Universal Music was spitting out Kiss Compilations like candy in the 2000’s. There are numerous ones to speak about (and we have been). This time around we get a Canada only release for a Compilation Series that spanned numerous artists. Of course, this one is on Kiss or why else would I be talking about it. This is a very generic series and with only 7 songs, very skippable…and I mean skippable unless you are certifiably insane like me and have to have everything! There are no liner notes and no thought was put in to this release at all. But since we are here, what songs are on it?
It kicks off with “Shout It Out Loud” which was the first single off ‘Destroyer’. It was trying to capitalize off the success of the live version of “Rock and Roll All Nite” that was released previously. The title of the song comes from the Hollies song “We Want to Shout It Out Loud” which Wicked Lester demoed years earlier. The song is sung by both Paul and Gene and that chorus of “Shout it, Shout it, Shout It Out Loud” is pure rock gold.
“I Was Made For Lovin’ You” was written by Paul Stanley, Vini Poncia and the great Desmond Child makes his first of many appears with the band. This is from ‘Dynasty’ and the story goes that Disco was really big at the time and the record company wanted the band to be a little more commercial. Paul thought any idiot could write a disco song and a bet was made and a few hours later, the song was written and Paul proved his point. The song went to #11 on the Billboard Hot 100.
The 2000’s were a huge time for Kiss…well, for the label to release greatest hits compilations that is. There are dozens. One of the easiest ones to find is The Millennium Collection which was actually a 3 volume set with a volume released in 2003, one in 2004 and the final in 2006. 2 years after the Volume 3 set was released, Universal decided, why not repackage it and release it all in one set. Sure, why not! As a result, we get ‘3 CD » Playlist + Plus’ which was repackaged as a Double-Gatefold Cardboard set up covered in a Slipcase. It was even promoted as an environmentally friendly set (despite the plastic that wrapped around the set).
The track listing is exactly as The Millennium Collection, no changes at all. For the 3 CDs, we do get a total of 36 tracks and each disc is separate era of the band which is nice. I love the choice of pictures on the packaging with two live shots, one from Alive! and one from ‘The Millennium Concert’. And the two band pictures are pretty sweet, I even like the cover shot with the black background and the faces of the guys. Each CD is a different color and this time, not representing each band member as we get a yellow, an orange and a pink (I think).
Kiss is known for having a million greatest hits album and here we have another. This one is on the cheap side of things and is pretty basic. It is probably a label release and the band probably had zero to do with this one. It was released in 2008 by Mercury and UMe. It is called ‘Playlist Your Way’ and everything about it is cheap. The packing is a fold out cardboard that the CD is housed in. The cover has a big cutout and slipped in is a credit card size cardboard with a picture of the band on one side and a code on the other I believe to download some ringtones. This was 2008 and everyone wanted a ringtone so why not a Kiss one. The card could only be used in the U.S. and my copy was a sealed brand new release so the card was never used.
The CD has 14 tracks that range from the debut album up to ‘Hot in the Shade’. But no, there is not a song from every album in between. It is a random selection and it is basically the hits…well…except for “Uh! All Night”. I don’t really consider that one a hit or a good song. My buddy Michael Ladano reviewed this years ago and he thought it was strange that “Beth” was butted up against “Uh! All Night” and I would have to agree. The dynamics of those two songs sort of clash being side by side. While we are on the songs, let’s discuss them.
First up is “Rock And Roll All Nite” and surprisingly it is the ‘Dressed to Kill’ studio version and not the live version as it is on most comps. It is the rock anthem of rock anthem’s and you can hear those elements and that this song was bursting to be heard. The song came together because Neil wanted them to write an anthem or something for the fans to rally behind and this was the result…not bad!
“Lick It Up” is the band’s first single and first video without make-up and the song only went to #66. It opens with a nice little riff and a little scream from Paul. Paul’s second song on the album and it was meant for the radio. This is a pure 80’s, melodic rock song and no wonder it still gets played a lot. The video was so 80’s as well. Real cheesy and had the band in a post-apocalyptic world. It is a little comical watching it now. The song, however, is about a guy trying to talk his girlfriend in to doing the nasty so doesn’t really fit with the video.
Kiss and their label are know for releasing a ton of greatest hits compilations as you have seen over the last few months from what I’ve posted. And we’ve barely scratched the surface. I have another one for you and this one is was released on August 27, 2002. It is called ‘The Very Best of Kiss’ and you get 21 songs. There is nothing new, unreleased or anything special about these songs. They are all taken from the albums they represent with the exception of “Detroit Rock City” which is the edited version but it is from ‘Double Platinum’ and has been released before. Basically, there is really no reason to buy this one.
It is not well representative of their whole career as we only get 3 songs from the 80’s and 1 from the 90’s and that is it. We also only get 1 song from the solo albums and that is Ace’s “New York Groove”. The 70’s heyday is what is mostly represented here and if you want that era, get the ‘Gold’ compilation we mentioned awhile back as it is splendid. You do get a lot of band members represented as we have songs with Gene Simmons, Paul Stanely, Ace Frehley, Peter Criss, Eric Carr, Vinnie Vincent, Bruce Kulick and Eric Singer. No Mark St. John nor Tommy Thayer though. The album did chart at #52 on the Billboard 200 album chart and it did go Gold in the U.S., but otherwise nothing special. And with that, let’s get in to the music.s
The album kicks off with the song “Strutter” from the debut album. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
Between 2002-2008, The record labels in control of the Kiss Catalog released not one, not two, heck not even 3 Greatest Hit Compilations. Nope. They released a total of 7 greatest hits compilations spread over those years. I am sure there are more, I just haven’t found them yet. Over the last few weeks, we have been through a bunch of them and hopefully this is the last one for a little while. At least until I find more…which I will. As far as compilations go, this one is worth taking notice. Let me explain.
Originally this was released in 2004 as part of the KISS Sound and Vision box set. This set was released on January 11, 2005 and is a 2 CD Set called ‘Gold’. The label for this one was Universal Music Corporation. This set covers the make-up years from 1974 up to 1982…except it doesn’t include anything from ‘Creatures of the Night’. The 1982 in reference here is for the ‘Killers’ compilation. There are 20 songs per disc which means we get a handful of releases from almost every album with some minor exceptions. There is at least one from every release though (except maybe Double Platinum. If you want a comp that gives you the best coverage of the make-up era, I don’t know if you can do better than this.
DISC 1:
Kiss (1974): The representation of the debut album is strong as it gives you five tracks:
The album kicks off with the song “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
Back on August 5, 2003, Kiss released, okay, the record company released a greatest hits compilation called The Millennium Collection: The Best of Kiss(1973-1979). It was the first of three volume set which we will get to the other two soon enough. In a move only a record label would do, the label issued the ‘Icon’ Series with two volumes. The first volume is the exact same track list as ‘The Millennium Collection: The Best of Kiss (1973-1979)’ and was released in 2010.
In a cash grab kind of move, they changed NOTHING!! The Icon version is the exact same except for crappier cover art and no inserts/liner notes. A very bare bones set. I do not really recommend any of these sets as they weren’t done by Kiss per se. But us collectors buy it all. And as a collector of Kiss albums, I do have it. So for now, let us go through this set and talk about the songs since we are here as there is nothing else good to say about this…wait, have I said anything good yet???
The album kicks off with the first song of their debut, “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester. The song has a great opening drum fill by Peter and is an uptempo rock song that was inspired by all the sexy women in New York. There is a great bass riff by Gene why Ace belts out the solo. Paul sings the song and shows all the confidence a lead singer should show.
Back in 2003, Kiss released, okay, the record company released a greatest hits compilation called The Millennium Collection: The Best of Kiss(1973-1979). It was the first of three volume set. Well, then in 2010, the label issued the ‘Icon’ Series with two volumes. The first volume is the exact same track list as ‘The Millennium Collection: The Best of Kiss’. There is nothing different to it at all except for crappier cover art and no inserts/liner notes. A very bare bones set. I do not recommend any of these sets as they weren’t done by Kiss per se.
However, as the collector in me, I do have the brand new, first time on vinyl version of Icon as Walmart has just released an Exclusive Silver Black Splatter vinyl. And since I collect everything vinyl for Kiss, I had to have it for my collection wouldn’t be complete. Okay, my collection is not complete anyway as I am missing a couple pieces that are extremely pricey, but that is for another time.
For now, let us go through this set and talk about the songs since we are here.
SIDE ONE:
The album kicks off with the first song of their debut, “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester. The song has a great opening drum fill by Peter and is an uptempo rock song that was inspired by all the sexy women in New York. There is a great bass riff by Gene why Ace belts out the solo. Paul sings the song and shows all the confidence a lead singer should show.
My love for bootlegs started with collecting Kiss Bootlegs and as you can see from the list at the bottom of this post, I have quite a few Kiss Bootlegs and as long as I keep finding them, the more I will buy. It is a never ending cycle as new Kiss bootlegs keep popping up all the time. This one I found over a Repo Records was released in 2022, but it is a re-issue of one that came out in 2012 and it is a little different than the others that I have. Most of my bootlegs are full shows, parts of one show or a collection of demos.
This one is different in that is a collection of live tracks from various shows and not one show in particular. That to me is odd. What is the purpose of this one? I can’t seem to find out. The timeframe of the shows range from 1974 up to 1978 so they are the peak years of the band. But it is still a strange collection.
What is not strange and rather cool is the packaging. The cover is a cool live shot of Gene as the Demon and the back cover is the Kiss Alive II photo of Gene with the blood all over his face. It is an awesome shot. The inner sleeve is a couple of cool band photos on bot sides. And the final piece is a cool colored vinyl in the color of purple. I don’t have too many purple discs, so very nice. The picture from the cover is on one side of the vinyl and the Kiss logo on the other, both with the Diamonds in the Dust title. I don’t have much info on this so let’s get to the music.
SIDE ONE:
The first track is “Room Service” which was taken from Fremd High School Gymnasium, Palatine, Illinois April 19, 1975 and it sounds like it was. It is very hollow sounding and not from a soundboard. It sounds like I am outside the gym getting refreshments and the sound is bleeding from the closed doors. Paul sounds good though.
Next up is the “Love Theme From Kiss” from the Bayou Theatre in Georgetown, Washington D.C. from March 25, 1974. You hear Paul say this is one we never perform live which is not true because they use to play it when it was called Acrobat. This is definitely an early version since it is 1974 and a month after the release of the debut album.
After it fades out we get “You’re Much Too Young” from Lafayette’s Music Room in Memphis, Tennessee on December 2, 1976. A song the band would never release, but I have several versions of it live. A really cool mostly instrumental piece with basically Gene saying “You’re Much Too Young” several times during the show. The band is jamming and Peter is killing it on the drums. An interesting cool piece that sees Ace ripping a cool solo and an all around killer track. The album jacket says The Lafayette show is from that same night as the next song “Strutter”, but at a different arena. Kiss are good, but I don’t think they are that good. That means the Lafayette show from “You’re Much Too Young” is probably from April 18, 1974. And I have that show down below in the Bootleg Series list. Just my guess.
Then we get a twofer with “Strutter and “Hard Luck Woman” back to back as they are from the same show at the Mid South Coliseum in Memphis, Tennessee on December 2, 1976….wait a freaking minute…”Strutter” just ended and so did Side one. Where the heck is “Hard Luck Woman”. I think I just got ripped off. And I did. The 2022 version is missing a couple songs that were on the 2012 release. Oh well. “Strutter” was pretty good though.
SIDE TWO:
Side Two kicks off with “Ladies in Waiting” which was played at the National Guard Armory in Rockford, Illinois on November 15, 1975. The sound is really rough, it sounds like it was taken from a tape that was taken from a tape and then taken from a tape again. It is muddied and almost unlistenable. I can make out Ace’s killer solo, but the vocals are tough to hear and so are the drums, but Gene’s bass is pretty loud. All simply horrible.
Next up is a group of shows from the same show starting with “Watching You”, then a Peter Criss drum solo and lastly “Flaming Youth”. These are taken from the Roosevelt Stadium show in Jersey City, New Jersey on July 10, 1976. The sound is really good on these tracks (compared to the others). Gene sounds menacing and you can hear Peter on backing vocals really well. Peter’s drum solo is typical Peter or I should say classic Peter. It sounds great, if not a little simple. He definitely is beating the crap out of the skins, but he’s doing it as well as Peter can. You can hear the crowd scream out a few things during it. He bangs the gong and then rips a drum roll before it fades out in to “Flaming Youth”, a personal favorite. Paul’s vocals sound so deep as the tape this taken from drags a little. Man, oh man.
For the last track, we get the classic Kiss song “Deuce”. This one is from the Roberts Municipal Stadium in Evansville, Indiana on January 23, 1978. Roberts Municipal Stadium what a boring name, I guess company’s didn’t fork out millions to sponsor stadiums yet. Anyway, on to the song. Paul introduces and says this isn’t one they’d done in a long time which surprises me. When the band kicks in the sound is horrible. I can’t make hardly any of it out. I can hear Gene, but it is distant and not all that clear. Man, it is hurting the ears the high pitch it is all coming out at. I hope this ends soon as my ear might actually be bleeding.
This is a very skippable bootleg except maybe real diehards. This one makes no sense being a collection of songs from various shows. The only real cool thing about it, other than the packaging, is the fact it isn’t the standard fair of songs. You get some deep cuts and thankfully no “Rock & Roll All Nite” as I could do without that one. The sound sucks at times and sometimes not, but overall this is not one I’ll pull out very often as I prefer to hear full shows. My Overall Score is a 2.0 out of 5.0 Stars and that is being generous. It gets points for great artwork and a cool Purple vinyl. I took one for the team on this one, but still glad it is in the collection because I didn’t have it. Thanks for hanging around.
If you are thinking, “John, you’ve reviewed this show before”. You would be right. I reviewed it about a 1 1/2 years ago. But this one is different…it has a different cover and from a different manufacturer. In my quest to get as many Kiss Bootleg’s I can, I found this one in a local record show, new and sealed. And cheap. This is actually an easy one to get if you are collecting Kiss Bootlegs. I think I paid $20 for it. When I saw it, I knew I had this show, but I really liked the cover and this one has clear vinyl. Otherwise, there is nothing really special about this one, no inserts, no picture sleeves and no surprised in the package like I have received in a lot of my bootlegs. This one is rather generic. For historical reasons though, it is pretty cool. The recording is an FM Broadcast from April 18, 1974 in Memphis, TN at the Lafayette Music Room and is one of the earliest recordings of the band.
Soundwise…well…let’s just say there is sound. This is a recording off a radio broadcast on to a tape. That tape was then copied, which was then copied, which was then copied, which was then copied and keep going for another dozen copies. There is a massive tape drag at several points during the show which slows the song down and it is quite noticeable. That proves that the source material was from an old tape that had been copied many times. Yes, the sound sucks at times and might be on the low end of some of my bootlegs, but I am still okay with it and because I collect them I will buy regardless.
If you look at the setlist, you will notice a few things stand out. One is they basically played the entire debut album with a few minor exceptions. Two, they play the song “She” which won’t come out until 2 albums later on ‘Dressed to Kill’. And Three, they play a song called “Acrobat” which is actually the basis for the song “Love Theme From Kiss” from the first album. This is two months after the debut album release, so it is strange they played the “Acrobat” version and not the album version.
SIDE A:
The album and set opens with “Deuce” and boy can you hear the tape drag on this one, pretty drastic. But you can still make out the song and hear Gene just fine as it is in the instruments where you have the issues. Nothing is real clear except the vocals. Towards the end of the song, it clears up and gets a little louder and that cowbell comes in nicely. “Strutter” is up next after a slight pause and you get more wobbly instruments and even a little on the vocals this time around. Paul sounds like he is singing the song so much slower. Again, you are buying this strictly for the historical value…that is what I keep telling myself anyway.
“Firehouse” sounds great and I happy with that version. It is an untouched, live version warts and all and it is quite enjoyable. Ace’s solo sounds good and you get a glimpse of the band doing what they do best with no real hiccups. The cool song on here is “She” as I said it hadn’t even been released yet on an album. The guitar opening on it sounds a little slower and I am guessing that is the tape drag as there is a lot of wobble. But vocally again, sounds good. Gene is menacing as ever and Paul on background duties. The coolest part is the instrumental break/guitar solo as it isn’t what we get later. This the reason to buy this release if you need one. And last up for Side 1 is the badass song “Nothin’ to Lose”. And by this time you are used to the wobble and so it starts sounding pretty decent (okay, decent enough). I love this song as you get both Gene and Peter on vocals (and Paul is heard pretty good on backing vocals). I love Peter’s gritty and raspy old school singing on this one. Always fun.
SIDE 2:
Side 2 kicks off with the Ace Frehley penned song “Cold Gin” (after the radio DJ does a station break), but with Gene on vocals as Ace wasn’t singing this early on in the band. Now, I did get to see Ace do this one this past Summer when he opened for Alice Cooper but that is another story. I really love this song but I will say this version seemed a little flat and not sure if that was the band or the recording itself. After a little tuning, we get Gene’s bass and some thumps until they become “100,000 Years”. Paul sounds fresh and youthful and can do some great ooh-yeahs back then.
Another favorite of mine to hear live is “Black Diamond” even with a DJ interrupting the opening notes for a station break. The tape is wobbly again as it sounds a little funky and messed up, but it is still “Black Diamond”. I love the slow opening and then the bombastic explosion for the rest of the song. Plus, the instrumental break and solo are always great. An all around fantastic song every time I hear it. The song ends the broadcast. Then the show announcer comes back and the band is tuning their instruments a little they go in to what is labeled as “Acrobat” but it cuts out the “Love Theme From Kiss” parts off and is just the band jamming. Peter has a little drum solo piece then the band kicks in and they jam out, all instrumentally and then they start singing only a little. There are very few lyrics and they sing “You’re much too young” a couple times and then they go back to jamming and we get a killer guitar solo piece as well. Then Paul says “Good Night” and it is all over. Fun track.
Despite the tape drag and the wobbly sound in out at times throughout, I still find this an enjoyable most especially for an early version of “She” and for the encore with “Acrobat”. It is also a cool historical piece to have anything live and uncut from 1974 with them really just getting going. All-in-all, it turned out to be an okay show as you get used to the sound issues and you enjoy it for what it is. I can’t give it too high of a score, but I will give it at least a 2.5 out of 5.0 Stars (but it should get more for the two songs I mentioned – maybe a 3.0 to 3.5…but that might be too generous).
I can’t believe we are on our 20th Review in the Kiss Bootleg Series. Nuts to think I’ve picked up that many. This one is called ‘The Ritz on Fire’ which is from August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. This one is not the full show, but sort of a Best Of Compilation of that show. There are a bunch of different ones out there, some with full shows and some like this. I do have a show from the Crazy Nights Tour that was recorded on April 18, 1988 in Osaka, Japan, so I figured I’d grab this one as well as why not, you can never have enough Kiss Bootlegs…obviously or we wouldn’t be on #20.
I have found that this version is one of the few bootlegs that get all the packaging correct. They have the right band members in the pictures (Paul Stanley, Gene Simmons, Eric Carr and Bruce Kulick) and the right song titles and I don’t see any mistakes which is rare in the Bootleg world.
This is Kiss live much in the same vein as their current “Off the Soundboard” series in that there are no touchups, it is as you heard it when it happened and in this case as it was on the radio broadcast. The first 9 songs on this 10 song set are in order of the original setlist and it isn’t until the 10th song that it jumps ahead a number songs and plays one more. Basically, it is the first half of the show.
2 Loud 2 Old Music 