For My Sunday Song #383, we are diving in to the song “I Really Don’t Want Your Love” by April Wine. This is another Tim Durling selection that is a rare track and not any April Wine studio album. This is a B-Side to the song to their 1984 hit “This Could Be The Right One” off their album ‘Animal Grace’. The single hit #61 on the U.S. Billboard Hot 100, but of course the B-Side did nothing, but at least it was out there in the world to be heard.
The song was written by Myles Goodwyn, as all of their songs basically were. The song is about a girl that is leading the guy on. She’s playing games and stringing hime along for her own enjoyment. He is tired of it and has hit his breaking point and he’s ready to say goodbye. He doesn’t need her love anymore and he’s out of there. Someday she’ll turn around and might notice that he’s gone.
This is a great song and so hard to believe this wasn’t on any studio album as it has everything you’d want in a song. The quick tempo has lots of energy, great guitars, great driving drum beat and rhythm section. The vocals have a pacing that is really great on the lyrics and Myles vocals are awesome as well (assuming Myles is singing as I am not overly familiar with the band). The chorus is really awesome as well as it is so catchy and will hook you in instantly. I found myself moving to the beat of the music and that is always the sign of a good song. If this is a non-album track, just how good are the studio tracks. I might need to check these guys out.
As we get closer to Halloween, we have over 70 more treats for you this week. No tricks. It is another huge Friday New Release day and there should be something for everyone. I have a couple I’ve pre-orded and one I’ll listen to for sure. The two pre-ordered are The Rolling Stones new one with the Atlanta Braves Exclusive cover and the other is a new Night Ranger album with a live show on CD & DVD as well. The third thing I’ll at least stream is the new Blink-182 now that the original members are back together. Outside of that, I’m sure I’ll get to Rival Sons when I can. What do you want to hear this week or what are you buying? Also, let me know if there were any new release s we missed. Thanks for stopping by and have a great weekend.
The Rolling Stones – Hackney Diamonds – (Polydor Records / Universal International Music)
Night Ranger – 40 Years And a Night (With Contemporary Youth Orchestra) – (Frontiers Records)
Blink-182 – One More Time… – (Columbia Records)
Lynch Mob – Babylon – (Frontiers Records)
Rival Sons – Lightbringer E.P. – (Atlantic Records)
Duff McKagan – Lighthouse – (The World is Flat LLC)
To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. Released on March 20, 2020, “The Early Years 79-81” box set was full of goodies. Not only did we get the first two albums, ‘On Through the Night’ and ‘High ‘N’ Dry’, but we got the live album ‘When the Walls Come Tumbling Down’ which we have alread talked about. The fourth disc, “Too Many Jitterbugs’ title is actually a line from the song “Glad I’m Alive”, was chock full of Rare songs and B-Sides as well as Single Edits and remixes. For someone new collecting Lep stuff, this is a great disc. For someone like myself, I had most everything already in some form, but not quite everything which is why this is so great.
The set kicks off with the three songs from The Def Leppard E.P. which are “Ride Into the Sun”, “Getcha Rocks Off” and “The Overture”. The first track is “Ride Into the Sun”. The song is very different than the two other versions of the song released later that are more familiar to most fans. The first version was a B-Side on the “Hysteria” single and the last version was on the album ‘Retroactive’. The B-Side version was my favorite until I heard the original which is now my favorite version of this song. It is the true intention of the song and it has a better sound and feel. The guitar and drum work are awesome and Joe sounded so young and fresh. The guitar solo was better and an overall more satisfying experience. It is the more rock version of the song and pure Def Leppard at their best.
Track two on Side One is “Getcha Rocks Off”. This track was re-recorded for their first full length album “On Through the Night”, but the title was changed to just “Rocks Off”. I think this song sounds better as well over the re-recorded version. It doesn’t have the fake crowd noise or the weird guitar sounds that are thrown in needlessly. The E.P. version is also a more hard rock sounding song.
“The Overture” is an epic song at over 7 minutes long. It was also re-recorded for the ‘On Through The Night Album’ like “Getcha Rocks Off”. Again, due to how amazing this record sounds, I prefer this song over the version on “On Through the Night”. What I love about the song is the changing tempos, the great double guitars of Steve & Pete. The song takes you on a great musical journey.
“Wasted”, but this single is different than the album version which is odd. It had never been released on an album until the release of The Collection, Volume 1 (2018). it sounds more raw and like an early demo of the studio track or something. It is still great though. The same with “Hello America” as it is a single version that isn’t the album version either. I’m not sure the reason behind this, but I like different versions so I’m all good.
After that we get a previously unreleased version of “Rock Brigade”. The song is a very early version of the song which lacks the punch of the guitars on the “On Through the Night’ version and the drums don’t sound like Rick Allen’s and for that it the lesser track. But you can hear the promise of what was to come. Then the coolest song they’ve never released on a studio album, “Glad I’m Alive”. It is a fast paced, groove-tastic piece of brilliant rock that is such a shame they never did anything with this as it is perfection. It is also the namesake for this album. “Good Morning Freedom” is a B-Side to “Hello America” and opens with some great drumming from young Rick Allen. His drumming throughout is fantastically slamming. Another rocker and another gem from this band. It is more razor sharp guitars cutting through those Elliott vocals.
The rest of the album are single edits and remixes. We get the single edit for the opening track for ‘High ‘N’ Dry’ called “Let It Go” which chops 30 seconds off the album version. It cuts out a lot of the guitar wankering which is what makes the original so bad ass. Then we get a single edit for “Switch 625” and the only I can see that is different is it removed some of the fade that comes off of “Bringing on the Heartbreak”.
The next two tracks are the single edit for “Bringin’ On the Heartbreak” which knocks off about 40 seconds from the original and again, doesn’t make it better. It also has a cleaner ending rather than the fade in to “Switch 625”. The next track is the original version of “Me And My Wine” and it is the version that is the B-Side to “Bringin’ On the Heartbreak”. It has more punch and more of a rawness to it than the later remix version. I like it a lot! A punk attitude with dash of hard rock.
The final two tracks are the Remixes of “Bringin’ On the Heartbreak” and “Me and My Wine” that were on the 1984 re-issue of the ‘High & Dry’ album. The remixes were done with added synthesizers and piano overdubs to make it sound more like what was done on ‘Pyromania’. which was out at the time of the re-issue. The remix doesn’t make them better, but they are already great songs so fine, whatever they felt was necessary. It did cause the album to sell a lot more copies so all good.
And that wraps this one up. Being a compilation of tracks, I wouldn’t delete anything on this one. A lot of great tracks with only a couple I didn’t already have in the collection. It is a lot like the bootleg I have “First Strike” which we already reviewed, but better sounding. It is nice having the songs all on one disc rather than spread out on singles or E.P.’s so for that it is worth buying. My Overall Score is a 5.0 out of 5.0 Stars as you can’t go wrong with The Early years of Def Leppard.
Back in 1985, David Lee Roth was working on a feature film called “Crazy From the Heat” which of course was the same title as his debut E.P. David had written the screenplay and actually received funding from CBS Theatrical Films for $10m. David left the band to purse this, but in November of 1985, CBS pulled the funding and the film was shut down to never be made. David was undaunted and kept pushing forward. Taking the songs he had written for the movie and putting them towards his debut album ‘Eat ‘Em and Smile’. The title track to the movie and one of the song son this album was “Goin’ Crazy!”.
The song was written by David Lee Roth and Steve Vai and was released as single in September 1986. The song did get massive play on MTV as I remember it vividly. The song only went to #66 on the Billboard Hot 100 and #12 on the Rock Chart. Not as good as you would’ve thought based on the videoplay on MTV. The version of the single I have is a Promo copy as it says on the label below…”Promotion Not For Sale”. But the B-Side was not on the English speaking album as it is the same song, but in Spanish and called “Loco Del Calor!”. And that is because David Lee Roth also recorded and released the album in Spanish.
In 1992, Jon Bon Jovi did a cover of the Charles Brown song “Please Come Home For Christmas”. It was released on the Christmas album ‘A Very Special Christmas 2’ of that same year. Two years later, the band re-released the song as a charity single in Europe for the Specal Olympics. This time, they branded the song under the Bon Jovi label rather than as a Jon solo release even though no other Bon Jovi member was on this song. The CD Single was released on December 5, 1994 and the single did reach #7 on the UK Chart where it went Silver selling over 200,000 copies.
The version I have is the European version with a wonderful picture of Cindy Crawford and Jon on the cover for which a video was made with her as well. The CD Single also had two other Christmas songs from the band including “I Wish Everyday Could Be Like Christmas” and the other was “Back Door Santa”.
For My Sunday Song #382, we are looking at a rare track from Night Ranger called “Girls All Like It”. Tim’s pick this week, like all his picks, are rare tracks not found on any album. This one is a B-Side to the song “Color Of Your Smile” off the band’s 1987 album ‘Big Life’. The song was written by Jack Blades and Brad Gillis, but the song didn’t make the cut for the album. Luckily, it did see the light of day being a B-Side.
As I said above, the song never made it on to a Night Ranger album, however, part of this song ended up on a studio album for Jack’s band Damn Yankees. Some of the opening verse ended up as lyrics for their 1990 song “Rock City”. The song mention some guy in L.A. wearing his guitar low like Jimmy Page and the line in Rock City is below…you see the Jimmy Page line.
The sidewalk’s moving The palm trees sway The switchblade girls line ’em up in L.A. Everybody came here from somewhere to play They wear their guitars low just like Jimmy Page
A good line is a good line so why not re-use it. The song seems to be about a cocky rock star who rises to fame and comes crashing down. He is boisterous about how the girls all like it with him. He’s not boastful at all.
The song itself comes out swinging with some crunchy guitar riff that has all the attitude of the rock star the song is about. The keyboards are used sparingly for effect and not overpowering. Jack is on vocals and really is giving it his all almost giving too much. The guitar solo is worth a listen as Brad really hammers it home on this one. The song is rough around the edges, but I can see why it was left off the album as it doesn’t really fit the overall sound of that album. Too aggressive probably. A little more work and they could’ve transformed it in to a song fo that album as it needed a little more punch.
Happy Friday the 13th!! Nothing unlucky for you this week, but we do have a scary amount of new releases with over 50 ready for your listening and purchasing pleasure. There is only one I am in to this week and it is the latest Whitesnake which is a Gold edition of The Purple Album which has demos from when David Coverdale auditioned for Deep Purple. How cool is that!! Other than that you have Crosses which will be the big one of the week probably and some old favorites with Ringo and Lynyrd Skynyrd. Hopefully there is something for you to hear this week. Thanks for stopping by and let us know what you want to hear this week or what we may have missed. Have a great weekend one and all!!
Whitesnake – The Purple Album: Special Gold Edition – (Saltburn / Rhino Records)
Lynyrd Skynyrd – Fyfty – (Geffen Records / UMG)
Ringo Starr – Rewind Forward E.P. – (Roccabella)
Marvelous 3 – IV – (Marvelous 3)
Crosses – Goodnight, God Bless, I Love U, Delete – (Warner Records)
Metric – Formentera II – (Metric Music International / Thirty Tigers)
While touring in support of their debut album, ‘On Through the Night’, Def Leppard opened for one of the biggest bands at the time, AC/DC. Famed producer, Robert John “Mutt” Lange, who produced AC/DC’s massive album “Back in Black”, took notice of the band and he was very impressed. So much so, he agreed to be their producer for the band’s sophomore album ‘High ‘N’ Dry’. A move that would change the course of history for this band and catapult them in to the stratosphere of rock stardom. But first, they had to do an album and this album saw the band head to a more melodic phase, however, the edge and rawness of the debut was still present.
The songwriting was more refined, everything seemed more purposefully composed, it was cleaner yet it was still powerful, engaging and after over 40 years with it, it is one of the best rock & roll albums of all time. Well…it is for me. The band, who was Joe Elliott, Steve Clark, Rick Savage, Rick Allen and Pete Willis, recorded the album between March and June of 1981 and it was released a very short time later on July 11, 1981. A short 16 months after the debut. Man, if they could’ve only kept that pace of releases, how much could they have released over the years. The album would go to #38 in the U.S. and #26 in the UK. Not a massive success, but enough of one thanks to the ballad “Brinin’ on the Heartbreak” which saw massive airplay on MTV, that the band was setup nicely for the next album.
Their third album ‘Pyromania’ was so big, so successful and so amazing, that ‘High ‘N’ Dry’ was re-released in 1984 with 2 additional tracks. One was a re-mix of “Bringin’ On the Heartbreak” which added synthesizers and piano overdubs to make it sound more like what was done on ‘Pyromania’. The other track was “Me & My Wine” which was the B-Side of the original release of “Bringin On the Heartbreak”. It too was re-mixed for a more modern sound. This re-release helped sell more albums which has since seen the album go double platinum. They even did new videos for it with Phil Collen on guitar who was not on this album at all as Pete Willis was at the time. The copy we are reviewing today is the original release without the 2 new tracks, the way it should be heard. Let’s get to it.
“The Wild Side” by Motley Crue is off the band’s 1987 album ‘Girls, Girls, Girls’ which went to #2 on the Billboard charts and saw three singles including this one. It sold well over 4 million albums in the U.S. alone and saw the band reach another level of success.
The song “Wild Side” was written by Nikki Sixx and Tommy Lee. It was inspired by a school girl who Nikki had asked to recite the Lord’s Prayer and why he asked her to do it, we have no idea. He thought about what she said and thought, damn that’s cool so he incorporated some of the prayer in to the lyrics like below…
“Our father Who ain’t in heaven Be thy name on the wild side”
The song is about the dirty side of the Strip with all the drugs, pimping, and many other abuses going on at that time in their lives. Heck, even Nikki wrote when he was severely hooked on Heroin so it was a time of debauchery. It is a reflection of the band’s sin on the seedy side of rock & roll and about their life in L.A. These were the bad boys of rock & roll for sure.
The version of the single I have is the standard U.S. Version with the B-Side being “Five Years Dead” also from ‘Girls, Girls, Girls’. Nothing special about it and it is even a promo, just the basic single. I love collecting the picture sleeve singles from the 80’s so that is why I have it as I already have these songs elsewhere.
After the release of their last album ‘Keep the Faith’ in 1992, the band set out on an extensive worldwide tour. They hit 37 countries while performing over 177 shows and those shows saw reached over 2.5 million people. The boys were busy and as a result of this tour, very tired. They also needed more time to work on their next album. To hold fans over, a greatest hits compilation was released by the band and the label. The album came out on October 11, 1994 and contained songs from every album including 1 from Jon’s solo album and 2 unreleased tracks. The U.S. version got a special track of Livin’ on a Prayer which had been redone and called “Prayer ’94”, however, my vinyl set of the album does not have that song.
The album was titled ‘Cross Road’ which is possible that was where the band saw themselves at. The music landscape was changing rapidly, their 80’s rock glam style was no longer popular, yet this band kept on chugging. ‘Cross Road’ sold went to #8 in the U.S. and #1 in so many country. Worldwide they sold over 21,000,000 copies as Bon Jovi was even bigger around the world than at home. The cover art was taken at a diner called the Roadside Diner and it was near the crossroads of Rout 33 and Route 34 so it was a very appropriate cover.
The one strange thing about the album was inside they had a picture of all the band’s albums including Jon’s solo album and even Richie’s solo album, but no song from Richie’s album made the set yet Jon’s did. Another prime example this was Jon’s band and even the back cover only had Jon on it. A picture says a 1,000 words I believe is the saying.
The compilation kicks off with one of their most popular songs, “Livin’ On A Prayer” off the album ‘Slippery When Wet’. It opens with a wicked bass line, finger cymbals and a talk-box. But that wasn’t all that was great about it, it is the story of Tommy & Gina in “Livin’ on a Prayer” that makes this such a great song. Jon has a way of making the songs human and easy to connect with. The everyday person with problems just like you so the songs feel personal. The song is loosely based on Desmond and his girl-friend as she worked in a Diner, but he was a taxi driver and not working at the docks. It was that Blue Collar feel to the song that made it resonate with so many people. It was a time when Bon Jovi actually wrote songs that told a story that connected with people and not try to write just to make a hit. The funny thing about this one is that Jon didn’t like it, but Richie was able to convince Jon that this was a hit and it should be on the album. Thankfully for the band, it was as it went to #1 as well. Hugh McDonald who is currently the bass player for Bon Jovi in 2023, was the bass player on this song back in 1986.
The Rolling Stones – Hackney Diamonds – (Polydor Records / Universal International Music)
Night Ranger – 40 Years And a Night (With Contemporary Youth Orchestra) – (Frontiers Records)
Blink-182 – One More Time… – (Columbia Records)
Lynch Mob – Babylon – (Frontiers Records)
Rival Sons – Lightbringer E.P. – (Atlantic Records)
Duff McKagan – Lighthouse – (The World is Flat LLC)
Whitesnake – The Purple Album: Special Gold Edition – (Saltburn / Rhino Records)
Lynyrd Skynyrd – Fyfty – (Geffen Records / UMG)
Ringo Starr – Rewind Forward E.P. – (Roccabella)
Marvelous 3 – IV – (Marvelous 3)
Crosses – Goodnight, God Bless, I Love U, Delete – (Warner Records)
Metric – Formentera II – (Metric Music International / Thirty Tigers)
2 Loud 2 Old Music 