As I had mentioned previously, 2004 was going to be a big year for Jeff Scott Soto. His introduction to Neal Schon during NAMM in January 2004, was the sign. Schon played on and co-wrote a song on his solo album, ‘Lost in the Translation’, which we are reviewing now and it led to a new band later that year and the Journey frontman shortly after that. Before we get ahed of ourselves, let us focus on the solo album first. And there is a live album to come out before Schon’s stuff as well.
‘Lost in the Translation’ is Jeff’s third solo album and what a step up from the prior two. He still had his good buddies playing on it – Howie Simon and Gary Schutt on guitar duty and Glen Sobel on drums and a guest appearance by Mr. Schon himself. It was a solid line-up, a solid album and would see Jeff head out on a full world tour that would last for 35 gigs and hit 4 continents that would run from August to November of 2004. Jeff was hitting his stride, finding his footing and the world was learning who he was. I know I did because it was this album and Talisman’s ‘Cats & Dogs’ where I discovered the greatness that is Jeff Scott Soto all thanks to Andrew McNiece at MelodicRock.com. Also, note the cover photo and under his right arm is Jeff’s autograph. This is one of the 5 albums I had him sign when I met him back in April 2022. Really Cool!!
The first track and single is “Believe in Me”. It was co-written by Jeff along with Neal Schon. I told you they began a great relationship…fruitful already. And let me tell you, it could be a Journey song. Not a ballad either, one of the rocking tracks. The opening guitar riff is cool as Schon shreds it. Jeff’s vocals are so smooth and melodic and you know what, he would sound great singing Journey songs…maybe that will happen!! (maybe real soon). You had Glen Sobel on drums and Jeff on bass and everyone sounded tight and laid down a great rhythm. A totally stellar track and very radio friendly even though no radio around here played it!
In the U.S., the label was capitalizing on the Scorpions success by releasing a compilation, so why not the European labels. 1984 was a big year for the Scorpions so lets milk it for what we can was the attitude of the day!. With the massive success of their ballad “Still Loving You”, why not release an E.P. of their best ballads and pick those from four of their best albums, ‘Lovedrive, ‘Animal Magnetism’, ‘Blackout’ and ‘Love at First Sting’. And ballads are big sellers, so it made perfect sense.
My copy is the German release…yes, I have a bunch of German releases as I found all of these at one of our local record shows (not stores, but the record shows where there are all the goodies). The album was released on October 13, 1984 with multiple reissues over the next couple years across Europe. This copy I have is from the original release in Germany. It is a 5 song E.P. and let me tell you, it is a great set of ballads. I also love that the cover is probably an outtake photo from the ‘Love at First Sting’ album cover shoot.
Sit back and let us go trough it for you.
SEITE 1:
“Still Loving You”, from ‘Love at First Sting’, is one of my favorite Scorpions ballads and one of my favorite all time as well. About a couple in love that knows it’s over, but try to make it work one more time. The song opens with some gentle, soft riffing and Klaus singing in almost a whisper. Then the power part of the ballad kicks in and the guitar licks are blissfully beautiful and the chorus is gut-wrenchingly heartbreaking and lovely at the same time. I think this might one of Klaus Meine’s best vocal performances on any album.
2004 turned out to be a big year for Jeff Scott Soto. While at NAMM in January of 2002, he did a jam session with none other than Neal Schon and that turned in to a great little business relationship and would see the guys team up a couple times. But before we get to the first of the two projects for them, Jeff had a new solo album to put out on Frontiers Records, who had been really great to Jeff (proof in that partnership is still going strong today). Prior to the release of the solo album, an E.P. was issued for the lead off track & single on the album.
The E.P. was called the “Believe in Me” E.P. and contained only the one studio track from the album plus the video for that song. Then we get not 1, not 2, but 4 bonus tracks that are all previously unreleased demos from various projects of Jeff’s. As a collector, how cool is that!!! We will see how cool as we go through the tracks.
The first track and single is “Believe in Me”. It was co-written by Jeff along with Neal Schon. I told you they began a great relationship…fruitful already. And let me tell you, it could be a Journey song. Not a ballad either, one of the rocking tracks. The opening guitar riff is cool as Schon shreds it. Jeff’s vocals are so smooth and melodic and you know what, he would sound great singing Journey songs…maybe that will happen!! (maybe real soon). You had Glen Sobel on drums and Jeff on bass and everyone sounded tight and laid down a great rhythm. A totally stellar track and very radio friendly even though no radio around here played it!
To capitalize on the success that the Scorpions were seeing now with ‘Blackout’ and ‘Love at First Sting’, the label decided it was time for a ‘Best of Scorpions, Vol. 2’. The new compilation, a companion piece to Vol. 1, was released on July 10, 1984. It didn’t do that great as it only went to #175 on the Billboard 200 albums chart. But still not a bad idea to try and reap some rewards off a band riding high.
It followed the same concept as Vol. 1 by picking songs only from the Uli Jon Roth era. This means it is only songs from ‘Fly to the Rainbow’, ‘In Trance’, ‘Virgin Killer’ and ‘Tokyo Tapes. For some reason, no songs were picked from ‘Taken By Force’. like on Vol. 1…which didn’t have any ‘Tokyo Tapes’ songs. Being Volume 2, these are the next level tier of songs so instantly makes this set a little less in goodness. There is one repeat, but Vol. 2 has a live version rather than a studio…we will get to that.
SIDE A:
“Top of the Bill”, from ‘In Trance’, is basically same as a song on their newest album “Gas in the Tank”. Okay, not really, but not far off. Klaus’ vocals are ear splitting high at times as his shrieks rip through your head. It is a solid rocker that is both explosive and melodic. It is balls-to-the wall energy and I love the vocal harmonies as they add even more to the dynamic track.
With Jeff Scott Soto on Frontiers records, it made total sense that if Talisman was to get back together and put out another album, Frontiers might be the home for them. And that is what happened. After the break-up of the Humanimal project, Jeff and Marcel Jacob felt it was time to put on the Talisman hat again. However, with the falling out with Pontus Norgren, a new guitarist was needed. That new guitarist was actually the old guitarist Fredrik Akesson which is a perfect fit for the band. Mr. Jamie Borger was back on drums and the new album of the old guard was ready to be recorded.
The band recorded the album in Italy (why not since that was where the label was located). It was recorded at Planet Studios in Acqui Terme, Italy. The album saw the release on May 12, 2003. It was this album that I discovered the band thanks to Melodicrock.com. Andrew McNeice was going on and on about this guy Jeff Scott Soto and Talisman. As a result, I checked it out and then things went nuts from there. After almost 20 years now of listening to Soto and Talisman, I now have over 70 albums in my collection that Soto performs on. It all started with ‘Cats & Dogs’ and Soto’s next solo album ‘Lost in Translation’ which we will review next. This was my entry point into the universe of Soto.
With a “Hey, Hey, Hey” and a Soto scream, the album is off and running with “Skin on Skin”. It is a little funky, a little bluesy and a lot of energy. A modern rock track with its foundation firmly rooted in the past. What a way to say…”We’re back!!!”. And then Jeff does his best James Brown with a “Good God, Yeah” to kick off “Break it Down”. With some heavy bass and then a slick riff, some great harmonies and we are off to the races. It has a great, memorable chorus, great production and more fantastic vocals from Soto. Plus, Akesson’s solo is pretty sweet and his playing is a highlight on this one for sure.
After a seven year absence with new material, Billy has popped back and in a big way. His last album was 2014’s King & Queen of the Underground (which absolutely stellar) and then in 2021, he released an E.P. called ‘The Roadside’ which has one of his best songs ever called “Bitter Taste”. Almost exactly one year later in 2022, Billy released another E.P. and this one was called “The Cage” and is another 4 song set. This leads me to think that Billy might not be up for doing a full album, but if he wants to put out 4 new songs every year and with the caliber of these songs, count me in.
Billy Idol and his longtime partner, Steve Stevens have crafted another batch of great songs with the help of famed producer, Butch Walker along with Tommy English and Zakk Cervini. In an interview recently, I heard Billy talk about the fact that he was happy he somehow survived his drug induced rock & roll lifestyle because it has all been worth it. That worth it he is talk about is his granddaughter. He has seem to have found a new appreciation for life and that is reflected in his music and writing and I’m starting to think Billy is a fine wine because he keeps getting better with age!
The opening track, “The Cage”, is basically about all the pent up energy everyone was feeling coming out of the Covid Lockdown. It felt like we were all in a cage and it was time to bust out. Written by Billy, Steven, Tommy and Joe Janiak. It is a high energy, punk rock song and Billy feels right at home on this track. If there is a Billy Idol sound…this is it and with Steve Stevens on guitar, there is no mistaken that sound. A perfect song to catch your attention and reel you in.
And if you think “The Cage” is the best song on the E.P., you’d be wrong. That belongs to the introspective “Running from the Ghost”. Lyrically, the song seems to be about Billy running from his demons all his life. He has seen some dark things in this life and his alcohol and drug addiction are a battle every day. The song starts off slow and then it explodes and the guitar work by Stevens is some of his best ever. That drum beat with it are powerful and engaging. It is a beast of a track and has such a mature and serious tone. You will be surprised by this one.
Then we get to “Rebel Like You” with its fun motorcycle revving at the start. The electronic drum beat comes blaring in and Billy sings with umph and you can feel that snarl. The song has Billy on stage looking out in the audience and sees another woman dressed like him, but I’m not sure that is the gist of the story. I think the song is a shout out to his grand daughter and that she is a rebel just like him. The lines…
Ain’t nobody gonna love you more Except your mommy and your daddy, maybe Looking like you’re on the go, go, go Guess I’ve got company
I think he just loves her so much he wants to show her the world. She has the wild spirit like he had and he loves her to death. That is what I think. I could be wrong…known to happen.
The last track is called “Miss Nobody” and it is an electronic, dance song. This one was produced by Butch Walker and co-written by Sam Hollander. It is a slick pop track about a down & out woman who still is kicking ass. It is not my favorite track on the album, but it has its merits as it is catchy and contagious and will get you moving. A little less on the guitars, but still feels like a Billy track.
Let’s get this out of the way quick…I love this E.P. and have been playing it non-stop and now these songs are old friends. That is two E.P.s in two years and both are amazing. I hope this continues because I could get spoiled. If you think Billy’s heyday is behind him, you’d be seriously incorrect. This is Billy at his best. My Overall Score is a 5.0 out of 5.0 Stars. A must have!!
Now, if you want to check out the full reviews and the entire Billy Idol Series, click on any and all of the links below…
The band started recording their 9th studio album in Stommein, West Germany which is where producer, Dieter Dierks, studio was located. The album was recorded in 1983 and 1984 and finally saw its release on March 27, 1984. The line-up was intact with Klause Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell.
However, some of the early recordings that took place were actually in Sweden and had former Rainbow members, Jimmy Bain on bass and Bobby Rondinell on drums. Jimmy Bain’s name was brought up by Herman and then later Herman got sick and Bobby stepped in. The band then left Sweden and did a two week tour in the States with the normal members of the band. After the tour it was determined that everyone felt great and they headed to Germany to record with the original members.
The album became Scorpions biggest selling album of all time going triple platinum with well over 3,000,000 copies sold in the U.S. alone. Thanks in large part to MTV and the smash song “Rock You Like a Hurricane” which is a staple at sporting events and a song I think everyone in the world knows. The album went to #6 on the Billboard 200 album chart, but it was really the constant rotation on MTV that got the U.S.’s attention. I know it got mine. They played all their videos and even the ones from Blackout which made a lot of people run out and get that album as well. “Love at First Sting” was the band’s pinnacle album. The smooth, high glossed rock was so well polished it gave off a platinum sheen. And in fact, it was one of the first fully digital metal albums ever made. They have reached the top…or had they?
2002 was a big year for Jeff Scott Soto. It was the year of his coming out as a solo artist. Yes, he released a solo album back in 1994, but the intent was not to tour and showcase as a solo artist. He had signed with Frontiers Records and was getting ready to release his 2nd solo album ‘Prism’, but before that Frontiers’ promotional crew were in high gear. With press releases and having Jeff involved in the 10th Anniversary of The Gods Festival. The festival consists of artists/bands from the Frontiers Records label as well as Now & Then label.
The festival occurred on June 2, 2002 and was to be released as a live album and a DVD. I only have the live album, I need to get the DVD still. The line-up was pretty impressive as it had Eric Martin, Hardline, Harem Scarem, Honeymoon Suite, Ten, Soto and several other bands. It took place at Pennington’s in Bradford, England and what I’ve read, it was a helluva show by all.
Jeff’s band that night consisted of some old familiar friends including Alex Papa on drums, Gary Schutt on bass & acoustic guitar (did an album review of his for this series) and on guitar, Howie Simon. JSS is listed as “Top Dog” and he is right. It is his show, his songs, his voice everyone came to hear. He proved that when he came out on stage, alone, dressed all in black and did “2 Your Heart” a cappella. The song is from the debut Human Clay album. Jeff proved that voice is for real. The band comes in full force as the race through the Queen cover “Let Me Entertain You” which is appropriate because Soto does just that.
With the album ‘Blackout’, the Scorpions were starting to break big and it looks like the record company wanted to promote more of the band’s 70’s material, especially with Uli Jon Roth. This is the band’s second compilation and like the first one, only features songs with Uli. Released on May 4, 1982, ‘Hot & Heavy’ is released under the RCA banner of “Takeoff” series. The album, as the title suggests, features the heavier songs by the band and even has 3 Uli sung songs. The songs cover the years 1974-1977.
Admittedly, this is not really necessary as a release, but it is a good showcase of the band’s more rocking material. Sadly, there are 6 repeats on this compilation that are on the ‘Best of Scorpions’ released a few years back. My version is the German release of the album and the back cover has a brief history of the band in both German and English. The back cover also highlights a few other albums under the “Takeoff” series umbrella.
You, my reader, are going to pick an album for me to review each month. It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site. See…simple! Now, if you want to cast more than one vote, comment on the Twitter and Facebook post and you could get up to 3 votes on your favorite pick.
There are no longer rules for my selections. I’m just picking albums in my collection. Well, I guess that is a rule. And maybe a theme on the five. This time they are all from the same genre I guess. And what are the 5 albums you ask? Funny you should ask because I have those right here…
White Lion – ‘Mane Attraction’
Winger – ‘Pull’
Cinderella – ‘Long Cold Winter’
Poison – ‘Look What the Cat Dragged In’
Night Ranger – ‘Man in Motion’
Let me know which one you would like to see and sometime in November, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.
White Lion – ‘Mane Attraction’
Winger – ‘Pull’
Cinderella – ‘Long Cold Winter’
Poison – ‘Look What the Cat Dragged In’
Night Ranger – ‘Man in Motion’
2 Loud 2 Old Music 