Universal Music was at it again in 2009 with yet another compilation. This one was called ‘Legends of Rock’ and was exclusive to Canada like so many others. They were pumping these out and trying to grab as much cash as they could since Kiss was no longer on their label. I do like the old photograph from the ‘Dressed to Kill’ era that was the cover. It was a decent set with 15 tracks, but nothing really special or unexpected. Same old, same old, you’d say. It is a bare bones set, but at least they had some write-up in the liner notes. It says it is a 4 page booklet, but don’t let that fool you into thinking there is anything cool in there because there is not. The only thing of interest is the songs and even those are not that interesting since most of the tracks are on every other compilation out there. What songs are on it? Let’s go through it and see.
First up is “Heaven’s On Fire” which is Paul Stanly and Desmond Child song and the first single off ‘Animalize’. Paul shows off with a little “Oooh Oooh Oooh” that I’m not sure he could not hit today as it is so high, but it is a perfect way to kick off the song The song is another rocker and a very typical 80’s sounding song. It was all over MTV and helped propel the album to Platinum status. On radio, it didn’t fare as well not breaking the Top 40 and hanging around #49. The song is one of the few 80’s song to actually get occasionally played live after they went back to make-up which is cool. Now sadly, this was the only video that contains Mark as he was gone before anything else was done, but at least we have this to remember him by.
“Lick It Up” is the band’s first single and first video without make-up and the song only went to #66. It opens with a nice little riff and a little scream from Paul. Paul’s second song on the album and it was meant for the radio. This is a pure 80’s, melodic rock song and no wonder it still gets played a lot. The video was so 80’s as well. Real cheesy and had the band in a post-apocalyptic world. It is a little comical watching it now. The song, however, is about a guy trying to talk his girlfriend in to doing the nasty so doesn’t really fit with the video. Really cool they kicked things off with 2 80’s songs, but that is all we get. The rest are from the 70’s.
The first song of their debut, “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester. The song has a great opening drum fill by Peter and is an uptempo rock song that was inspired by all the sexy women in New York. There is a great bass riff by Gene why Ace belts out the solo. Paul sings the song and shows all the confidence a lead singer should show.
In 1997, Kiss was enjoying the renewed attention with the make-up back on and a reunion in full swing. Ace and Peter were back so they released a compilation around the world called ‘Greatest Kiss’ which was full of songs from the early years with the original four members. Strangely enough, the UK released another compilation in 1997 called ‘Greatest Hits’. It was a UK exclusive but why release it when they released the other compilation around the same time that was released all around Europe so easy to get. Made no sense to me.
Who knows why. What I do know is I finally have a copy of the release. It was from Polygram TV which was a division of Polygram records so a legit release. It had 20 songs like the ‘Greatest Kiss’ release; however there were a few songs that were different. This UK release actually had some songs from Kiss that did not have Ace and Peter with some of the 80’s tracks. There are no unreleased tracks or anything new, these are all album cuts so you already have these songs if you own all the albums.
Now, Wikipedia states that this was released on June 28, 1999, however, that is wrong…unless the date on the back cover of 1997 was a misprint or this was held for two years after printing them out. And another thing…if you aren’t sure what the track listing is, don’t you worry. It is printed a total of 4 times throughout the booklet. On the back cover, the back of the booklet and if you open the booklet it is there again in case you forgot. And if that wasn’t enough, it is also on the CD. Whew! I’m so happy they did it so many times because I’m sure I would’ve have forgotten. Also, inside is a chance to win a portable CD player. In 1997, that would’ve been really cool.
The music is the most important part anyway, so let’s get to it. “Here’s a little song for everybody other there”…The first track is “Crazy Crazy Nights” which was a big hit in the UK so understandable it was on here. The song was written by Paul Stanley and Adam Mitchell who Paul and Gene have both worked with quite a bit. It was a different opening track for the band as was really upbeat, kind of pop sounding yet anthemic at the same time. It wasn’t an out and out rocker like most of their albums. Paul didn’t sing so much as speak the verses and is overall it is quite cheesy. It is the only song that the band has played live after this tour. They picked it back up due to demand back in 2010 and started adding it to shows.
Universal Music was spitting out Kiss compilations faster than Gene and Paul were badmouthing Ace & Peter. Man, that is fast. This time around, we get a German only compilation from 2012 that was only available at the retail store Rossman. It is a 2 CD set with 30 songs and a bonus track as well. But is it really a bonus track if this is the only version released. No vinyl, no cassette, only a CD. That to me seems like it is a 2 CD set with 31 songs. Maybe it is because all the songs on here are album cuts except for this 31st song…who knows. Regardless, cool to get this one in the collection and I love that it has the German Kiss logo with the different SS’s.
The songs are mostly focused on the 70’s with a small taste of anything from the 80’s and when I say small, I mean only like 4 songs out of the 31. But there are some cool choices on here that you don’t normally see on a Kiss compilation and being 2 CDs, gives you a great taste of the band especially if you like the 70’s.
CD 1:
The album kicks off with the song “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
Between 2002-2008, The record labels in control of the Kiss Catalog released not one, not two, heck not even 3 Greatest Hit Compilations. Nope. They released a total of 7 greatest hits compilations spread over those years. I am sure there are more, I just haven’t found them yet. Over the last few weeks, we have been through a bunch of them and hopefully this is the last one for a little while. At least until I find more…which I will. As far as compilations go, this one is worth taking notice. Let me explain.
Originally this was released in 2004 as part of the KISS Sound and Vision box set. This set was released on January 11, 2005 and is a 2 CD Set called ‘Gold’. The label for this one was Universal Music Corporation. This set covers the make-up years from 1974 up to 1982…except it doesn’t include anything from ‘Creatures of the Night’. The 1982 in reference here is for the ‘Killers’ compilation. There are 20 songs per disc which means we get a handful of releases from almost every album with some minor exceptions. There is at least one from every release though (except maybe Double Platinum. If you want a comp that gives you the best coverage of the make-up era, I don’t know if you can do better than this.
DISC 1:
Kiss (1974): The representation of the debut album is strong as it gives you five tracks:
The album kicks off with the song “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
Kiss has been killing it with live releases and the ‘Off the Soundboard’ Series. It was a brilliant idea for them to take control of their live shows and rather than not make any money with all the bootlegs out there, but to release their own bootleg versions of these shows. This is the 5th one I believe and might be one of the cooler ones they’ve done. It was recorded in Poughkeepsie, NY on November 28, 1984 at the Mid-Hudson Civic Arena. Wait, this is their 5th one, which means there are still 2 I haven’t reviewed yet. I need to get on that. Well, back to this. What makes this one so special? It is because the guitarists on the album is Mark St. John. The band at the time also had original members Gene Simmons and Paul Stanley as well as Peter Criss’ replacement Eric Carr on drums. Now, by this time, Eric is considered a regular and not the new guy anymore. And one of the nicest guys ever.
Mark was hired after they let Vinnie Vincent go because they didn’t feel he deserved the contract that Vinnie thought he deserved and thank goodness they didn’t. Mark recorded the guitars on the ‘Animalize’ album and immediately let the world know this was not the same old Kiss. And with these Kiss songs played live, Mark adds his own flair and isn’t out there to copy anybodies parts. Nope, not at all. This show is Mark doing it his way.
Sadly, Mark had developed reactive arthritis which caused his hands and arms to swell making playing very difficult. He went out on tour with the band and the band also brought along Bruce Kulick to be the back-up guitarist if Mark couldn’t play. It turned out that Mark was only able to play on 3 of the Kiss shows and this was one of them. That’s right, they actually have the recording of one of the shows with Mark and that is what makes this set so cool. I already have a bootleg from this tour, but my show has Bruce on it. I also saw this tour and that show had Bruce in it. That is why I think this set is so freaking cool. Great job Kiss!!
If you are thinking, “John, you’ve reviewed this show before”. You would be right. I reviewed it about a 1 1/2 years ago. But this one is different…it has a different cover and from a different manufacturer. In my quest to get as many Kiss Bootleg’s I can, I found this one in a local record show, new and sealed. And cheap. This is actually an easy one to get if you are collecting Kiss Bootlegs. I think I paid $20 for it. When I saw it, I knew I had this show, but I really liked the cover and this one has clear vinyl. Otherwise, there is nothing really special about this one, no inserts, no picture sleeves and no surprised in the package like I have received in a lot of my bootlegs. This one is rather generic. For historical reasons though, it is pretty cool. The recording is an FM Broadcast from April 18, 1974 in Memphis, TN at the Lafayette Music Room and is one of the earliest recordings of the band.
Soundwise…well…let’s just say there is sound. This is a recording off a radio broadcast on to a tape. That tape was then copied, which was then copied, which was then copied, which was then copied and keep going for another dozen copies. There is a massive tape drag at several points during the show which slows the song down and it is quite noticeable. That proves that the source material was from an old tape that had been copied many times. Yes, the sound sucks at times and might be on the low end of some of my bootlegs, but I am still okay with it and because I collect them I will buy regardless.
If you look at the setlist, you will notice a few things stand out. One is they basically played the entire debut album with a few minor exceptions. Two, they play the song “She” which won’t come out until 2 albums later on ‘Dressed to Kill’. And Three, they play a song called “Acrobat” which is actually the basis for the song “Love Theme From Kiss” from the first album. This is two months after the debut album release, so it is strange they played the “Acrobat” version and not the album version.
SIDE A:
The album and set opens with “Deuce” and boy can you hear the tape drag on this one, pretty drastic. But you can still make out the song and hear Gene just fine as it is in the instruments where you have the issues. Nothing is real clear except the vocals. Towards the end of the song, it clears up and gets a little louder and that cowbell comes in nicely. “Strutter” is up next after a slight pause and you get more wobbly instruments and even a little on the vocals this time around. Paul sounds like he is singing the song so much slower. Again, you are buying this strictly for the historical value…that is what I keep telling myself anyway.
“Firehouse” sounds great and I happy with that version. It is an untouched, live version warts and all and it is quite enjoyable. Ace’s solo sounds good and you get a glimpse of the band doing what they do best with no real hiccups. The cool song on here is “She” as I said it hadn’t even been released yet on an album. The guitar opening on it sounds a little slower and I am guessing that is the tape drag as there is a lot of wobble. But vocally again, sounds good. Gene is menacing as ever and Paul on background duties. The coolest part is the instrumental break/guitar solo as it isn’t what we get later. This the reason to buy this release if you need one. And last up for Side 1 is the badass song “Nothin’ to Lose”. And by this time you are used to the wobble and so it starts sounding pretty decent (okay, decent enough). I love this song as you get both Gene and Peter on vocals (and Paul is heard pretty good on backing vocals). I love Peter’s gritty and raspy old school singing on this one. Always fun.
SIDE 2:
Side 2 kicks off with the Ace Frehley penned song “Cold Gin” (after the radio DJ does a station break), but with Gene on vocals as Ace wasn’t singing this early on in the band. Now, I did get to see Ace do this one this past Summer when he opened for Alice Cooper but that is another story. I really love this song but I will say this version seemed a little flat and not sure if that was the band or the recording itself. After a little tuning, we get Gene’s bass and some thumps until they become “100,000 Years”. Paul sounds fresh and youthful and can do some great ooh-yeahs back then.
Another favorite of mine to hear live is “Black Diamond” even with a DJ interrupting the opening notes for a station break. The tape is wobbly again as it sounds a little funky and messed up, but it is still “Black Diamond”. I love the slow opening and then the bombastic explosion for the rest of the song. Plus, the instrumental break and solo are always great. An all around fantastic song every time I hear it. The song ends the broadcast. Then the show announcer comes back and the band is tuning their instruments a little they go in to what is labeled as “Acrobat” but it cuts out the “Love Theme From Kiss” parts off and is just the band jamming. Peter has a little drum solo piece then the band kicks in and they jam out, all instrumentally and then they start singing only a little. There are very few lyrics and they sing “You’re much too young” a couple times and then they go back to jamming and we get a killer guitar solo piece as well. Then Paul says “Good Night” and it is all over. Fun track.
Despite the tape drag and the wobbly sound in out at times throughout, I still find this an enjoyable most especially for an early version of “She” and for the encore with “Acrobat”. It is also a cool historical piece to have anything live and uncut from 1974 with them really just getting going. All-in-all, it turned out to be an okay show as you get used to the sound issues and you enjoy it for what it is. I can’t give it too high of a score, but I will give it at least a 2.5 out of 5.0 Stars (but it should get more for the two songs I mentioned – maybe a 3.0 to 3.5…but that might be too generous).
In my quest for bootlegs, another one popped up at a record show here in Charlotte. This one was fairly new as it was released in 2020 and it was still sealed. It is simply called ‘Gods of Thunder”. The show is only a partial show from the Monsters of Rock show in Sao Paulo, Brazil on August 27, 1994. That setlist had 22 tracks and this is a streamlined vinyl with only 10 tracks and not even sure these are the best 10 tracks. But the good news is, they did omit “Rock & Roll All Nite” which we didn’t really need to have another live version of that as I have a million of it already.
I’m not sure what they were going for with the cover but I am sure with the lightning and cloudy skies is the God of Thunder part, but what is with the chess board at the bottom and the poorly cropped faces on the cover. That looks about as shitty of job that I could do. The bright side is, they at least got the right people as that would’ve been the line-up in 1994. The back cover is the same scene minus the heads and the track list instead. The cool thing about it is the beautiful blue vinyl. I like that a lot. And as far as sound, it is from a radio broadcast, so the sound is fantastic. There is no denying it is a live show as nothing has been done to fix the imperfections, which is what we like about the bootlegs.
I can’t believe we are on our 20th Review in the Kiss Bootleg Series. Nuts to think I’ve picked up that many. This one is called ‘The Ritz on Fire’ which is from August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. This one is not the full show, but sort of a Best Of Compilation of that show. There are a bunch of different ones out there, some with full shows and some like this. I do have a show from the Crazy Nights Tour that was recorded on April 18, 1988 in Osaka, Japan, so I figured I’d grab this one as well as why not, you can never have enough Kiss Bootlegs…obviously or we wouldn’t be on #20.
I have found that this version is one of the few bootlegs that get all the packaging correct. They have the right band members in the pictures (Paul Stanley, Gene Simmons, Eric Carr and Bruce Kulick) and the right song titles and I don’t see any mistakes which is rare in the Bootleg world.
This is Kiss live much in the same vein as their current “Off the Soundboard” series in that there are no touchups, it is as you heard it when it happened and in this case as it was on the radio broadcast. The first 9 songs on this 10 song set are in order of the original setlist and it isn’t until the 10th song that it jumps ahead a number songs and plays one more. Basically, it is the first half of the show.
In my quest to get as many Kiss Bootleg’s I can, I found this one in a local record store, new and sealed. And cheap. This is actually an easy one to get if you are collecting Kiss Bootlegs. I think I paid $25 for it. There is nothing really special about this one, no inserts, no picture sleeves and no surprised in the package like I have received in a lot of my bootlegs. This one is rather generic. For historical reasons though, it is pretty cool. The recording is an FM Broadcast from April 18, 1974 in Memphis, TN at the Lafayette Music Room and is one of the earliest recordings of the band.
Soundwise…well…let’s just say there is sound. This is a recording off a radio broadcast on to a tape. That tape was then copied, which was then copied, which was then copied, which was then copied and keep going for another dozen copies. There is a massive tape drag at several points during the show which slows the song down and it is quite noticeable. That proves that the source material was from an old tape that had been copied many times. Yes, the sound sucks at times and might be on the low end of some of my bootlegs, but I am still okay with it and because I collect them I will buy regardless.
I have been a huge Ace Frehley fan since I was probably 8 years old. He was my very first guitar hero. I had only seen him play with Kiss and I have never seen him love as just Ace Frehley. When I saw he was opening for Alice Cooper, I couldn’t click the purchase ticket button fast enough. This was also the first concert I had attended since Covid began around 19 months ago so it was even more exciting.
The concert began at 7:30pm on October 7, 2021. We arrived in plenty of time because I was damn well sure going to make it to see the opening act, because, well, as was the opening act. We stand in line to get stamped with proof of vaccination (or proof of negative covid test) and then go in line again to go through the metal detector and all good so far. I don’t know why I said “so far”, because we ran in to ZERO issues all night. It was supposed to rain…None! The weather was a little chilly, but felt great. We hit the restrooms (TMI) and then went and bought some bottled water…except…they don’t sell bottled water anymore…WHAT!!! Nope. It is now in a can…huh???
Yes, Liquid Death is the name of the Water!! I’ve seen it all now.
Yes, they sell water in a can now so I guess non-drinkers don’t get harassed for not drinking as it looks like a beer can. I have to admit, it looks pretty damn cool for water. We then hit the merch table and there were a ton of Alice stuff and only a little Ace, but I saw Alice 3 years ago almost to the day, so I went with the Ace Shirt. They were already out of XL size, so I went 2XL and I hope it shrinks…
2 Loud 2 Old Music 