If there is one thing I love to find and that is Kiss Bootlegs. Whether it is on CD or vinyl, I don’t really care. I do prefer vinyl, but I’ll take it on CD as well so I can play it anywhere once I load it up to the cloud. This time around it is a CD bootleg. And not any CD bootleg, but a whole collection of radio broadcast from over the years. In fact, there are 8 shows spread over 10 CDs and includes 119 tracks. A good coverage of years from as early as 1974 all the way up to 1994. I guess there aren’t too many broadcast after the 90’s as you can see from below…
I love that it covers the make-up era and the non make-up era all the way up to prior to the big Reunion Tour. And it even includes one Non-Kiss Show with a Frehley’s Comet one. The are radio broadcast so the quality is good, but realize these are bootlegs and not pure soundboard recordings released by the band with the sound cleaned up. The set comes in a small cardboard box with each individual disc in a fake vinyl-like sleeve. Nothing fancy, but they cram a lot of music in to a small package.
These are raw and rough and that is why I like them. I really enjoy bootlegs and getting all the shows that I can have from throughout their career. The band started releasing their own “bootleg” type albums with the ‘Off the Soundboard’ Series, but after five releases, that has been put on hold currently. I do hope they get back to it soon. For now, let’s go through this set of albums.
Disc 1:
WMMS, Agora Ballroom, Cleveland, Ohio, 1st April 1974 / King Biscuit Flour Hour, The Music Hall, Cleveland, Ohio, 21st June 1975
The album ‘Crush’ saw Bon Jovi back on the scene and having major success. The album sold over 5 million copies worldwide and go to #9 on the U.S. Billboard charts. The band had a huge successful tour and to capitalize on the renewed love for Bon Jovi, they recorded one of the shows and released it on DVD and sold over 100,000 copies in the U.S. The show was recorded on August 30, 2000 in Zurich, Switzerland at the Letzigrund Stadium. The show was directed by a Jon relative by the name of Anthony Bongiovi. When all was done, it was released in Japan on December 7, 2000 while Wiki says it was released on May 28th, 2001, but since the date on the back cover says 2000, I’m going with the December date.
The boys are the same as it is Jon Bon Jovi, Richie Sambora, David Bryan, Tico Torres and of course, Hugh McDonald on bass and not yet a full time official member. The DVD has the full show, plus some bonus features as well along with some music videos so it is jammed pack with goodness. My copy is a standard edition from the U.S., no extras above and beyond what is expected. I picked this up used and it was in great shape and probably cost about $5 so I was pretty happy. Enough chit chat, let’s get to the show.
The show kicks off with “Living on A Prayer”…how solid is your catalog when this classic opens the show? When Richie gets on the talk box and the drums kick in, the crowd goes nuts and starts bouncing up and down for the entire song. They don’t let up. Jon commands the crowd like a good frontman should. They go right in to “You Give Love A Bad Name” and they keep the party going at full force. The crowd doesn’t let a little rain dampen their spirit or their energy.
For My Sunday Song #390, we are to the final song chosen by Tim Durling of Tim’s Vinyl Confessions. The song we will go out on is a B-Side for the band INXS called “Scratch”. The song was the B-Side to the song “Just Keep Walking” off their debut, self-titled, album from 1980. The single was released in October 1980 and became the band’s first Top 40 hit in their home country of Australia. This song was never on any album, well, until their 2002 compilation album Stay Young 1979–1982.
The song seems to be about a guy who is pining for a girl. He wants her to listen to his heart as it beats for her. He knows she feels the same way and she has an itch for him too. He wants her to scratch that itch baby!! He even wrote a letter to the Sunday paper telling them of his love for her, but they don’t care.
This is early INXS when the New Wave movement was getting going. It is short at just over two minutes, but it has so much to offer in that short time. Some great guitar riffs that race through with an immediate urgency. The drum beat is his heart pounding for the girl. Micheal’s vocals, man they sound so young, but he takes full command and he sounds great. His annunciation isn’t the best, but damn he is so engaging and has so much charm in those vocals. A high energy, almost punk sound on this one and I hate I am just now hearing this one.
Tonight at 7pm, check out the Billy Idol Retrospective on Grant’s Rock Warehaus on YouTube. Thanks so much for Grant inviting me as we blast through the entire Billy Idol solo catalog as well as some of his rare vinyl releases. We had a great time and I hope you will too!! Give it a watch and then Subscribe to Grant’s channel as there is so much fantastic content!!
If you are a Y&T fan or you know a Y&T fan, this book is for you. My buddy, Tim Durling, has released his 2nd book which talks about all the Y&T albums. I received my copy and I can’t wait to dive and read it. If you need a great Christmas gift idea, this is it. Got to Amazon.com and buy a copy now. You won’t be disappointed. I mean, look at that cover…it is awesome. It was designed by the great Hugh Syme who is one of Canada’s premier graphic artist. You also have a forward by Sean Kelly who you know as the guitarist for Lee Aaron, Nelly Furtado, Helix and Crash Kelly to name a few.
And as a bonus, you get me, John T. Snow as one of the contributors to the book. What more could you want. Ok, you do get Martin Popoff, Pete Pardo, Mike Ladano and a ton of other great people which is probably a better reason, but you know, I’m not bad either!!!
Happy Friday! We are almost done with New Release posts for 2023. Only one more week to go after this so enjoy it while it lasts. This week there are a handful of releases and only one for me I want to hear and that is the Bryan Adams release ‘Live at the Royal Albert Hall’. Should be awesome. But there is a lot more out than that so I hope you can find something. Let me know what you want to hear this week or what we may have missed. Thanks for stopping by and I hope you have a wonderful weekend!!
Bryan Adams – Live at the Royal Albert Hall – (BMG Rights Mgmt)
Blue Oyster Cult – 50th Anniversary Live: First Night – (Frontiers Records)
Kylie Minogue – Extension: The Extended Mixes – (Darnote / BMG Rights Mgmt)
The tour for Def Leppard’s ‘Pyromania’ album started on February 9th, 1983 in London, England and would go on for 11 months, travel the world on and on December 18th, 1983 in Dortmund, West Germany. The tour was massive and a huge success. They even recorded the show at the L.A. Forum on the September 11th which was released as Live at the L.A. Forum which we reviewed last week. But being a such a fan of the band, I like to collect as many shows as I can get and I found one from a month earlier that was recorded in Seattle, Washington on August 3, 1983. Yes, it is a bootleg, but it is a radio broadcast so they sound is going to be pretty good…and it isn’t bad.
The show as recorded at the Seattle Center Colesium and it is the EXACT same setlist as the LA Forum show the band released. But the show is slightly different and the sound doesn’t sound the same as the other show so it does sound like a different show despite no variations in the setlist. First off, Joe Elliott’s voice is super high in this mix and the guitars are pushed a little to the back. Some songs I notice the bass is even higher then the guitars. The crowd noise isn’t as prominent so sometimes you forget they are there except when Joe interacts with them. The set I have was released in 2022 and on a 2 CD set split identical as my vinyl splits the LA Forum show.
The show kicks off with the air raid sirens, bombs bursting in the background and machine guns firing and it sounds way better and clearer then the Forum show. There is a gap in the track and and it makes it feel like the intro was not even a part of the show. Then the band goes in to “Rock! Rock! (Till You Drop)”, Joe’s vocals are a little rough and super loud along with the background vocals while the guitars don’t have the crunch or power you’d hope. But the energy is high and the tempo is really quick. “Rock Brigade” is up next and it sounds a little muddy and again, Joe’s a little rough around the edges and is sounds a little shot. The solo is ripping and they stick to the original song with not much extra added.
On November 6, 2000, Bon Jovi released their third single from ‘Crush’, well, their second single in the U.S. The song did really well for the band reaching the Top 40 in a ton of countries like the UK, Germany and Australia, but not in the U.S. where it only went to #57. Proving more that Bon Jovi were actually bigger overseas then in their home country which had the way it was for at least a decade. Back in 2000, when Bon Jovi released a single, there would be a ton of different variants of that single in many different parts of the world, each with their own unique B-Sides and this one was no different.
The version I have is actually a Canadian release (and I think I got this from my good pal Mike Ladano from Grab a Stack of Rock and MikeLadano.com. Go check him out as you won’t be disappointed. The version I have according to Wikipedia is says it is actually the Japanese Edition and that is possible I guess, but this is definitely a Canadian pressing as it states it below.
The song title, “Thnk You For Loving Me” seems to be inspired by Brad Pitt’s character in the film ‘Meet Joe Black’ where he tells Claire Forlani’s character “thank you for loving me”…or it could be a giant coincidence. It was written by Jon Bon Jovi and Richie Sambora and was inspired by Jon’s own personal experiences and observations on how love can change you and it was a giant thank you to those special people in his life.
The song is a ballad and chock full of ballad cliches with a full on string section, soft & gentle piano and some nice sweet guitar licks from Sambora giving us the power in power ballad. The song is a little over-the-top at times and cheesy, but Jon still delivers it as only he can with all the emotion needed to draw in the listener and pull at their heartstrings. Not their best ballad they’ve ever done, but honestly, its pretty damn good nonetheless.
The B-Side tracks (I now it is a CD so technically no B-Sides, but that is what I’m calling them) are all live and recorded to a two track player at The China Club in New York City on September 20, 2000. And all three tracks are not from the ‘Crush’ album. First up is the ‘New Jersey’ track “Born to Be My Baby”. This track was penned with the help of Desmond Child and you can feel his touch all over it with its melodies and hooks and that catchy chorus. Playing it live, they haven’t really altered it or strayed from the live version. It lacks a little of the studio version’s punch, but still a great track.
Next Up is “I’ll Be There For You” is also from ‘New Jersey’ and is a ballad. That opening guitar lick from Sambora is instantly recognizable on this track. Jon’s vocals are high in the mix and in 2000, he still sounded pretty great live. Richie’s backgrounds are key on this one too as I love how his vocals compliment Jon’s so much. If you listen close, you can hear the crowd singing along. They really nail this one and they don’t stray from the studio version much and that is okay.
The final track is “I’ll Sleep When I’m Dead” from ‘Keep the Faith’ and Bon Jovi shows they are still a bar band at heart, even though I don’t know how much they played in bars. Tico pounds away at the skins and Richie rips some riffs. David’s piano plays like an old honky tonk and the boys cut loose and have a good time with this one. Jon doesn’t sound the best as he sounds a little tired, but this is live and he shouldn’t sound perfect.
And there you have it. A cool gift from a friend and a nice addition to the Bon Jovi collection. I hope you enjoyed it and we still have one final ‘Crush’ related piece in the collection to review and that is coming next week. Until then, have a great day.
NEXT UP: BON JOVI – ‘THE CRUSH TOUR’ (2000) – DVD REVIEW
Yes, I was there for the end. The final Kiss show. I have been a fan for around 46 years or since ever since I discovered these albums in my brothers collection. I was around 7-8 years old. The make-up, the larger than life characters, the pictures on those albums and most of all, the songs all captured this little kid’s mind and never let go. Through the good years and the bad (and there have been some), Kiss has always been a part of my life.
My very first Kiss show was December 26, 1983 for the Lick It Up Tour. My brother, Gary, gave me a ticket for the show on my birthday, which was the day before the show. Imagine my surprise. Here we are 40 years later and this time I bought the tickets. My brother took me to My First Kiss Show and I am taking him to the Last!! We arrived in New York City early morning on Friday, December 1st, 2023. Gary from Atlanta and I from Charlotte. Once we arrived, we did a couple touristy things, but one of the cool things was going to where Kiss were photographed in the suits for the Dressed to Kill album cover. That was at the southeast corner of W23rd Street and 8th Avenue looking North. I didn’t recreate it, just took a picture there.
Cheesy, yeah…but it was fun standing there where the guys made that iconic Kiss picture. The other Kiss place we went was down to Electric Lady Studios. The place where Kiss recorded their demos with Eddie Kramer, prior to the debut album. You know this studio because it was Jimi Hendrix’s Studio. If you open the door, you will see the original door and brick that was there when Kiss was. The funny thing about these two locations is that we knew we found the right locations as there were already other Kiss fans doing the same thing we planned on doing. And speaking of fans, everyone we met was so friendly and so excited about the weekend. Kiss fans, when not being overly critical, are actually great people.
For My Sunday Song #389, we are almost to the end of Tim’s Choices and this time around is a cover song for Tesla called “Run Run Run”. It was originally done by Jo Jo Gunne in 1972 and written by Matt Andes and Joe Ferguson. It was only released as a B-Side on the CD Maxi Single for “Love Song” in 1990 so never on any of the band’s albums.
The song, lyrically, is very simple and seems to be about a guy who might be on the run from the law and needs to get to the border or the state line to get away from them. Nothing more than that. Pretty simple, right!
The band has fun with it. They keep to the spirit of the song but bring in to the 90’s with the sound as the original is very 70’s sounding. Jeff Keith’s vocals have such a cool grit that it really makes the song jump. The guitar work by both Tommy Skeoch and Frank Hannon scream and make the song feel like the song is really racing. The rhythm section of Brian Wheat on bass along with Troy Lucketta on drums also drives the song forward. You can feel the pressure and intensity of the guy running from the law. And then the song ends with a massive build up and bam, it’s done. A great, fun track by an incredible underrated band!
Bryan Adams – Live at the Royal Albert Hall – (BMG Rights Mgmt)
Blue Oyster Cult – 50th Anniversary Live: First Night – (Frontiers Records)
Kylie Minogue – Extension: The Extended Mixes – (Darnote / BMG Rights Mgmt)
2 Loud 2 Old Music 