Released on February 21, 2025, ‘The Warner Recordings: 1985-1994’ celebrates 40 years of solo David Lee Roth. His debut E.P., ‘Crazy From the Heat’, was released on January 28, 1985 and the last album on Warner Records was ‘Your Filthy Little Mouth’ which was released on March 8. 1994. In just shy of a decade we received 4 studio albums and 1 E.P. and they are all captured in this box set. I went with the CD as I already had these on vinyl and since there are no bonus tracks or anything extra, no need buying those again. So, I opted for the cheaper CD version and figured I save some bucks.
The box set comes in a nice cardboard box with an open side the CDs slide in and out of as they are housed in mini-LP type cardboard jackets. There is no booklet, but each comes with an insert with credits and lyrics for the songs. And I will admit, at my age, it is really hard to read those lyrics as these inserts are CD size and that is a lot of lyrics to put on one side of the insert. The album jackets are faithful recreations of the original artwork and they are all sensational. Overall, a nice job of packaging. But it is the music we want to know about so let’s go through each of them.
Last week, we talked about the first of 2 Live E.P Picture Discs that were released on Record Store Day. This week, we discuss ‘Live 2’ which was released on Record Store Day 2014. It states it is a limited edition, but we have no idea how many there are out there and they aren’t hard to get as the internet has a bunch for sale if you search it up. So, it probably isn’t that limited. Still, it is another cool 10″ E.P. from the band even if the songs have all been previously released.
This time around all the songs are from the New Jersery World Tour recorded either in 1988 or 1989 and broken down in to a U.S. Side of recorded songs or an International Side of recorded songs. Now, there are only 4 songs so not a ton and they have all been released previously so you might have some of them already and you don’t know it.
The U.S. Side kicks off with “I’ll Be There For You” which was recorded in Lakeland, FL, 1989. It was previously available on 2 CD set of ‘Keep the Faith’ which featured a bonus CD also called Bon Jovi Live. It isn’t a bad version, they do seem to have slowed things down a little live, but the key is how amazing Richie Sambora’s playing is on this one. Such emotion in those notes, it is really cool.
Back in 2013, Bon Jovi jumped on board the Record Store Day Bandwagon. On April 20, 2013, we get the first of 2 Live E.P. Picture Discs from the band. The first one is called simply ‘Live’ and is a 10″, 33 1/3 RPM, Picture Disc. It contains four live tracks, all previously released in some form or fashion.
The opening track, “Livin’ On A Prayer” was recorded at Madison Square Garden on either July 14/15 of 2008 and was released on the video ‘Live at Madison Square Garden’ in 2009. The song starts off with Jon singing “Livin’ on a Prayer a cappella and the crowd finishes it the chorus. The full band joins in and they show why they are a great live band.
The second track is a personal favorite, “Blood on Blood” and this one was recorded at the Meadowlands Stadium in New Jersey around May 2010. The song was released on the live album (and video) ‘Inside Out’. It feels untouched as you can here the little wobbles and cracks in Jon’s voice like a good live show should have. The song might not have the same grit live as it does on the studio version, but they do put their all in to it.
The album ‘Have a Nice Day’ album from Bon Jovi came out on September 20, 2005 and to keep the promotion on that album, the band & label decided to release a companion piece 6 months later. On February 7, 2006, they released ‘Live From the Have A Nice Day Tour’ E.P. that was exclusively sold at Walmart. It was only available in the U.S.
Don’t worry though as the songs weren’t exclusive as they also appeared on the Tour Edition of ‘Have a Nice Day’ that was released in Japan. Plus, you could get 3 of the songs as B-Sides for the single “Who Says You Can’t Go Home”. There are six tracks and they are are all live. They were recorded during the Have a Nice Day Tour in Banknorth Garden, Boston, MA on December 10, 2005.
The album contains 4 live versions of songs from ‘Have a Nice Day’ and two classic Bon Jovi tracks as well. It kicks off with one of my favorite songs from the new album called “Last Man Standing”. It has a killer opening riff from Richie and the song is a pure, high energy rocker. Live they seem to play it a little faster at times, but that doesn’t take away from the track. Just an observation. Live though the song doesn’t sound as cool and dark as the studio track, but still cool to have a live version of it.
Next up is the classic Bon Jovi track “You Give Love a Bad Name” and I have heard this one so many times I can’t imagine they would do anything special to it that would make me want to hear this one again live and I was right. Luckily vocals are still great, the band sounds great and the crowd was really in to it and they even get their own chorus to sing. The band could play this one in their sleep.
“Complicated” comes screaming to life next…well after a fade out from the last song and a fade in to this one which tells me these were played next to each other in the show. Another track that is better as a studio track than a live one. It doesn’t have the heart or the intensity that the studio track gave us. Live, the band felt like they were going through the motions. I don’t really mean that bad, they just didn’t do anything that takes it to another level live.
After another fade in/fade out, we get the title track, “Have A Nice Day”. An anthemic rock track in the same vein as “It’s My Life” which tells you it is catchy and a fun track to hear live…and it lives up to expectations. The band plays this one with a lot of energy and seems to enjoy playing it as it is a real crowd pleaser. Plus, we get a “Richie” solo and name check.
“Who Says You Can’t Go Home” is next and this is not a duet with Jennifer Nettles, this is the Jon Bon only version. How does this one come off live? Well, pretty lifeless in my opinion. A paint by numbers run through with no passion or heart in the vocals. Blah! Feels like a bathroom song if you no what I mean.
The final track is “Raise Your Hands” and thank goodness, I needed something uplifting after that snoozefest. A heavier-hitting track with a lot more energy and a lot more guitar. A tougher sounding track that would make my raise my hands to get the blood flowing again. A classic track that takes me back to the good time Bon Jovi era. And more Richie Sambora name checks and solo. Give me more of that.
And that is it. I will admit, it isn’t the most exciting live set, but it is a nice piece to hold you over until the next album comes out and it is good to help continue to promote the new album. But the song choices weren’t the best, the performances were a little dull and lifeless at times. It felt like they were going through the motions on some of these. The CD opened well and closed well, just faltered at times in the middle. My Overall Score is a 3.0 out of 5.0 Stars mostly for a nice collector piece. Otherwise, skippable for non-collectors.
I haven’t added anything new to my Aerosmith collection in a long time. The last post was over 19 months ago, but thankfully that bleak emptiness of a streak has come to an end. While I was out looking for music, I found this E.P. from Aerosmith that I did not have in the collection. It is the E.P. ‘Made in America’ which was released by the label on March 18, 1997. Which is the same day as the release of their album ‘Nine Lives’. This E.P. was exclusive to Wal-Marts across the U.S. and Canada and was purposely released to coincide with the new album.
The E.P. contains 6 tracks, 5 of which are basically studio album tracks. The song on here to get is the final track which is “One Way Street” (Live) as it hasn’t ever been released any where else. At least I don’t think it has. So, let us walk our way through the tracks and see what we have.
The album kicks off with the song that kicks off the album ‘Rocks’ and that song is “Back in the Saddle”. The song has a slow build with the drums and guitar and includes a wicked bass line from Mr. Hamilton and then explodes into a heavy rocker. The song includes a whip sound and some clanking spurs that were fastened to Tyler’s boots with the help of New York Dolls frontman David Johansen. If you were expecting the Gene Autry song, “Back in the Saddle Again” you’d be disappointed, but otherwise you love this song that kicks start the album and includes so many double entendres and even a quick yodel. What a way to kick off the album.
Bon Jovi and the label were really pushing their single “Thank You For Loving Me” off their 2000 album ‘Crush’. The single was released on November 6, 2000 and only went to #57 on the Billboard Hot 100. So, to help promote the song even more, they created an E.P. with that song and other love songs. This is a rare bonus CD, that was available only on Valentine’s Day of 2001 with the purchase of the studio album Crush. It contained five Bon Jovi love ballads; “Thank You for Loving Me”, “Bed of Roses”, “Always”, “I’ll Be There for You” and “Never Say Goodbye”. I also read that it was sent to radio stations as well as promo to be played as it contains the radio edit of “Thank You For Loving Me”.
The CD comes in a cardboard gatefold sleeve with a bunch of hearts on the front. The gatefold opens with the chorus of the song on the right and a heart shapped cut-out that is holding the CD on the left. It is pure Valentine’s Day cheese. I’ll tell you, it isn’t that hard to come by and not real expensive so if you need to complete your collection with this, it won’t be to difficult. Hit up eBay or Discogs and you should find it easy enough. As I mentioned, the first song is a radio edit and so is “Always”. The rest are the original versions from the albums. Let’s go through them all.
The song title, “Thnk You For Loving Me” seems to be inspired by Brad Pitt’s character in the film ‘Meet Joe Black’ where he tells Claire Forlani’s character “thank you for loving me”…or it could be a giant coincidence. It was written by Jon Bon Jovi and Richie Sambora and was inspired by Jon’s own personal experiences and observations on how love can change you and it was a giant thank you to those special people in his life. It is chock full of ballad cliches with a full on string section, soft & gentle piano and some nice sweet guitar licks from Sambora giving us the power in power ballad. And yes, it is a little over-the-top at times and cheesy, but Jon still delivers it as only he can with all the emotion needed to draw in the listener and pull at their heartstrings. Not their best ballad they’ve ever done, but honestly, its pretty damn good nonetheless.
For My Sunday Song #369, we get Morgan’s 9th Choice and this time we have Billie Eilish’s song “TV” from her 2022 E.P. called ‘Guitar Songs’. The E.P. only has two songs and they thought about including them on her 3rd album, but instead she felt they needed to be heard immediately so they released them. The song “TV” was written by her and her brother, Finneas O’Connell who also produced the song.
The song is about depression and it talks about a lot of issues including abandonment which makes her want to curl up on the couch and watch TV. She wants to watch Survivor so she can see other people suffer. There is a strong desire to numb the pain and get away from all that plagues the world. There also seems to be worry about her celebrity and the effect that has on her relationships. There is a lot of loneliness coming from this song. And be the end, she blames all of her issues on herself and watching TV and all the problems flashed on that tiny little screen. Celebrities suing each other, the downfall of Roe v Wade and so many more world events playing out on TV.
The song is an acoustic performance and damn, it is sad and depressing just like the lyrics. There is a darkness to it and a loneliness. It opens with a soft, lonely acoustic guitar and Billie’s haunting vocals. The bass, keyboards and drums come in later (all played by Finneas) and it picks things up, but the drone of the music still has that melancholy feel which never goes away in the song, but during the last lines of the song “Maybe, I’m the problem”, there is a cheering crowd that brightens things up a little, only a little. The crowd sound was sampled from the the crowd noise from her debut performance at Manchester.
For My Sunday Song #352, we get the song “The Border” from his most recent release ‘Short Stories E.P.’ back in 2022. The E.P. is only 3 songs that tell stories that make you feel like you are in the movies or at least that was his goal. The opening track, like all the tracks, was solely written by Aldo and he performed all the instruments as well which is impressive when you hear it.
The lyrics paint a picture of two outlaws on steel horses with a guitar strapped to their backs. They appear to be on the run from the law as the speed down the road to get to the Rio Grande and escape to Mexico. There is a woman waiting on the other side of the Border and he can’t wait to sing her a song. I wonder if there is a deeper meaning behind the song. Sadly, Aldo lost his wife a few years back and I wonder if what he is being chased by is death and when he crosses over (the border), he will be with her again and can sing her the song he so wants for her to hear again. When looking at it with that frame of mine, it is a sad and beautiful track.
Musically, there is a whole Latin flavor with hints of Carlos Santana in the guitar tone. It is pretty fantastic sounding. Aldo’s vocals fit perfectly nestled in to the song and you can’t help but want to get up and move to those rhythmic beats as the bass and drums really settle in to a nice groove that causes the hips to sway back and forth. The guitar playing is top notch as Aldo wails away on the solo. This song quickly became a favorite of mine from him.
Aldo Nova was silent for a number of years due to contract issues and such, but all those issues are settled and as a result, we have been getting a ton of new music from Aldo. The famed singer of “Fantasy” has put out 4 CDs over the last year. First was a 10 song E.P. of his rock opera ‘The Life & Times of Eddie Gage’ which is a two hour opera, but here we get a brief intro with the 10 songs…and it was great. Then he did ‘Reloaded 2.0’ which was a re-imagining of a bunch of hits. Then we get two 3-song E.P.’s. First is ‘Short Stories’ which we will review here and then next was a 3-Song E.P. called ‘Sonic Hallucinations’ which will review next.
According to Aldo’s website, “Aldo Nova-Short Stories is an EP that is made up of 3 great songs that each tell a different story that gives the listener the sensation of either watching a film or can be a song where they identify and touches a certain part of their lives.” And I love the artwork. The cover is called ‘Guitar And Tuba’ and was drawn by artist James St. Laurent.
The first track is called “The Border” and it has this whole Latin flavor with hints of Carlos Santana in the guitar tone. It is pretty fantastic sounding. Aldo’s vocals fit perfectly nestled in to the song and you can’t help but want to get up and move to those rhythmic beats as the bass and drums really settle in to a nice groove that causes the hips to sway back and forth. The guitar playing is top notch as Aldo wails away on the solo. I don’t hear any tuba though. The song feels like a couple of bad guys running from the law and/or s he running from death and from God. Who knows.
Next up is “What Happened to Our Dreams” is a story about lost love. Young high school romance with big dreams, but all good things come to an end and those dreams never become reality. The song is a ballad with some great acoustic guitars, some nice percussion work and an emotive Aldo singing with a broken heart at dreams that never came to be. The music has a great tone and feel to it as it feels like an old school 80’s ballad yet still sound a little modern at the same time. Another killer song.
The last track is called “Let Our Worlds Collide” and this one is a story as old as time. Two loves who for some reason aren’t together, but longing to be. A love song for the ages. Another ballad and this one is accompanied by a piano and it is quite beautiful. Aldo’s vocals match the aching tones of the piano as he hurts because his love is not there by his side as he loves her so much and although she’s not there, she can feel his love because it is so strong. It shows that Aldo doesn’t need the guitar nor the keyboards. Just him and a piano is sometimes all he needs to show that he can do anything and a few backing singers.
There is one thing I really hate about the 3-Song E.P. and that is it is only 3 songs. And all three are stellar tracks and make me wish for a whole album. Come on Aldo, gives a full album sometime soon please!! You still have it in you to do great things as this so truly shows. My Overall Score is a 5.0 out of 5.0 Stars! I really did enjoy this set.
If you want to watch the podcast I did with Tim Durling on his show Tim’s Vinyl Confessions, go check it out below…
Aldo Nova was silent for a number of years due to contract issues and such, but all those issues are settled and as a result, we have been getting a ton of new music from Aldo. The famed singer of “Fantasy” has put out 4 CDs over the last year. First was a 10 song E.P. of his rock opera ‘The Life & Times of Eddie Gage’ which is a two hour opera, but here we get a brief intro with the 10 songs…and it was great. Then he did ‘Reloaded 2.0’ which was a re-imagining of a bunch of hits. Then we get two 3-song E.P.’s. First is ‘Short Stories’ which we reviewed first and now we get a 3-Song E.P. called ‘Sonic Hallucinations’ which will now review.
From Aldo’s website we get the following: Aldo Nova creates a sonic tapestry that brings you his vision of 3 Extraterrestrial Symphonies of the future. The album was Composed, Performed, Produced, Arranged, Engineered, and Mixed all by Aldo Nova. This is an instrumental album and Aldo goes all out with bringing us some interesting music and whether he was high as a kite while doing it or sober, it is certainly different. I do love the artwork on here with the galaxy and Aldo breaking free from it.
The first track is called “Calling All Aliens” and it is all synthesizers and there is so much going on. We do get a killer electronic drum beat that drives the song and some angelic (or alien) backing vocals that add an extra flavor to the track. But it is what he does on the keys that is the magic here. He is able to create some great melodies that give us so much flavor to the song and let’s it stick in your head. Close Encounters of the Third Kind it is not, it is better than those simple tones as this is a lush landscape of sound. I’m sure the Aliens will answer back and come down to Earth with open arms.
2 Loud 2 Old Music 