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The boys are back with their third album. The boys, of course, are Paul Laine, Bruno Ravel and Rob Marcello or more properly known as The Defiants. The band was brought together back in 2016 thanks to Frontiers Records. I was worried this was going to be a one and done, but thankfully that wasn’t the case.
I spoke with Paul Laine a couple years ago and I knew he was working on this album. And about 6 months later, when I was exchanging emails with him, he was coming up on his deadline to submit the album to Frontiers. He seemed a little stressed, but in a good way. This was around January 2022. I am not sure what happened, but the album didn’t see the light of day for another 18 months. I hope to talk with him again soon and I will make sure to see what was going on. Regardless, as of June 7, 2023, we have the new Defiants album and I couldn’t be happier.
The guys had worked together before in a band called Danger Danger, you remember them from the late 80’s and 90’s. The Defiants were made to recapture that 80’s rock magic and capture it they did. I will try not to be biased as I am a huge Paul Laine fan and I pretty much love everything he does and there is a reason for that…he is one of the best vocalists in the business and his voice gets stronger as he ages. He does not disappoint here either. In fact no one does. This is my album of the Summer and in fact, could wind up as album of the Year. Yes, I said it! And here’s why…
The album opens with a scorcher in “Hey Life” which is a massive anthemic rocker. And listen to that opening guitar riff…does it not sound like “Rise” by Extreme??? Which is wild as both albums came out on the same day. Paul’s vocals soar as he tells life to get out of his way. The drums are pounding, the guitars are a rip-roaring shredfest and the song makes a massive opening statement.
Continue reading “The Defiants – ‘Drive’ (2023) – Album Review”
We are starting out things a little different. We aren’t starting with the earliest Bon Jovi piece in the collection. We are going to start the Bon Jovi Collection Series with the piece that convinced me to start the series. I picked this up around Christmas of last year and when I had all the album on vinyl, I thought, let’s do it. I took some time filling some holes in the collection and arranging what I wanted to review and now here we are. Currently this collection is going to take some time as there are around 60 pieces to review so this will take over a year to complete so I hope you are along for the ride. We will save the history of the band and how it got started to later. For now, let’s look at this box set in all its glory.
The Box Set was released on February 10, 2017 and was released on both vinyl and CD. I chose the Vinyl collection as I love to have their albums on vinyl. The set carries all studio albums up to that point which means it stops at ‘This House is Not For Sale’. But that isn’t all, it has both Jon Bon Jovi solo albums as well as an “Extra” LP with a bunch of their international B-Sides which is a nice treat. But that is it. There no extra posters, stickers, booklets or anything. Each album though is remastered on 180g LP and the 16 albums are spread over 24 LPs. At the time this was released, 7 of the albums had never been released on vinyl and then you have the “Extra” LP which is the first time this had ever been released. So, for the vinyl collector this was the easiest way to get everything. Now, they did release the albums individually, well the Bon Jovi ones were, I don’t think I ever saw the Jon Bon albums ever in the stores…I mean ever.
As we now know as we are now on their fourth studio album, W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson and Robban Back both from the band Eclipse as well. And a new face to the band with Andreas Passmark (Royal Hunt) will handle the bass duties.
The album was released on January 22, 2021 right slap dab during the COVID pandemic. So, no touring sadly. However, at this point in the pandemic, band’s were still delaying albums and we are so grateful that W.E.T. did not. Their fourth studio album, ‘Retransmission’, sees Erik still at the helm and this time, the guitar is king a little more than it has in the past. But don’t worry, if you are expecting to hear W.E.T., you will in spades as you still get melodic rock, 80’s anthemic AOR and solid music throughout still drenched in keyboards and smothered with great melodies and vocals from the great Jeff Scott Soto. They have become AC/DC in a sort of way with the fact that all the albums sounds the same, but in a very good way. I think people might be upset if they changed their sound, thankfully, they did not. Just punched it up, polished it off and delivered another spectacular release. Let’s see how it holds up.
“Big Boys Don’t Cry” comes screaming out of the gates with its bombastic drums, ear-splitting guitars and as is usually the blueprint, you get both Erik and Jeff on vocals for this first song and it is a scorcher. The melodies and harmonies between the two are better than ever. The anthemic beast of a song shows that W.E.T. have not lost a step in the three years since their last release. They come out swinging with this one.
Continue reading “W.E.T. – ‘Retransmission’ (2021) – Album Review (The Jeff Scott Soto Series)”
For My Sunday Song #367, we are now on the 7th selection in the Morgan’s Choice Series. This time around we are talking about the song “Escapism” by British singer Raye which features 070 Shake. The song started off as a huge TikTok sensation and became the third single off her 2022 album, ‘My 21st Century Blues’. The song hit #23 on the Billboard Top 40 and it charted in dozens and dozens of countries. It was written by Raye along with 070 Shakes and Mike Sabath who also handled production.
The song is about escaping from reality after a bad break-up. That escaping deals with unhealthy coping mechanisms including drugs, alcohol and even hooking up with a lot of people. In the lyrics she is hitting the clubs and sitting in the back of a cab doing coke. Within 24 hours after the breakup she is with another man doing God knows what. It is not healthy at all and not a great way to deal with the breakup, but she made a hit song so who can argue with the results.
The song has a strong electronic beat that carries a certain cock swagger. The drums and the bass are turned up almost to a slight distorted level, but that beat will get you moving. There are lots of changes throughout as Raye tackles the lyrics in different ways whether it is a cocky spirited delivery or a soft, vulnerable state and she has a great voice and can handle both perfectly. 070 Shake’s (or Daniella Balbuena’s) vocals pair nicely with Raye’s and she brings that hip hop break that a lot of todays’s songs have, but I don’t think they always need. This works with it or without it in my opinion. This isn’t something I would gravitate towards, but no denying it is a catchy number
This been a great month of releases and two of which might end up on My Top 10 list at the end of the year. We have a lot more for you today, but for me this is a good break week to get caught up on all the stuff I’ve purchased over the last month. Let me know what you want to hear this week or what we may have missed on our list so everyone will know. Thanks for stopping by and I hope you all have a great weekend!!
The Weeknd – The Idol Vol. 1: Music from the HBO Original Series – (XO Records)
The Hu – Rumble of Thunder (Deluxe Edition) – (Better Noise Music)
Welcome to another monthly round-up of what we obtained here at 2 Loud 2 Old Music. It was another big month, but not quite like last month. The month started off with another Buy 5 Get 5 deal and ended with a trip to Los Angeles so it was a fun month here at the site.
First up was the 2nd & Charles Buy 5 Get 5 Free on Used CDs, so of course, I took advantage of that deal. Not a bad haul I must say…
And of course, we did get some new releases this month including Extreme, Neal Schon and my personal favorite, The Defiants!! I went the cheaper route of CDs for these mainly because Neal’s isn’t on vinyl and The Defiants isn’t available until September (pre-ordered).
One of my favorite debut albums from a band is ‘Dawn Patrol’ from the band Night Ranger. Most people got in to Night Ranger thanks to either “Sister Christian” or “(You Can Still) Rock in America”, but for me, it was actually their debut album which came out November 1, 1982 and I’m sure I saw the video on MTV as I am not sure how else I would’ve heard of them at that time.
For those that don’t know, Night Ranger is made up of a bunch of extremely talented musicians. The guitar duo of Brad Gillis and Jeff Watson is an unbeatable duo and it almost wasn’t meant to be as Brad was playing with Ozzy Osbourne in 1982 after the tragic death of Randy Rhodes, but he didn’t end up fitting in with the band so he came back to Night Ranger. Kelly Keagy (drums) and Jack Blades (bass) were from a band called Rubicon which also happened to have Brad Gillis in it as well. They then brought in Alan Fitzgerald on keyboards and he came from the band Montrose. The band was complete and what I liked even more was that they had two singers with Kelly and Jack. Kiss had two singers as well and I loved Kiss so I was high on these guys as well for that two singer approach as it gives so much variety to the music.
And the music was great. It was hard rock with a hint of AOR as well. The guitars were immense, the drumming was sensational and the vocals were the best. The keyboards accentuated the music and not over powering it. The debut album was probably the most raw, most intense and the heaviest of that 80’s run which makes it my favorite.
An interesting fact about the band is that they were originally called Ranger and the debut album was printed with that name. Before it was shipped, it was discovered there was a country band called Ranger in California (where Night Ranger is from) and they were worried about getting sued. So, they destroyed all the albums and reprinted them with the new name Night Ranger which was taken from a song on the album. I wonder if any of those Ranger covers ever slipped through and somehow survived as that would be a pretty impressive collectible if so.
Continue reading “Night Ranger – ‘Dawn Patrol’ (1982) – Album Review”
During the Covid pandemic, there was no touring, records kept getting delayed and the music industry felt like it was basically shut down. During this time though, some artists stayed creative and Jeff Scott Soto was one of them. He took 10 of his songs and redid them. If you are thinking this is a Bon Jovi ‘This Left Feels Right’ disaster, you would be wrong. It is less a re-imagining of the songs and more of stripping them down to their bare essence. He did everything himself, except for the mixing which he had some friends handle that part such as David Clarkson, John Ellis, and Alessandro Del Vecchio. And I was curious as to what songs he would choose to re-visit and he chose songs that he was the solo writer on and that makes sense as he wouldn’t need approval from anyone else since they were his songs.
The project was originally going to be released as a Jeff Scott Soto solo album, however, there were some legal issues with that maybe because he had just released a solo album a month or two earlier or who knows why. So, Jeff took it his other band, SOTO, and released it under their name. And the release is only available as a digital only release. There is no physical product as of now. Hopefully that will change down the road. I get why he put it under the SOTO moniker so it could get released, but don’t think this is a Metal album at all. This is stripped down, mostly acoustic and slowed down versions of his songs. Nothing metal about them.
The opening track is “Eyes of Love” off his second solo album, ‘Prism’. The original version is a hard rock, melodic ass kicker and here the song his just Jeff and a piano and turned in to a beautiful ballad. Stripping the songs down gives the songs a new chance to shine while really showcasing the power of Jeff’s voice and this is a great way to kick it all off.
The next rack is “My Love, My Friend” which was an a cappella track from Soul Sirkus’ album ‘World Play’ which he did with Neal Schon. He added a drum beat and a piano to it including extra lyrics and more arrangements. It is now a fully flushed out song rather than a short all vocal track. Is it better? It is different and not a bad track. The electronic drum sound hurts it for me. A respectable version for sure, but not a full on knock-out.
For My Sunday Song #366, we are on Morgan’s 6th choice and this time is Stephen Sanchez’s sweet song “Until I Found You” off his 2022 album ‘Easy on My Eyes’. The song was released on September 1st 2021 and it went to #23 in the US and has been certified platinum multiple times over. Stephen wrote the song all by himself and isn’t cool when you have an artist that can write his own songs (yes that was a dig at some of her choices so far). There is a solo performance of the song and one with Em Beihold and both versions are just stellar. You can’t go wrong with either.
I usually talk about the song means, but Stephen knows best so I will let him discuss it…Stephen Sanchez shared with PLNK WIFI the story behind “Until I Found You” released on the 1st of September, 2021, “When I met my girlfriend Georgia, I was in the worst place ever. She was so loving and great to me though. I didn’t feel good enough for that, so I pushed her away. We spent some time apart. She was in Virginia. I was in California. A month before I moved to Nashville, we reconnected over the phone, I drove up, took her on a date, and we’ve been together ever since. I wrote ‘Until I Found You’ to let her know how much I love her, and to let her know I knew how much of an idiot I was when I let her go the first time.”
Musically, the song is so old-school with an old-50’s style sound and even a hint of The Beach Boys. It makes the song so warm and inviting and I have to admit I think it is quite awesome. That twangy guitar and those brilliant drum fills are nothing are so sweet and tender and match the emotion of the song. I really dig this one and thinks you have to really listen to it to appreciate what I have said and see for yourself.
2 Loud 2 Old Music 