We now on the final of the 6 singles bought at Repo Records and the fourth and final one from the band Europe. The single this time around is “Let the Good Times Rock” from the 1988 album ‘Out of This World’. The song was the third single from the album and was released in January 1989. As far as charting, well, it did chart at #85 in the UK, but don’t see the chart info otherwise.
The song was written by Joey Tempest and the song is basically about a relationship that is going well and they should celebrate it and let the good times rock. A simple meaning behind a relatively simple song.
Yesterday, I had my appendix removed…today is recovery and nothing better than new music. There is only one I want this week and it is on order. I hope it arrives soon. We don’t have as many releases as this week but we are still close to 50 new ones. Go through the list and tell us what you want to hear this week and let us all know if there is anything we might have missed. Thanks for stopping by and I hope you all have a wonderful weekend.
Billy Idol – The Cage E.P. – (BFI Records / Dark Horse Records / BMG): If you read this site regularly, then you already know this is my top choice this week. Billy Idol is back with another E.P. and after last year’s fabulous The Roadside E.P., I am excited about this one and first single “The Cage” is a promising start. Even we aren’t going to get a full album, I will gladly take an E.P. every year.
And the rest…enjoy…
Kelsea Ballerini – Subject to Change – (Black River Entertainment)
As I mentioned in the prior Humanimal post…back in 2001, Talisman guitarist, Pontus Norgren, was working on a side project with Z-Records label boss, Mark Alger. Mark envisioned a Talisman type project that would be very different from the normal Talisman material. Pontus recruited Talisman bassist, Marcel Jacob, but the drummer was Thomas Broman who was not from Talisman. And yes, Jeff Scott Soto was on vocals. The big difference between Talisman and Humanimal is that the songs were more guitar driven than bass.
The first single released from the debut album was doing so well, Z-Records thought they would capitalize on the success and released this limited edition E.P. for the song “Find My Way Home”. To entice fans to buy it, they included a previously unreleased track…heck it worked…I bought it!!
“Find My Way Home” is off the debut Humanimal album and compared to some songs on the album this one slows things down, but it ain’t a ballad as there are none on that album. Slowed down means it is less than a million beats a second. This is one of the best songs on the album as it is more melodic and Soto brings it on home vocally as it sits right in his wheelhouse. The instruments take a little backseat to Soto’s vocals as they aren’t as in your face. But it doesn’t take away from that great rhythm section. A standout track for sure.
The second track and previously unreleased is “Love Dominion” which has some intense guitar work from Pontus with some really cool opening riffs and Thomas is pounding away on the drums. The opening gives us a guitar solo as well before Jeff joins in on vocals. The bass is heavy on this one, but not Talisman heavy. Jeff’s vocals aren’t as in your face and seem more reserved with such a rocking track, but it works. Great hooks, riffs and melodies…another cool track that would’ve fit nicely on the album. The song was issued on the album for the reissues and has been called “Love Dominion”, “Loves Dominion” and “Loves the Dominion” depending which version you get. Mine is “Love Dominion”.
Then with the final song on the E.P. and another from the debut album, things get a little funky with “Turn Away”. The song is dark and moody while also a very groovy song thanks to Marcel and the magic he can do with that bass. The chorus is really catchy and has more great harmonies. The a cappella break with just Soto and his many layers of vocals is awesome. Another Soto standout track.
And there you have it. I had to buy this one since I had the original release of the album and not a reissue which makes it cooler for me. It is a great 3 song set and is great taste of how good this short-lived band was. It is a must have for the Soto collector as it is a limited edition. The only thing is I don’t know how limited it actually is as I’ve never seen a number for how many were released. 3 powerhouse songs means a Perfect Score of 5.0 out of 5.0 Stars!
UP NEXT: JEFF SCOTT SOTO – ‘HOLDING ON’ E.P. (2002)
I was down in St. Augustine, Florida in early August and went by a second-hand book store where this book was waiting for me it to rescue it. A couple weeks later on a flight to New York, I opened it up and started reading. On the flights there and back, I got through 2/3’s of the book as I couldn’t put it down. I finished it up in another sitting or two and really enjoyed it. I knew some stories on Mr. Hughes, but I didn’t know this story. The book, ‘Glenn Hughes The Autobiography: From Deep Purple to Black Country Communion’ was written by Glenn and Joel McIver. It actually starts off earlier than Deep Purple as it cover some of his childhood and does go to Black Country Communion which means it goes from 1951 to 2010.
The forward is by Metallica’s own Lars Ulrich. He discusses the first time he saw Glenn Hughes play and what a big fan he is. I have to admit, it was a little light as forewards go as I expected a little more insight in to what he knew about Glenn, but wasn’t much meat to it. Sorry Lars. But that was the only thing I didn’t like about this book. One of the really cool features in the book is the fact they have interviewed a ton of people close to Glenn through the years, parents, girlfriends/wives and bandmates. Snippets of those interviews are sprinkled throughout each chapter adding color commentary and texture to what Glenn is talking about. It also lets you despite all the drugs, people tended to agree with what he talks about with some minor different interpretations at times.
I know Glenn was an avid drug user, but I guess I didn’t realize to the extreme it became. Imagine my surprise when he is talking about his massive drug use in the mid-to late 80’s he was living in Atlanta. In fact, he ended up buying a house not terribly far from where I grew up and was living at the time. Who knows I could’ve passed Glenn back in the day and never knew it. Doubtful, as he was help up in house a lot doing drugs.
I really loved learning about Trapeze, his band before Deep Purple. I need to explore them more. For me, the activities surrounding his joining Deep Purple were pretty cool and to learn that he David Coverdale were actually friends and got a long really well despite them competing a little for lead vocals. Glenn’s drug problem didn’t really start until around the third album with Purple, ‘Come Taste the Band’ when Tommy Bolin joined. Glenn and Tommy became drug buddies. Glenn’s tenure ended withe Purple without him really knowing it as that is how bad it was getting.
The 80’s were a drug filled mess. His projects with Gary Moore and Pat Thrall all suffered greatly as well as relationships with his many lady friends and his wife. His times with Tony Iommi and Black Sabbath was brief and interesting as well. He was not pleasant person to be around when he was drugged out…which was often. He is lucky to have made it out alive. The drugs were so bad, he only wanted to be around those people that were heavy in to drugs. This lasted until the 90’s when he started to get cleaned up. He revitalized his solo career and eventually gets clean and gets back to his singing as the focus as he is the Voice of Rock. I’m not going in to detail as that is what the book is for so get it.
The book ends with his joining Joe Bonamassa, Jason Bonham and Derek Sherinian as they form Black Country Communion. Glenn really loves this band and believes it might be one of the best things he’s done. They’ve since done four albums total and they are pretty amazing. Too bad the book ends back in 2010 as we know Glenn is still going strong as he now fronts The Dead Daisies and his voice is still amazing!
The Glenn Hughes autobiography is one of the most enjoyable ones I have read in a long time. Glenn is so likable in the book despite some of the crappy things he does. It is amazing he can remember what he does, but he is open and honest about how bad the drugs were and takes full responsibility. He is lucky to be around and we are lucky to have all this great music and have that Voice in our lives. My Overall Score is a 5.0 out of 5.0 Stars as I truly couldn’t put this down and don’t think I’ve read a book that fast in a very long time.
We are now on single #5 of the 6 I bought at Repo Records a few weeks back. This is also the third Europe single and this time we have the song “Superstitious” from the 1988 album ‘Out of this World’. The single was the first one off the album and was released on July 31, 1988. It did really well going to #1 in Norway and Sweden and as far as the U.S. it broke the Top 40 landing at #31. Not too bad.
The song was written by Joey Tempest and sadly, he doesn’t remember much of what the inspiration was behind the song. He told Greg Prato at songfacts.com that he was probably interested in superstition at the time. The song is basically about a relationship that is going through changes, he isn’t superstitious that something is causing it. He has faith and such trust in love and the other person that things will work out. He is saying that a broken mirror, a black cat, or things of that nature aren’t signs that the relationship is doomed.
My copy is another standard U.S. edition with “Lights & Shadows” as the B-Side which is also from ‘Out of this World’. This is the third copy with the “Demonstration-Not For Sale” stamp which I now is all from the same guy who had them. This one leads me to believe it was a radio DJ that had them because noted on Side A around the barcode is a hand written note that says “cold ending” which means the song stops abruptly rather than fade out. I am sure that is a radio term so they know how the song will end so they can cue up the next track. Pretty cool.
With their 1979 album, ‘Lovedrive’, Scorpions were starting to see international success. In the States, the album went to #55 and was certified Gold. In the UK, two of the singles charted. The band was enjoying their new success and the label was ready to capitalize on that success. On November 17, 1979, the band released their first compilation called ‘Best of Scorpions’. The album reached #180 on the Top 200 album chart and didn’t garner I think the fever the band and label were hoping.
The songs from the compilation come from four of their first five albums. There were no songs chosen from their debut album, ‘Lonesome Crow’. All the songs were from ‘Fly to the Rainbow’, ‘In Trance’, ‘Virgin Killer’ and ‘Taken By Force’. There were also no songs from the newest album ‘Lovedrive’. All the songs were from the Uli Jon Roth era of the band. I’ve read some of the songs were new mixes, but not all and the ones that were sounded pretty much the same. I am sure they cleaned them up so they would all sound consistent here on the album. Let’s jump right in…
For My Sunday Song #317, we are going to talk “Long Time Coming” by Cheap Trick. The song is off their 2017 album ‘We’re All Alright’ which I think is one of their best. It was the only single from the album and only hit #36 on the Mainstream Rock Chart but it is way better than that. A band that has been around for over 40 years comes along and delivers a song and album like this shows they still have a ton of gas in the tank. The song was written by Rick Nielsen, Robin Zander, Tom Petersson and producer Julian Raymond and it was released as a single on April 27, 2017.
“Long Time Coming,” a crunchy hard rocker driven by a Kinks-flavored riff, is a bit of a one-song tribute to Cheap Trick’s influential forebears. “It’s our interpretation of Slade and MC5 and AC/DC and Aerosmith — a lot of riffs that are reminiscent of the Move, but they’re not steals,” Nielsen says. “It’s just, like, all the bands we like.” The song also features a synthesizer underbelly that was a signature in “Surrender,” “Dream Police” and other Cheap Trick songs.
There is nothing I can say that will summarize better than Rick Nielsen does. It is full of that classic angst of early Cheap Trick with their influences laid out on their sleeves. It rocks out and is about as heavy as these guys get. And though they are 40 years in, you don’t know that based on this song. They sound, hungry and fresh as ever! And if you want to sound like The Kinks and AC/DC and mix the two together, sign me up.
Give the song a listen and let me know what you think. These guys are still going strong and seem to be getting better and better. Not too many old bands still excite me like these guys do!! Thanks for stopping by and I hope you have a wonderful and Happy Sunday!!
“Long Time Coming”
I’m in the middle of something And it sure feels good It makes me feel better Do I look like a should?
Get me on the tour bus Then put me on a plane Take me to the city Before I go insane
I can feel, I can think, I can show ya What you want, what you need, get to know ya I don’t care what they say all the time Believe me, you’re gonna feel fine
It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
Shake it, shake it, shake it About to blow my mind A real pole grinder I leave my troubles behind
I can feel, I can think, I can show ya What you want, what you need, get to know ya I don’t care waht they say, I can tell all the time Believe me, you’re gonna feel fine
It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
I can feel, I can think, I can show ya What you want, what you need, get to know ya I don’t care what they tell all the time Yeah, believe me, you’re gonna feel fine
It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
Long time coming (long time coming) Long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
It’s a long time!
Written by Rick Nielsen, Robin Zander, Tom Petersson and producer Julian Raymond
You, my reader, are going to pick an album for me to review each month. It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site. See…simple! Now, if you want to cast more than one vote, comment on the Twitter and Facebook post and you could get up to 3 votes on your favorite pick.
There are a few simple rules I have put in to place in my selections. They are…
One has to be a new release (within the last month)
One has to be one I have never heard before (new releases don’t count for this one)
One has to be from a genre I don’t normally listen to at all or very often
And the last two are choices from my collection that I haven’t reviewed before
What are the 5 albums you ask? Funny you should ask because I have those right here…
New Release – Ozzy Osbourne – ‘Patient Number 9’
Never Heard Before – Joy Division – ‘Unknown Pleasures’
Not My Normal Genre – Loretta Lynn – ‘Van Lear Rose’
From My Collection – The Darkness – ‘Permission to Land’
From My Collection – Peter Gabriel – ‘So’
Let me know which one you would like to see and sometime in October, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.
Friday, Friday, Friday!!! It is time for new releases and we have a few…okay, more than a few. There are well over 50 releases this week so I am sure you will find something. I only have one that I’m interested in and maybe will listen to a few more over time. Thanks for stopping by and I hope you all have a great weekend!
Smith/Kotzen – Better Days…And Nights (LIVE) – (BMG Rights): Adrian Smith and Richie Kotzen are back and this time we get live and studio albums. You get 5 previously unreleased live tracks from theirTrans-Atlantic 22 Tour plus the four studio tracks featured on their sold out ‘Better Days’ vinyl EP!
And then all the rest…
Marcus Mumford – (self-titled) – (Capitol Records / UMG)
The Devil Wears Prada – Color Decay – (Solid State Records)
Michelle Branch – The Trouble with Fever – (Audio Eagle Records / Nonesuch Records)
Ringo Starr – EP3 E.P. – (Universal Music / Roccabella)
Back in 2001, Talisman guitarist, Pontus Norgren, was working on a side project with Z-Records label boss, Mark Alger. Mark envisioned a Talisman type project that would be very different from the normal Talisman material. It was thought to be a concept album with multiple lead singers including Jeff Scott Soto doing a few tunes as that was all he agreed to do. Pontus recruited Talisman bassist, Marcel Jacob, but the drummer was Thomas Broman who was not from Talisman.
Jeff signed on to do a few songs and said he was not a member of this band and was doing is at as a favor for his friends. Man, that sounds familiar (Takara and most of his early projects). And like normal, the multiple singer aspect didn’t work out and then Jeff agreed to do the whole album. This was basically a Talisman album with three of the four members, but it wasn’t that either. The biggest difference is the sound. This was a guitar driven album and much heavier than normal Talisman. In Talisman, you have Marcel’s bass front and center and the main focus, here, this is Pontus’ project so the guitar is the main focus. There are moments that feel and sound like Talisman, so any Talisman fan will love this album. But it is different.
The Humanimal name was chosen to mark the connection to Talisman, but at the same time to say that this is different, new and exciting. The album saw a release on January 2002, but it would end up being their last album together as this name. There were some shady dealings going on with the label and Marcel and Pontus ended up in a bitter dispute on royalties with Z-Records which led to bitter arguments between the two friends and as a result, the two parted ways. It was so bad, Pontus was now out of Talisman as well. Soto was planning on signing with Z-Records, but the royalty issue is rumored to have stopped him from signing with them as well. He would soon sign with Frontiers Records (which we will discuss on the next review). What started out as promising turned in to a total disaster…such is life in the Music Business!