To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. This disc is the second prized disc to have. It is full of studio recordings and live songs from various BBC recordings in those early years. Some pretty cool stuff and the only way to get it is to buy The Early Years ’79-’81 (2020)
The first set of songs were recorded in June 1979 and they were for a show hosted by DJ Andy Peebles. The really cool thing about these four songs is that all the guitar parts were handled by Steve Clark. Pete Willis was unable to get off work to record the sessions. This was back when the band was still trying to make it. Those 4 songs that were recorded were “Glad I’m Alive”, “Sorrow is a Woman”, “Wasted” and “Answer to the Master”. The guitar sound on these songs all sound a little different as a result, There isn’t as much depth as the guitar parts sound too similar than when Pete is on it as this guitars sound different than Steve’s.
The solo on “Glad I’m Alive” sounds different almost hollow like in a stage far from the band. Still, this is one of the coolest non-album tracks the band has ever done. “Sorrow is a Woman” sees Joe shine on vocals, but the music this time around lacks a little punch. “Wasted” is all guitar so it is all Steve. It isn’t as raw and crunchy as the original recording, but there is something cool on this one. Rick Savage’s bass seems to be higher in the mix to offset the lack of Pete’s guitar and it adds a new dimension to the song. They also added a lot of echo to Joe’s vocals at time which i very different from the original. Lastly, “Answer to the Master” really misses the second guitar,but still a solid recording of the song. I’d still would’ve been a fan of these songs if these were what I heard first. I didn’t have these versions in my collection so I think they are awesome.
Journey’s ninth studio albums was 1986’s ‘Raised on Radio’ and the second single off the album was “Suzanne” which was written by members Steve Perry and Jonathan Cain. The song went to #17 on the U.S. Charts and was one of three Top 20 hits from the album. An album that would reach #4 and sell over 2 million albums going double platinum. The band at the time was really only Steve Perry, Jonathan Cain and Neal Schon as Ross Valory was out and during recording, so was Steve Smith which is why you only see 3 guys on the cover of the single.
The song came out in June 1986 and from an album that had 5 total singles. The song was about this guys ex-girlfriend who went on to become very famous and he can’t get her out of his head. Every time he sees here on TV, in the movies or hears her on the radio, he is tormented and can’t stand it. Steve Perry was asked if there was someone real the song was about, he basically said didn’t give a straight answer and said real or not, the girl in the song itself is real.
The version I have of the single is a 7″ Vinyl single and it is a promo as can be seen on the label with the words “Demonstration Not For Sale”. As a result, it is the same song on both sides so no new B-Side here. In the old days, the song would be Stereo on one side and Mono on the other, but by 1986, all stations were basically Stereo so no need for a Mono side.
After the end of the ‘Keep the Faith’ tour in 1993, the band need some time, so Jon Bon Jovi went on vacation and immediately started writing songs. Over the next 9 months, he and Richie Sambora wrote and demoed close to 40 songs. I guess they didn’t need much time. But the album was taking longer than anticipated so they agreed with the label to put out a greatest hits set called ‘Cross Road’ in 1994. The album did well. The band also ran in to trouble with bass player Alec John Such. Due to unsatisfactory performance during the live shows, they decided to dismiss Alec from the band in 1994 as well.
This made the album a four-piece technically as Alec is not on the album. Who is on the album is Jon, Richie, David Bryan and Tico Torres, officially. Unofficially, on bass was Hugh McDonald who we already met as he was the bass player on the song “Runaway” from the band’s debut album. They brought in producer Peter Collins to co-produce with Richie & Jon, but things weren’t easy. They started recording down in Nashville, TN. After 10 days of that, Jon wasn’t happy and erased all the tapes. Recording moved to New York to Jon’s home studio and also various studios in Los Angeles. One of the problems they had in New York was the band Fear Factory was recording their album and they were so loud that recording was not possible for them in their studio. Now, that is loud!
The album, ‘These Days’ was finally done and released on June 27, 1995. The album only went to #9 in the U.S., but overseas, the album was huge. It went to #1 in the U.K., Switzerland, Australia and numerous other countries. It sparked 5 singles and has sold over 10 million copies worldwide. They might not have been as popular in the U.S., but they were still doing fine. The album itself still sounded like Bon Jovi musically, but lyrically, it is a much darker album. It is not a rock & roll party full of sunshine. The band was in a good place funny enough. The music saw them really take the darkness of grunge but put it with the Bon Jovi sound. A lot of bands at this time were going heavier and completely changing their sound, but not Bon Jovi. And it worked.
The album opens with one of the heavier songs on the album, “Hey God”, and in the same epic way they open all their albums. According to wiki, the song was inspired by Jon looking out a window at 57 St. & Broadway and seeing a guy in an expensive suit standing next to a guy sleeping on the street. Also according to wiki, Richie was inspired by the song while looking out of his limo and seeing a homeless guy sleeping in a cardboard box. Who knos which is right or they both are. The song questions if God has forgotten about the world as all the good shit is gone and there nothing but bad. It is a darker tone, darker lyrics and sees the band questioning the world. A total ballbuster of a song. The song was the final single, but not in the U.S. and was released on June 24, 1996. It was a minor hit in Canada and several European countries. It is one of my favorites on the album.
For My Sunday Song #383, we are diving in to the song “I Really Don’t Want Your Love” by April Wine. This is another Tim Durling selection that is a rare track and not any April Wine studio album. This is a B-Side to the song to their 1984 hit “This Could Be The Right One” off their album ‘Animal Grace’. The single hit #61 on the U.S. Billboard Hot 100, but of course the B-Side did nothing, but at least it was out there in the world to be heard.
The song was written by Myles Goodwyn, as all of their songs basically were. The song is about a girl that is leading the guy on. She’s playing games and stringing hime along for her own enjoyment. He is tired of it and has hit his breaking point and he’s ready to say goodbye. He doesn’t need her love anymore and he’s out of there. Someday she’ll turn around and might notice that he’s gone.
This is a great song and so hard to believe this wasn’t on any studio album as it has everything you’d want in a song. The quick tempo has lots of energy, great guitars, great driving drum beat and rhythm section. The vocals have a pacing that is really great on the lyrics and Myles vocals are awesome as well (assuming Myles is singing as I am not overly familiar with the band). The chorus is really awesome as well as it is so catchy and will hook you in instantly. I found myself moving to the beat of the music and that is always the sign of a good song. If this is a non-album track, just how good are the studio tracks. I might need to check these guys out.
As we get closer to Halloween, we have over 70 more treats for you this week. No tricks. It is another huge Friday New Release day and there should be something for everyone. I have a couple I’ve pre-orded and one I’ll listen to for sure. The two pre-ordered are The Rolling Stones new one with the Atlanta Braves Exclusive cover and the other is a new Night Ranger album with a live show on CD & DVD as well. The third thing I’ll at least stream is the new Blink-182 now that the original members are back together. Outside of that, I’m sure I’ll get to Rival Sons when I can. What do you want to hear this week or what are you buying? Also, let me know if there were any new release s we missed. Thanks for stopping by and have a great weekend.
The Rolling Stones – Hackney Diamonds – (Polydor Records / Universal International Music)
Night Ranger – 40 Years And a Night (With Contemporary Youth Orchestra) – (Frontiers Records)
Blink-182 – One More Time… – (Columbia Records)
Lynch Mob – Babylon – (Frontiers Records)
Rival Sons – Lightbringer E.P. – (Atlantic Records)
Duff McKagan – Lighthouse – (The World is Flat LLC)
To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. Released on March 20, 2020, “The Early Years 79-81” box set was full of goodies. Not only did we get the first two albums, ‘On Through the Night’ and ‘High ‘N’ Dry’, but we got the live album ‘When the Walls Come Tumbling Down’ which we have alread talked about. The fourth disc, “Too Many Jitterbugs’ title is actually a line from the song “Glad I’m Alive”, was chock full of Rare songs and B-Sides as well as Single Edits and remixes. For someone new collecting Lep stuff, this is a great disc. For someone like myself, I had most everything already in some form, but not quite everything which is why this is so great.
The set kicks off with the three songs from The Def Leppard E.P. which are “Ride Into the Sun”, “Getcha Rocks Off” and “The Overture”. The first track is “Ride Into the Sun”. The song is very different than the two other versions of the song released later that are more familiar to most fans. The first version was a B-Side on the “Hysteria” single and the last version was on the album ‘Retroactive’. The B-Side version was my favorite until I heard the original which is now my favorite version of this song. It is the true intention of the song and it has a better sound and feel. The guitar and drum work are awesome and Joe sounded so young and fresh. The guitar solo was better and an overall more satisfying experience. It is the more rock version of the song and pure Def Leppard at their best.
Track two on Side One is “Getcha Rocks Off”. This track was re-recorded for their first full length album “On Through the Night”, but the title was changed to just “Rocks Off”. I think this song sounds better as well over the re-recorded version. It doesn’t have the fake crowd noise or the weird guitar sounds that are thrown in needlessly. The E.P. version is also a more hard rock sounding song.
“The Overture” is an epic song at over 7 minutes long. It was also re-recorded for the ‘On Through The Night Album’ like “Getcha Rocks Off”. Again, due to how amazing this record sounds, I prefer this song over the version on “On Through the Night”. What I love about the song is the changing tempos, the great double guitars of Steve & Pete. The song takes you on a great musical journey.
“Wasted”, but this single is different than the album version which is odd. It had never been released on an album until the release of The Collection, Volume 1 (2018). it sounds more raw and like an early demo of the studio track or something. It is still great though. The same with “Hello America” as it is a single version that isn’t the album version either. I’m not sure the reason behind this, but I like different versions so I’m all good.
After that we get a previously unreleased version of “Rock Brigade”. The song is a very early version of the song which lacks the punch of the guitars on the “On Through the Night’ version and the drums don’t sound like Rick Allen’s and for that it the lesser track. But you can hear the promise of what was to come. Then the coolest song they’ve never released on a studio album, “Glad I’m Alive”. It is a fast paced, groove-tastic piece of brilliant rock that is such a shame they never did anything with this as it is perfection. It is also the namesake for this album. “Good Morning Freedom” is a B-Side to “Hello America” and opens with some great drumming from young Rick Allen. His drumming throughout is fantastically slamming. Another rocker and another gem from this band. It is more razor sharp guitars cutting through those Elliott vocals.
The rest of the album are single edits and remixes. We get the single edit for the opening track for ‘High ‘N’ Dry’ called “Let It Go” which chops 30 seconds off the album version. It cuts out a lot of the guitar wankering which is what makes the original so bad ass. Then we get a single edit for “Switch 625” and the only I can see that is different is it removed some of the fade that comes off of “Bringing on the Heartbreak”.
The next two tracks are the single edit for “Bringin’ On the Heartbreak” which knocks off about 40 seconds from the original and again, doesn’t make it better. It also has a cleaner ending rather than the fade in to “Switch 625”. The next track is the original version of “Me And My Wine” and it is the version that is the B-Side to “Bringin’ On the Heartbreak”. It has more punch and more of a rawness to it than the later remix version. I like it a lot! A punk attitude with dash of hard rock.
The final two tracks are the Remixes of “Bringin’ On the Heartbreak” and “Me and My Wine” that were on the 1984 re-issue of the ‘High & Dry’ album. The remixes were done with added synthesizers and piano overdubs to make it sound more like what was done on ‘Pyromania’. which was out at the time of the re-issue. The remix doesn’t make them better, but they are already great songs so fine, whatever they felt was necessary. It did cause the album to sell a lot more copies so all good.
And that wraps this one up. Being a compilation of tracks, I wouldn’t delete anything on this one. A lot of great tracks with only a couple I didn’t already have in the collection. It is a lot like the bootleg I have “First Strike” which we already reviewed, but better sounding. It is nice having the songs all on one disc rather than spread out on singles or E.P.’s so for that it is worth buying. My Overall Score is a 5.0 out of 5.0 Stars as you can’t go wrong with The Early years of Def Leppard.
Back in 1985, David Lee Roth was working on a feature film called “Crazy From the Heat” which of course was the same title as his debut E.P. David had written the screenplay and actually received funding from CBS Theatrical Films for $10m. David left the band to purse this, but in November of 1985, CBS pulled the funding and the film was shut down to never be made. David was undaunted and kept pushing forward. Taking the songs he had written for the movie and putting them towards his debut album ‘Eat ‘Em and Smile’. The title track to the movie and one of the song son this album was “Goin’ Crazy!”.
The song was written by David Lee Roth and Steve Vai and was released as single in September 1986. The song did get massive play on MTV as I remember it vividly. The song only went to #66 on the Billboard Hot 100 and #12 on the Rock Chart. Not as good as you would’ve thought based on the videoplay on MTV. The version of the single I have is a Promo copy as it says on the label below…”Promotion Not For Sale”. But the B-Side was not on the English speaking album as it is the same song, but in Spanish and called “Loco Del Calor!”. And that is because David Lee Roth also recorded and released the album in Spanish.
In 1992, Jon Bon Jovi did a cover of the Charles Brown song “Please Come Home For Christmas”. It was released on the Christmas album ‘A Very Special Christmas 2’ of that same year. Two years later, the band re-released the song as a charity single in Europe for the Specal Olympics. This time, they branded the song under the Bon Jovi label rather than as a Jon solo release even though no other Bon Jovi member was on this song. The CD Single was released on December 5, 1994 and the single did reach #7 on the UK Chart where it went Silver selling over 200,000 copies.
The version I have is the European version with a wonderful picture of Cindy Crawford and Jon on the cover for which a video was made with her as well. The CD Single also had two other Christmas songs from the band including “I Wish Everyday Could Be Like Christmas” and the other was “Back Door Santa”.
For My Sunday Song #382, we are looking at a rare track from Night Ranger called “Girls All Like It”. Tim’s pick this week, like all his picks, are rare tracks not found on any album. This one is a B-Side to the song “Color Of Your Smile” off the band’s 1987 album ‘Big Life’. The song was written by Jack Blades and Brad Gillis, but the song didn’t make the cut for the album. Luckily, it did see the light of day being a B-Side.
As I said above, the song never made it on to a Night Ranger album, however, part of this song ended up on a studio album for Jack’s band Damn Yankees. Some of the opening verse ended up as lyrics for their 1990 song “Rock City”. The song mention some guy in L.A. wearing his guitar low like Jimmy Page and the line in Rock City is below…you see the Jimmy Page line.
The sidewalk’s moving The palm trees sway The switchblade girls line ’em up in L.A. Everybody came here from somewhere to play They wear their guitars low just like Jimmy Page
A good line is a good line so why not re-use it. The song seems to be about a cocky rock star who rises to fame and comes crashing down. He is boisterous about how the girls all like it with him. He’s not boastful at all.
The song itself comes out swinging with some crunchy guitar riff that has all the attitude of the rock star the song is about. The keyboards are used sparingly for effect and not overpowering. Jack is on vocals and really is giving it his all almost giving too much. The guitar solo is worth a listen as Brad really hammers it home on this one. The song is rough around the edges, but I can see why it was left off the album as it doesn’t really fit the overall sound of that album. Too aggressive probably. A little more work and they could’ve transformed it in to a song fo that album as it needed a little more punch.
Happy Friday the 13th!! Nothing unlucky for you this week, but we do have a scary amount of new releases with over 50 ready for your listening and purchasing pleasure. There is only one I am in to this week and it is the latest Whitesnake which is a Gold edition of The Purple Album which has demos from when David Coverdale auditioned for Deep Purple. How cool is that!! Other than that you have Crosses which will be the big one of the week probably and some old favorites with Ringo and Lynyrd Skynyrd. Hopefully there is something for you to hear this week. Thanks for stopping by and let us know what you want to hear this week or what we may have missed. Have a great weekend one and all!!
Whitesnake – The Purple Album: Special Gold Edition – (Saltburn / Rhino Records)
Lynyrd Skynyrd – Fyfty – (Geffen Records / UMG)
Ringo Starr – Rewind Forward E.P. – (Roccabella)
Marvelous 3 – IV – (Marvelous 3)
Crosses – Goodnight, God Bless, I Love U, Delete – (Warner Records)
Metric – Formentera II – (Metric Music International / Thirty Tigers)
The Rolling Stones – Hackney Diamonds – (Polydor Records / Universal International Music)
Night Ranger – 40 Years And a Night (With Contemporary Youth Orchestra) – (Frontiers Records)
Blink-182 – One More Time… – (Columbia Records)
Lynch Mob – Babylon – (Frontiers Records)
Rival Sons – Lightbringer E.P. – (Atlantic Records)
Duff McKagan – Lighthouse – (The World is Flat LLC)
Whitesnake – The Purple Album: Special Gold Edition – (Saltburn / Rhino Records)
Lynyrd Skynyrd – Fyfty – (Geffen Records / UMG)
Ringo Starr – Rewind Forward E.P. – (Roccabella)
Marvelous 3 – IV – (Marvelous 3)
Crosses – Goodnight, God Bless, I Love U, Delete – (Warner Records)
Metric – Formentera II – (Metric Music International / Thirty Tigers)
2 Loud 2 Old Music 