Extreme – ‘Hollywood Rock 1992’ – Album Review (Bootleg Series)

At the most recent record show here in Charlotte, I found a couple bootleg CDs that I snagged up for a real cheap $5 each. Gotta love that. The first one I grabbed was from the band Extreme. The bootleg was called ‘Hollywood Rock 1992’ which was recorded from the rock festival Hollywood Rock down in Rio de Janeiro Brazil on January 26, 1992. The CD says it was a Freddie Mercury Tribute, but the band only played one Queen cover so not much of a tribute.

What I love about Bootlegs are the errors. Yes, they have errors. The reason why is the people that make bootlegs don’t give a crap about editing and making things perfect and accurate. They only care about getting out product. The first major error is where it was made. The album was made in Italy…however, the back cover says it was made in Itary. I have been looking at a globe for about 10 hours now and I can’t find Itary anywhere on it. Then it is the song titles…”Pornograffitti” is spelled as “Pornographiti” and what should be a Nuno acoustic guitar solo actually says that he sold his acoustic guitar.

What makes it even better is that they spelled everything correctly on the actual CD, but they used the wrong words at times. One error on the CD is on “Suzi” they called it “Suzi (Wants Her All Day Want?)” and it should be (Wants Her All Day What?). Then for “Decadence Dance” there is a drum solo and they list it as Pat but Pat plays bass. Paul is on drums.

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Axel Rudi Pell – ‘Made in Germany (Live)’ (1995) – Album Review (The Jeff Scott Soto Series)

Axel Rudi Pell has had four solo albums so a live album was long over due. As a result, during two shows on February 4th & 5th of 1995, they were recorded so a live album could be released. They were recorded in Markthalle, Hamburg and Zeche, Bochum. There were three songs from the Markthalle show and five from Zeche. The band was of course Axel Rudi Pell on guitar, Jeff Scott Soto on vocals, Jorg Michael on drums, Volker Krawczak on bass and Julie Greaux on keyboards. It was the same band that recorded the previous album ‘Between the Walls’ for which they were now touring for that album, and it is a great, solid band.

1994 was an extremely busy year for Jeff Scott Soto and by the looks of it, 1995 was not going to be any different as we have 3 releases for this year and this being the first. For this album, Jeff felt the biggest fault was it was too short and he would’ve liked to have included a few more of the older tracks. With that being said, if that is the only fault, then we are in for a real treat. The show captures how much Jeff enjoyed working with Axel and it shows in his performance and everyone’s performance for that matter. The album came out around May 22, 1995 and is a great time capsule of a great period of Axel Rudi Pell.

The show kicks off with some riffing by Axel and then they go straight in to “Talk of The Guns” off their most recent album ‘Between the Walls’. Here is the song is sped up even faster and a lot heavier. It seems faster than speed metal here. The drums are pounding and relentless and Pell’s solo is pure Axel. Jeff does a great job keeping up with that pace and not losing his breath, but it was close.

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Cheap Trick – ‘Are You Ready? Live 12/31/1979’ (2019) – Album Review (The Cheap Trick Collection Series)

Cheap Trick has hopped on the Record Store Bandwagon with 3 previous releases for each Volume of The Epic Archives and now for the 2019 Record Store Day they dug in to the archives and are finally releasing their New Year’s Eve concert from the Fabulous Forum in Los Angeles from 1979 in full. Some songs were released on the Expanded Edition of the ‘Dream Police’ album, but never the full show. This is the first time it has been released on vinyl, the first time the full show has been released giving is new mixes from the original master tracks. The only issue is the first reel of the master tapes could not be found, so the first four songs aren’t as clean and crisp as the rest of the album. They had to source those songs from a high resolution tape of the official radio broadcast. You can tell the difference in the listen, but honestly, it has zero impact on the listening pleasure.

RSD has it listed as an exclusive release, but only exclusive in the fact it is the only way to get the vinyl. The show has been released on CD and digitally so the vinyl release isn’t truly exclusive. The package is a 2 LP set in a beautiful gatefold. After getting the Epic Archive albums in multiple colors, here we get the standard black vinyl. I have read a lot of reviews and/or comments that they feel the sound sucks, but it is a personal taste. If you like a live album that sounds live, then this will be great. I wasn’t bothered by any of the sound quality and that won’t be mentioned at all as it was a non-issue for me. I was listening to the music and what we got and we got a lot. Let’s walk through it.

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Jeff Scott Soto – ‘Love Parade’ (1994) – Album Review (The Jeff Scott Soto Series)

For the 10 years prior to this release, Jeff Scott Soto has been singing for other people and other bands. This time around it was all for himself. ‘Love Parade’ is Jeff’s first solo album and the first chance for people to see a side of Jeff they’ve never seen. That can be a good thing or a bad thing and for a lot of Jeff’s metal fans this album was a strange departure. It was because this was not a metal album or even a hard rock. It is more a funk, R&B and a rock album all rolled in to one. His influences are worn on his sleeves with this one.

The songs he compiled for this album were mostly old demos he had that never amounted to anything prior. He felt they truly represented who he was outside of the metal/rock world. There were several songs from his band Slam that never released anything. He had a couple songs from his girlfriend, Julie Greaux, that he was co-producer on. He took them, re-worked them and then sang on them.

Musicians on the album were some friends including Gary Schutt, who Jeff sang for on Gary’s debut solo album, played bass and guitar. His girlfriend, Julie Greaux did background vocals and keyboards. George Bernhardt played drums, bass and guitar as well. And Jeff played a little of everything as well including the singing. The album was released sometime in 1994/1995 on Long Island Records but the year depends on who you ask. The album didn’t make any major waves, but thankfully in 2002, Jeff signed with Frontiers Records and they re-released it and by this time it made bigger waves as he was more famous.

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Cheap Trick – ‘Christmas Christmas’ (2017) – Album Review (The Cheap Trick Collection Series)

I know this is The Cheap Trick Collection Series, but I have to do this one album even though I don’t actually own a copy (yet) so I am able to complete an album rankings of all their studio albums. The album I don’t own is their Christmas album called ‘Christmas Christmas’. I am not a massive fan of Christmas albums so I will do my best to not be too biased on this one…I can’t promise anything. The album was released on October 20, 2017 and actually has 3 original songs written by the band which is Robin Zander, Rick Nielsen and Tom Petersson with Daxx Nielsen on drums. The remaining 9 tracks are covers with only one of those being a full on traditional song. The album is their 19th Studio album and went to #93 on the Top Album Sales and #5 on the Holiday Charts…not too bad for a Christmas album.

And one other thing. We are reviewing this in May for a posting in June and it is so not time for Christmas music, so getting in that frame of mind is difficult. I watched some Christmas movies, wore a Santa hat, wrapped some presents to give to my kids, made some eggnog and all that jazz to get in the mood and it worked!! So, let’s get going…(note: none of that is true!!)

The album kicks off with an original, “Merry Christmas Darlings”, and let me tell you…it is a great Christmas song. Robin sounds amazing, joyful and all in the Christmas spirit. The song is bouncy and has little rocking edge so don’t expect sleigh bells but lyrically it does touch on a lot of the cliches and there are a lot of “la la la las”. Robin, Rick and Tom actually wrote a decent song. And to keep it the rocking edge going we get “I Wish It Could Be Christmas Everyday” by Roy Wood and the Wizzards. Another upbeat track that sees Cheap Trick go full glam with lots of angst and yuletide fun.

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You Picked It! – Danger Danger – ‘Screw It!’ (1991) – Album Review

Alright…You Picked It! And this one really surprised me as I didn’t expect this one to get picked or many votes at all. But I am glad it did as I do enjoy this one a lot! A guilty pleasure you could say. The winner was Danger Danger’s 1991 album ‘Screw It!’ which is one I do have in my collection. Here are the results.

  1. Danger Danger – ‘Screw It!’ – 9 votes
  2. Neil Young – ‘After the Gold Rush – 5 votes
  3. Halestorm – ‘Back from the Dead’ – 4 votes
  4. Boston – ‘Boston’ – 3 Votes
  5. Miranda Lambert – ‘Revolution’ – Sadly, 0 votes

Thanks to all for participating. The July choices will be up on Saturday!

DANGER DANGER – ‘SCREW IT!’:

Danger Danger’s second album was not a repeat of their debut, but an improvement. It was more polished, more naughty and well…more everything. They recorded at in Ft. Lauderdale, Fl at New River Studios where Skid Row recorded their album ‘Slave to the Grind’. The funny thing is both bands put out singles called “Monkey Business” in the same year. Danger Danger was going to call their album ‘Monkey Business’, but changed their mind. I think they had trouble finding a name for the album and they said screw it! So, that became the name of the album ‘Screw It!’. And based on the lyrics in the album, there is a lot of that going on.

The band Danger Danger consists of lead singer, Ted Poley, guitarists Andy Timmons, Kasey Smith on keyboards, Bruno Ravel on bass and Steve West on drums. These guys were awesome. They were a true hair metal band and their music was the epitome of the genre. It was rude, crude, and anthem rocked out. It was one of the most sexualized albums I have ever heard and yet, even in today’s #MeToo Movement, I lover every minute of it. There is no denying their target audience with this one…young teenage boys…who had hot chicks as friends. I first heard of them because in 1990, they opened for Kiss. After I got that taste, I went and bought the debut and then was a day one shopper when this was released and I have loved it ever since. In fact, it is my #1 album on their Worst to First Ranking. I guess I have now spoiled the review…oh well…here it goes anyway.

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Kiss – ‘The Ritz On Fire’ – Album Review (The Bootleg Series)

I can’t believe we are on our 20th Review in the Kiss Bootleg Series. Nuts to think I’ve picked up that many. This one is called ‘The Ritz on Fire’ which is from August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. This one is not the full show, but sort of a Best Of Compilation of that show. There are a bunch of different ones out there, some with full shows and some like this. I do have a show from the Crazy Nights Tour that was recorded on April 18, 1988 in Osaka, Japan, so I figured I’d grab this one as well as why not, you can never have enough Kiss Bootlegs…obviously or we wouldn’t be on #20.

I have found that this version is one of the few bootlegs that get all the packaging correct. They have the right band members in the pictures (Paul Stanley, Gene Simmons, Eric Carr and Bruce Kulick) and the right song titles and I don’t see any mistakes which is rare in the Bootleg world.

This is Kiss live much in the same vein as their current “Off the Soundboard” series in that there are no touchups, it is as you heard it when it happened and in this case as it was on the radio broadcast. The first 9 songs on this 10 song set are in order of the original setlist and it isn’t until the 10th song that it jumps ahead a number songs and plays one more. Basically, it is the first half of the show.

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Gary Schutt – ‘Sentimetal’ (1994) – Album Review (The Jeff Scott Soto Series)

We have seen Gary Schutt before in the Jeff Scott Soto Series and that was with the review of the Takara album ‘Eternal Faith’ from 1993. Gary Schutt was the bass played. However, here is the not only the bass player, but he is also the guitar player, the keyboardist, the drum programmer. The only thing he doesn’t do on here is sing as that is left up to his good friend, Jeff Scott Soto. The two were spending a lot of time together because at the same time Gary was making his debut solo album, so was Jeff and we will get to his for the next review.

The album was recorded over a two week period in May of 1994 as both Gary and Jeff were renting a house in Delray Beach, Florida. The album was released on August, 31, 1994 in Japan and sometime in 1995 in Europe. It did get a reissue in 2005 that has 3 Bonus Tracks, but we are going to review the original album with the basic 11 tracks. And what we get is a cross between hard rock, melodic rock, aor and a little prog thrown in. Let’s check it out

The album kicks off with “Warpaint” and immediately you are sucked in to some great guitar playing as Gary rips some massive riffs. His bass is thunderous and powerful. The drum sound is the only negative because they are programmed sounding. To me it feels like an Extreme song a la ‘III Sides to Every Story’. The guitar has Nuno fill along with the bass and Jeff sings with a hint of Cherone and there is nothing wrong with that. An explosive opener and a sign of things to come.

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Cheap Trick – ‘We’re All Alright!’ (2017) – Album Review (The Cheap Trick Collection Series)

Cheap Trick is the fine wine of Rock & Roll…they keep getting better with age.  Okay, that was extremely cheesy if not entirely true!  They are now on their 18th Studio album after 44 years together.  To top it off, it has only been around 15 months since their last one, ‘Bang, Zoom, Crazy…Hello’.  The new album picks up right where that album left off.  ‘We’re All Alright!’ even takes it to the next level.

The album title, ‘We’re All Alright!’, is a line straight out of their classic song “Surrender” and the whole album is classic Cheap Trick.  The album is a fast paced, juggernaut of pure Cheap Trick rock.  The songs are generally around 3 minutes and the album flies by at only 33 minutes (45 for the deluxe edition).  The album consists of new songs and some old songs that were never recorded or released.

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Axel Rudi Pell – ‘Between the Walls’ (1994) – Album Review (The Jeff Scott Soto Series)

While Jeff Scott Soto was touring with Talisman in Europe, Axel Rudi Pell was ready to make another album. After the mixed reaction from the fans on ‘The Ballad’ album, Axel was going to go to his roots and make a pure metal album…a German Metal Album as he has stated. He contacted Jeff and arranged for him to come in and work on the album while his other band was touring. Jeff was happy to do so as he really enjoyed working with Axel since it wasn’t a dictatorship like other bands he had worked in. Jeff and Axel work well together and Soto co-wrote 4 of the 10 tracks.

Most of the band was back from the last studio album, ‘Eternal Prisoner’. There was obviously Axel and Jeff, but Jorg Michael was back on drums and Volker Krawczak on bass. Keyboardist Kai Raglewski was out and in his place was Julie Greaux who has worked with Billy Idol and happened to be Soto’s girlfriend. That’s convenient wouldn’t you say!! What I would say is that this was a solid line-up and had me interested to hear what they had put together this time around. It is definitely more fantasy and mystical lyrics and it is truly metal for sure! One more thing, in the liner notes, it lists out what instrument each band member plays with and for Jeff…it says he plays with Julie….”Oh Heffe, Oh Oh Ooh”…Let me just say…Wow!! Okay, hold on tight and let’s get to the music.

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