music)
  • 61y3C1KMdlL._AC_UY436_FMwebp_QL65_  Samara Joy – Linger Awhile – (Verve Records / UMG)
  • 71rnCFSInnL._AC_UY436_FMwebp_QL65_  Confessions of a Traitor – Punishing Myself Before God Does – (Facedown Records)
  • 81Z2d22lC-L._AC_UY436_FMwebp_QL65_  Bumpin’ Uglies – Mid-Atlantic Dub – (InEffable Records)
  • 9144wuEyPgL._AC_UY436_FMwebp_QL65_  Danielle Ponder – Some of Us Are Brave – (Future Classic)
  • 91pD0KLfonL._AC_UY436_FMwebp_QL65_  Surf Curse – Magic Hour – (Atlantic Records)
  • 81En3QhT5+L._AC_UY436_FMwebp_QL65_  Cape Francis – Don’t Let Your Heart Walk Away – (Sleep Well Records)

  • 61oxashW2NL._AC_UY436_FMwebp_QL65_  Fletcher – Girl of My Dreams – (Capitol Records / Snapback Entertainment / UMG)
  • A1ajH9wcIcL._AC_UL640_FMwebp_QL65_  Djo – Decide – (AWAL Recordings)
  • 71OLCOFli-L._AC_UY436_FMwebp_QL65_  Rhett Miller – The Misfit – (ATO Records)
  • A1K9Kk4Rv+L._AC_UY436_FMwebp_QL65_  Loveless – End of an Era – (Loveless)
  • 71eDgdstDCL._AC_UY436_FMwebp_QL65_  The Murlocs – Rapscallion – (ATO Records)
  • 81mL1FIWtvL._AC_UY436_FMwebp_QL65_  The Darling Fire – Distortions – (Iodine Recordings)
  • 71CVq1DvKTL._AC_UY436_FMwebp_QL65_  Gogol Bordello – Solidaritine – (Das Grand Kapital / Cooking Vinyl)
  • 71n0kicwknL._AC_UY436_FMwebp_QL65_  Klangstof – Godspeed to the Freaks – (Velveteen Records)
  • 919pYs0zqEL._AC_UY436_FMwebp_QL65_  The London Suede – Autofiction – (Suede Limited / BMG Rights Mgmt)
  • 51rtikeThoL._AC_UY436_FMwebp_QL65_  Rina Sawayama – Hold the Girl – (Dirty Hit)
  • 81kJ+JboLPL._AC_UY436_FMwebp_QL65_  Abstract – No More Hope for the Hopeless – (Abstract the Artist)
  • 81nbONoaNaL._AC_UY436_FMwebp_QL65_  Whitney – Spark – (Secretly Canadian)
  • 81Qtp63NXqL._AC_UY436_FMwebp_QL65_  Maggie Lindemann – Suckerpunch – (swixxzaudio)
  • 81grxrz0whL._AC_UL640_FMwebp_QL65_  Lissie – Carving Canyons – (Lionboy Records)
  • 81PyLFrpe7L._AC_UY436_FMwebp_QL65_  The Beths – Expert in a Dying Field – (Carpark Records)
  • 91P9bADBObL._AC_UY436_FMwebp_QL65_  Electric Callboy – Tekkno – (Century Media Records)
  • 61cDwQ+NeAL._AC_UY436_FMwebp_QL65_   Molly Lewis – Mirage E.P. – (Jagjaguwar)
  • A1WoSsX0klL._AC_UY436_FMwebp_QL65_  Jimmy Carpenter – The Louisiana Record – (Gulf Coast Records / SoNo Recording Group)
  • 81aSuHWX8RL._AC_UY436_FMwebp_QL65_  Mitchell Tenpenny – This is the Heavy – (Riser House Entertainment / Sony Music)
  • 81jwGm8bKML._AC_UY436_FMwebp_QL65_  We the Kingdom – We the Kingdom – (Sparrow Records / Capitol Records)

Humanimal – ‘Humanimal’ (2002) – Album Review (The Jeff Scott Soto Series)

Back in 2001, Talisman guitarist, Pontus Norgren, was working on a side project with Z-Records label boss, Mark Alger. Mark envisioned a Talisman type project that would be very different from the normal Talisman material. It was thought to be a concept album with multiple lead singers including Jeff Scott Soto doing a few tunes as that was all he agreed to do. Pontus recruited Talisman bassist, Marcel Jacob, but the drummer was Thomas Broman who was not from Talisman.

Jeff signed on to do a few songs and said he was not a member of this band and was doing is at as a favor for his friends. Man, that sounds familiar (Takara and most of his early projects). And like normal, the multiple singer aspect didn’t work out and then Jeff agreed to do the whole album. This was basically a Talisman album with three of the four members, but it wasn’t that either. The biggest difference is the sound. This was a guitar driven album and much heavier than normal Talisman. In Talisman, you have Marcel’s bass front and center and the main focus, here, this is Pontus’ project so the guitar is the main focus. There are moments that feel and sound like Talisman, so any Talisman fan will love this album. But it is different.

The Humanimal name was chosen to mark the connection to Talisman, but at the same time to say that this is different, new and exciting. The album saw a release on January 2002, but it would end up being their last album together as this name. There were some shady dealings going on with the label and Marcel and Pontus ended up in a bitter dispute on royalties with Z-Records which led to bitter arguments between the two friends and as a result, the two parted ways. It was so bad, Pontus was now out of Talisman as well. Soto was planning on signing with Z-Records, but the royalty issue is rumored to have stopped him from signing with them as well. He would soon sign with Frontiers Records (which we will discuss on the next review). What started out as promising turned in to a total disaster…such is life in the Music Business!

Continue reading “Humanimal – ‘Humanimal’ (2002) – Album Review (The Jeff Scott Soto Series)”

Scorpions – ‘Lovedrive’ (1979) – Album Review (The Scorpions Collection Series)

We are now on the band’s sixth studio album and the first one with new guitarist Mathias Jabs. Mathias replaced Uli Jon Roth who was unhappy with the direction of the band and left to form his own band called Electric Sun. With Mathias on board, we now have what is considered the “classic” line-up because it was the line-up that had the most success. That line-up was Klaus Meine, Rudolf Schenker, Francis Buchholz and Herman Rarebell. But Mathias wasn’t the only lead guitarist on this album.

After leaving UFO, Michael Schenker returned to Scorpions to help work on the ‘Lovedrive’ album. Originally thought to only be on about 3 songs, Michael is on most of the album as he contributed backing vocals as well as lead guitar work on 5 songs. But he was not planning on touring with the band at least not until the band parted ways with Mathias Jabs. He joined in February 1979 at the beginning of the tour. However, it didn’t last long as by April, Michael left the Tour while they were in France. After what was said to be very intense negotiations, Mathias Jabs rejoined the band. Talk about drama!!

Continue reading “Scorpions – ‘Lovedrive’ (1979) – Album Review (The Scorpions Collection Series)”

Europe – “Cherokee” – 7″ Single

In the batch of singles I found at Repo Records a couple months back, we are now to our fourth single of 6 and second from the band Europe. This one is the fourth single off ‘The Final Countdown’ and is a song that would catch a lot of grief today as the song is “Cherokee”. With today’s over sensitive, my feelings get hurt easily culture, “Cherokee” would probably be frowned upon with a bunch of white guys singing about Native Americans. “Cherokee” was released in November 1987 and didn’t do as well as their other singles, It only went to #72 not getting anywhere close to the Top 40.

The song was written by Joey Tempest. It was inspired by a book the wife of the album producer had. He had read through it and was inspired to write about the plight of the Cherokee nation as the U.S. government relocated them to Oklahoma from their native land of the lower Appalachian Mountains. Over 4,000 died on that march. It was the last song written for the album.

The copy I have is the standard U.S. version with the single being the album version and not the shorter edited version. The B-Side being “Heart of Stone” off the same album. I also have a “demonstration-not for sale” stamp on this one as well, but it is backwards and on the B-Side so not sure what is going on with these. Maybe they were used for Promo purposes…and maybe not.

Continue reading “Europe – “Cherokee” – 7″ Single”

You Picked It! – The Smiths – ‘The Queen is Dead’ (1986) – Album Review

Alright…You Picked It! And this one I thought was going to be a blowout as The Smiths opened up with the first 5 votes. It ended up really close, but The Smiths never relinquished the lead. Therefore the winner was The Smiths – ‘The Queen is Dead’ which is one I have actually never heard from beginning to end as as it is not a genre I particularly like. Here are the results.

  1. The Smiths – ‘The Queen is Dead’ – 7 votes
  2. Ghost – ‘Meliora’ – 5 votes
  3. The Doors – ‘Morrison Hotel’ – 5 votes
  4. Pistol Annies – ‘Interstate Gospel’ – 2 votes
  5. Hollywood Undead – ‘Hotel Kalifornia’ – Sadly, 0 votes

Thanks to all for participating. The October choices will be up on Saturday!

THE SMITHS – ‘THE QUEEN IS DEAD’ (1986):

Disclaimer: Who would’ve thought that after I wrote this review, the Queen would actually pass away. I mean no disrespect posting this today as it has been planned and written for over a week prior to her death. I find the monarch rather fascinating as we don’t have one here in the States despite some orange colored freak who would like to be King. Enough of that, let’s just talk music.

The Smiths have been touted as one of the most important bands to come out of the 80’s British independent music scene. The album ‘The Queen is Dead’ is routinely placed in the Top 10 (and sometimes #1) as one of the best albums of the 80’s. So, no pressure in reviewing this at all.

When I first listened to the album, I played it in my car on my drive to work. This drive turned in to one of the worst drives I have had in to the office in years. The drive started out dark and gloomy with a lot of fog and then turned a 32 minute drive in to an hour due to a wreck on the highway. Waze took me off the interstate and on to back roads that quickly filled up because of the accident. I’m not saying it was the music that caused this, but I’m also not saying it didn’t. Normally, when I am in traffic like this, the music help soothes me over, but instead it made me somber, melancholic and out right depressed.

Continue reading “You Picked It! – The Smiths – ‘The Queen is Dead’ (1986) – Album Review”