Rob Zombie – ‘The Lunar Injection Kool Aid Eclipse Conspiracy’ – Album Review

Rob Zombie never does anything half-assed especially when it comes to his song titles and album titles. ‘The Lunar Injection Kool Aid Eclipse Conspiracy’ is a perfect example of this. The album is Rob’s seventh studio album as a solo artist and might be his opus, his masterpiece, his piece de resistance. The most badass album he has ever made and the fans might agree as it is his first album to reach #1 on the Billboard Top Album Sales Chart after its release on March 12, 2021. I think it is definitely his strongest and most accessible because his past albums usually have some strange shit, but this takes the strangest stuff and packages in a way that has more hooks, more melodies and more of everything that is great about him including more John 5 who is one of my favorite guitarist.

But before we get in to the music, let’s talk about this packaging of the album as it is nothing short of amazing. The back cover is hand-drawn space monster’s in the vein of Planet of the Apes I guess. And check out the names of the songs, nothing simple and straight forward here. The album is also a gatefold with what my one of the coolest pictures of Rob just relaxing with his arms behind his head and probably saying, “Yeah, I’m a cool mother-f’er”…okay he probably would have said the full word.

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Cheap Trick – ‘Cheap Trick at Budokan’ (1978) – Album Review (The Cheap Trick Collection Series)

After the release of Cheap Trick’s second album, ‘In Color’, the band was getting quite a bit of recognition in Japan. So, a week after third album, ‘Heaven Tonight”, was released, the band did a quick tour in April of 1978 and they didn’t waste any time playing those songs. The band’s reception was nothing short of amazing. It was Beatlemania 2.0 as the Japanese fans went…well…fanatical. While in Japan, they decided to record the shows at Nippon Budokan in Tokyo and release the album in Japan only.

Here is a little fact for you, the recordings done at Nippon Budokan really sucked and the recording is actually the show in Osaka, but don’t tell anyone. Okay, don’t know if that is a fact, but I did read that somewhere so we will continue that statement here as it is cool if it is true. Regardless of where it was recorded, the show is amazing and the release in Japan on October 8, 1978 saw tremendous success, so much so that 30,000 copies of it were sold as imports to the US which prompted the label to finally release it in the US in February 1979 under the name ‘Cheap Trick at Budokan’. The album would go on to be one of the biggest selling albums in the band’s career selling over 3 million copies and go to #4 on the Billboard Charts. Rolling Stones said it was one of the 500 greatest albums of all time in 2003 where it ranked at #426.

The album also introduced us to 2 new songs that had not been released yet and one of those, “Need Your Love” would wind up on their next album ‘Dream Police’. The other song, “Lookout”, was a leftover from their debut and would end up being released as a bonus track on later editions of the album starting in 1998. Due to the popularity of Budokan, the ‘Dream Police’ released date got pushed back as they were still having hit singles from this album. Not a bad problem to have actually.

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Van Halen – “Why Can’t This Be Love” – 45 Single

When I was on vacation during this past Summer, I found a ton of 45 Singles with the Picture Sleeves at a place called House of Vinyl and I ended buying 7 Van Halen 45’s. And we’ve been through a few so far as seen below…

And now we are on to our fifth of the 7 and this time we are in to the Hagar Era and this was the first single off their first album together for ‘5150’ from 1986. The song is “Why Can’t This Be Love” and was released on February 26, 1986. The song was the first released with new lead singer Sammy Hagar and went all the way to #3 on the Billboard Hot 100 and #1 on the Mainstream Rock Tracks. Not a bad start to this new era of Van Halen.

The version I have is the standard US Version of the single. Nothing special about, but it was in really great shape which is tough to find the picture sleeves in good shape. I like the big explosion on the back cover but not sure what the significance of it is to either song on this release unless they were going for the fact this was a new explosive release by the band…which it really isn’t.

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Alice Cooper – 2021 Fall Tour (Charlotte Metro Credit Union Amphitheater, October 7, 2021) – Concert Review

Welcome to Alice Cooper’s Nightmare Castle!! That is how the show opened and what a nightmare it was, but in a good way. This was my second time seeing Alice as I saw him 3 years earlier, almost to the day and I am glad to be back to be terrified, freaked out and entertained by the legend himself. This time around, my daughter joined me as she figured if her mom liked the last show, maybe she will and I think she did, but more on that later.

As we were standing in line to get through the vaccine check (negative covid test check) and the metal detector, we noticed people wearing Nita Strauss T-Shirts. It was cool seeing people that were coming to the show to see her. If you don’t know her, she is “Hurricane” Nita Strauss and she is Alice Cooper’s lead guitar player (one of three), but she is the featured one that gets all the press because she is pretty freaking awesome!!

After watching Ace Frehley Open the show, the crowd was pumped and ready. We only had to wait just under 30 minutes to get the stage transferred over and turned in to this giant 2-Story castle and full of horrifying things. But what wasn’t horrifying, but electrifying was the setlist…take a look at what he has to offer this time around…

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Ace Frehley – American Tour 2021 (Charlotte Metro Credit Union Amphitheatre, October 7, 2021) – Concert Review

I have been a huge Ace Frehley fan since I was probably 8 years old. He was my very first guitar hero. I had only seen him play with Kiss and I have never seen him love as just Ace Frehley. When I saw he was opening for Alice Cooper, I couldn’t click the purchase ticket button fast enough. This was also the first concert I had attended since Covid began around 19 months ago so it was even more exciting.

The concert began at 7:30pm on October 7, 2021. We arrived in plenty of time because I was damn well sure going to make it to see the opening act, because, well, as was the opening act. We stand in line to get stamped with proof of vaccination (or proof of negative covid test) and then go in line again to go through the metal detector and all good so far. I don’t know why I said “so far”, because we ran in to ZERO issues all night. It was supposed to rain…None! The weather was a little chilly, but felt great. We hit the restrooms (TMI) and then went and bought some bottled water…except…they don’t sell bottled water anymore…WHAT!!! Nope. It is now in a can…huh???

Yes, Liquid Death is the name of the Water!! I’ve seen it all now.

Yes, they sell water in a can now so I guess non-drinkers don’t get harassed for not drinking as it looks like a beer can. I have to admit, it looks pretty damn cool for water. We then hit the merch table and there were a ton of Alice stuff and only a little Ace, but I saw Alice 3 years ago almost to the day, so I went with the Ace Shirt. They were already out of XL size, so I went 2XL and I hope it shrinks…

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My Sunday Song – “Ballad of Trayvon Martin” by Will Hoge

For My Sunday Song #268, we are going to discuss the controversial song “Ballad of Trayvon Martin” by Will Hoge off his protest E.P. from 2012 called ‘Modern American Protest Music. The song, along with the rest of the album, is brutal and forthright. Will Hoge lays out in all its ugliness and truth and exposes the underbelly of America.

The “Ballad of Trayvon Martin” is about the case where George Zimmerman shoots a young black gentlemen who seems to me minding his own business. Will tells the story in great detail about why George shoots Trayvon to how George seems to get off and not charged with murder. Will isn’t afraid to point out the racism inherent in the system and he takes aim at the Florida “Stand Your Own Ground” Law. He definitely doesn’t paint a pretty picture about George or even Police Chief Lee. I remember vividly when this happened and nothing seem to make sense from the news reports. I could never see what reason George had to be suspicious other than a young black man walking down the street. Oh my heavens, that must mean he is up to no good…at least in George’s eyes. If George would’ve only listened to the 911 Dispatcher and do nothing and the Police handle it, would it have turned out differently?

Now let us talk about the music. Will comes straight in to the verses within the first note of starting the song accompanied by an electric guitar. After the opening verse, the drum and another guitar join and by the chorus we get the full band in its all its glory. It is simple, yet effective as it should be as the lyrics are the main focus as this is a protest song don’t forget. I love the little guitar solos between the chorus and the next verse that happens a couple times. All-in-all, the song is so powerful and packs quite a punch. Will really painted a picture of the situation with his words and they flowed perfectly together. His story telling is on full display and a perfect example on why I think Will is one of the best songwriters in the business.

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Friday New Releases – October 8, 2021

Happy Friday everyone!! Welcome to another round of new releases. And we have a lot for you whether you like country, jazz, indie, disco, r&b, metal and even good old rock & roll. As a result, there is something for everyone and I hope you find something. I have a few I want to hear and two I have on pre-order and can’t wait to get my hands on them. Those are marked in Blue. Let me know what you are interested in and what I may have missed. Thanks so much for stopping by and I hope you all have a wonderful weekend.

  • 71BG+l5LmlL._AC_UY436_FMwebp_QL65_  Jeff Scott Soto – The Duets Collection, Vol. 1 – (Frontiers Records): One of my favorite lead singers and he is back with yet another release this year. This time around it is a compilation but not the normal type. This is his greatest hits, redone as duets with some of his favorite people. He is covering songs from his solo career and a ton of bands he has been in over the years. It should be awesome, but I can’t review it. Nope. Well, not until I get to it some time next year when I do the Jeff Scott Soto Series. Over 65 albums in this series and it will be epic!!
  • 61MZoOpmUzS._SX522_  The Wild Feathers – Alvarado – (New West Records): Here is another favorite artist of mine. These guys are a little country, a little southern rock and a whole lot of awesome. This one is on order to complete my vinyl collection of the band but won’t be here until around the 29th of the month. I can’t wait to dive in to this one.
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Aerosmith – ‘Toys in the Attic’ (1975 ) – Album Review (The Aerosmith Collection Series)

After a very long tour in support of their album, “Get Your Wings”, the band was tight and playing better than ever. They were ready to jump back in the studio and bring producer Jack Douglas back with them. This time around though would be different. Their first two albums used up all the songs they had been playing for years. Aerosmith now had to write a whole album from scratch. As a result, they would create an album that was spawned from a new level of confidence with the band and a more polished understanding of how to write songs. The album they created, ‘Toys in the Attic’, would take the band to a whole new level of stardom. The album would go on to sell more than 8 million copies and be one of their most commercially successful albums of all time.

‘Toys in the Attic’ was released on April 8, 1975 and was recorded at the Record Plant in New York City from January to March of that year. It would go as high as #11 on the Billboard Charts and deliver not one, but two Top 40 hits with one going all the way to #10 as well. The success of this album also saw the band’s first two albums get a renewed interest and so they would re-release the single “Dream On” in from the debut seeing it go to #6 on the charts. Yes, ‘Toys in the Attic’, finally saw Aerosmith get what they had been working so hard for over the years. Fame, Fortune and Drugs…lots and lots of drugs.

As you can see from the pictures, my copy of the album is well loved.

The band was still the same old song and dance of members with Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford and Joey Kramer. Everyone had at least one writing credit on the album except for Joey. Tyler had them on all of the songs except for the cover song they do. The band was on fire, but so were things behind the scenes, especially with the band members wives who didn’t all get along and would be a driving force behind a lot of the band’s battles and problems over the years…well that and drugs…did I mention drugs? These boys could not get enough of the stuff. That would soon become a problem, but not so much now.

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The Original Vs. The Cover Vs. The Cover – “Hanging On The Telephone”

For this edition of The Original vs. The Cover, we are discussing the song “Hanging on the Telephone” originally performed by the band The Nerves. We are going to do two different covers with the first and most famous being that from Blondie and the other cover is from Def Leppard. The song was written by Jack Lee of the band The Nerves back in the 1976 and was released on their debut E.P. The song never charted and the band was short lived as they didn’t do much after that.

Blondie heard the song while sitting in a taxi in Japan. The song was given to them by Jeffrey Lee Pierce of the band The Gun Club and they popped in to listen to while in that cab. They really liked it and decided to record it. Blondie reached out to Jake Lee for permission to record it and since Jake was facing financial ruin it was a very easy decision. The answer was yes and Jake made a little money that was much needed.

The song is about a man that sounds quite obsessed with the woman he is or was seeing. He keeps calling her and calling her and calling her so he can hear her voice again. The woman’s mother says she can’t see him any more it sounds like and that seems to make him quite angry and he won’t stop trying to get in touch with her. Very stalkerish if you ask me. I think someone might need a restraining order in place. Still no denying it is a fun song.

THE NERVES:

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Van Halen – “I’ll Wait” (1984) – 45 Single

When I was on vacation during this past Summer, I found a ton of 45 Singles with the Picture Sleeves at a place called House of Vinyl and I ended buying 7 Van Halen 45’s. And we’ve been through a few so far as seen below…

And now we are on to our fourth of the 7 and this is the final Roth Era track and was the second single from the album ‘1984’. The song “I’ll Wait” went to #13 on the Billboard Charts and despite its success, the band never filmed a video which totally surprises me as this the heyday of MTV. But it still worked for them without a video so they probably saved a ton of money. As most songs with Van Halen, the writing is always credited to Eddie Van Halen, David Lee Roth, Alex Van Halen and Michael Anthony. But this time, Dave was having trouble with some of the lyrics and melody so Ted Templeman brought in his buddy Michael McDonald from the Doobie Brothers for which Ted produced their albums as well. Ted had a knack for using people he worked with on many projects.

The song was inspired by a media ad for Calvin Klein. I guess Dave really was taken by the hot model in the ad that he taped the picture next to his TV and all the lyrics are addressed to the model in the picture. Hey, whatever works right!

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