The ‘Lick it Up’ album, which came out on September 23, 1983, garnered way more attention than it’s predecessor ‘Creatures of the Night’ for one main reason. The band finally took off the make-up which is something they had been talking about doing since at least the ‘Music from the Elder’ era. They finally did it and the big reveal was on MTV during primetime. I remember this vividly as this was event TV for me as I was a lifelong Kiss fan at the time (and still am today). I remember seeing each member in make-up and then without and I remember thinking, “PUT IT BACK ON!!! OOOOH THE HORROR!!!” No, it really wasn’t that bad. It was actually pretty cool. And just like that Kiss was back in the public eye and they had some songs that could back it up.
Now, 40 years later, Kiss was rumored to be releasing another Box Set like say ‘Creatures’ or ‘Destroyer’, but those plans were squashed probably due to the fact the other box sets didn’t sell out…but who knows why. Instead they released a new Japanese Edition with a lot of little extras (but no extra discs or music) and a Picture Disc box set for ‘Lick It Up’ that included two 12″ Singles that were picture discs as well. They were limited to 3,000 copies and my copy is 1,729. This was way better than what happened to the Japanese edition which instead of #’s, a lot of them just showed XXXX…man, that would piss me off. The box is a heavy duty cardboard box embossed in silver rather than the white of the original album. It is quite nice.
I have already reviewed ‘Lick It Up’ in great detail which you can click here and read…Kiss – Lick It Up (1983). For this post, we are only going to show off the new picture discs and packaging for the box set. I hope you enjoy.
Back in 2003, Kiss released, okay, the record company released a greatest hits compilation called The Millennium Collection: The Best of Kiss(1973-1979). It was the first of three volume set. Well, then in 2010, the label issued the ‘Icon’ Series with two volumes. The first volume is the exact same track list as ‘The Millennium Collection: The Best of Kiss’. There is nothing different to it at all except for crappier cover art and no inserts/liner notes. A very bare bones set. I do not recommend any of these sets as they weren’t done by Kiss per se.
However, as the collector in me, I do have the brand new, first time on vinyl version of Icon as Walmart has just released an Exclusive Silver Black Splatter vinyl. And since I collect everything vinyl for Kiss, I had to have it for my collection wouldn’t be complete. Okay, my collection is not complete anyway as I am missing a couple pieces that are extremely pricey, but that is for another time.
For now, let us go through this set and talk about the songs since we are here.
SIDE ONE:
The album kicks off with the first song of their debut, “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester. The song has a great opening drum fill by Peter and is an uptempo rock song that was inspired by all the sexy women in New York. There is a great bass riff by Gene why Ace belts out the solo. Paul sings the song and shows all the confidence a lead singer should show.
My love for bootlegs started with collecting Kiss Bootlegs and as you can see from the list at the bottom of this post, I have quite a few Kiss Bootlegs and as long as I keep finding them, the more I will buy. It is a never ending cycle as new Kiss bootlegs keep popping up all the time. This one I found over a Repo Records was released in 2022, but it is a re-issue of one that came out in 2012 and it is a little different than the others that I have. Most of my bootlegs are full shows, parts of one show or a collection of demos.
This one is different in that is a collection of live tracks from various shows and not one show in particular. That to me is odd. What is the purpose of this one? I can’t seem to find out. The timeframe of the shows range from 1974 up to 1978 so they are the peak years of the band. But it is still a strange collection.
What is not strange and rather cool is the packaging. The cover is a cool live shot of Gene as the Demon and the back cover is the Kiss Alive II photo of Gene with the blood all over his face. It is an awesome shot. The inner sleeve is a couple of cool band photos on bot sides. And the final piece is a cool colored vinyl in the color of purple. I don’t have too many purple discs, so very nice. The picture from the cover is on one side of the vinyl and the Kiss logo on the other, both with the Diamonds in the Dust title. I don’t have much info on this so let’s get to the music.
SIDE ONE:
The first track is “Room Service” which was taken from Fremd High School Gymnasium, Palatine, Illinois April 19, 1975 and it sounds like it was. It is very hollow sounding and not from a soundboard. It sounds like I am outside the gym getting refreshments and the sound is bleeding from the closed doors. Paul sounds good though.
Next up is the “Love Theme From Kiss” from the Bayou Theatre in Georgetown, Washington D.C. from March 25, 1974. You hear Paul say this is one we never perform live which is not true because they use to play it when it was called Acrobat. This is definitely an early version since it is 1974 and a month after the release of the debut album.
After it fades out we get “You’re Much Too Young” from Lafayette’s Music Room in Memphis, Tennessee on December 2, 1976. A song the band would never release, but I have several versions of it live. A really cool mostly instrumental piece with basically Gene saying “You’re Much Too Young” several times during the show. The band is jamming and Peter is killing it on the drums. An interesting cool piece that sees Ace ripping a cool solo and an all around killer track. The album jacket says The Lafayette show is from that same night as the next song “Strutter”, but at a different arena. Kiss are good, but I don’t think they are that good. That means the Lafayette show from “You’re Much Too Young” is probably from April 18, 1974. And I have that show down below in the Bootleg Series list. Just my guess.
Then we get a twofer with “Strutter and “Hard Luck Woman” back to back as they are from the same show at the Mid South Coliseum in Memphis, Tennessee on December 2, 1976….wait a freaking minute…”Strutter” just ended and so did Side one. Where the heck is “Hard Luck Woman”. I think I just got ripped off. And I did. The 2022 version is missing a couple songs that were on the 2012 release. Oh well. “Strutter” was pretty good though.
SIDE TWO:
Side Two kicks off with “Ladies in Waiting” which was played at the National Guard Armory in Rockford, Illinois on November 15, 1975. The sound is really rough, it sounds like it was taken from a tape that was taken from a tape and then taken from a tape again. It is muddied and almost unlistenable. I can make out Ace’s killer solo, but the vocals are tough to hear and so are the drums, but Gene’s bass is pretty loud. All simply horrible.
Next up is a group of shows from the same show starting with “Watching You”, then a Peter Criss drum solo and lastly “Flaming Youth”. These are taken from the Roosevelt Stadium show in Jersey City, New Jersey on July 10, 1976. The sound is really good on these tracks (compared to the others). Gene sounds menacing and you can hear Peter on backing vocals really well. Peter’s drum solo is typical Peter or I should say classic Peter. It sounds great, if not a little simple. He definitely is beating the crap out of the skins, but he’s doing it as well as Peter can. You can hear the crowd scream out a few things during it. He bangs the gong and then rips a drum roll before it fades out in to “Flaming Youth”, a personal favorite. Paul’s vocals sound so deep as the tape this taken from drags a little. Man, oh man.
For the last track, we get the classic Kiss song “Deuce”. This one is from the Roberts Municipal Stadium in Evansville, Indiana on January 23, 1978. Roberts Municipal Stadium what a boring name, I guess company’s didn’t fork out millions to sponsor stadiums yet. Anyway, on to the song. Paul introduces and says this isn’t one they’d done in a long time which surprises me. When the band kicks in the sound is horrible. I can’t make hardly any of it out. I can hear Gene, but it is distant and not all that clear. Man, it is hurting the ears the high pitch it is all coming out at. I hope this ends soon as my ear might actually be bleeding.
This is a very skippable bootleg except maybe real diehards. This one makes no sense being a collection of songs from various shows. The only real cool thing about it, other than the packaging, is the fact it isn’t the standard fair of songs. You get some deep cuts and thankfully no “Rock & Roll All Nite” as I could do without that one. The sound sucks at times and sometimes not, but overall this is not one I’ll pull out very often as I prefer to hear full shows. My Overall Score is a 2.0 out of 5.0 Stars and that is being generous. It gets points for great artwork and a cool Purple vinyl. I took one for the team on this one, but still glad it is in the collection because I didn’t have it. Thanks for hanging around.
For My Sunday Song #392, then next one in the Japanese Bonus Tracks from Mike Ladano’s picks is one from Kiss off the 1998 reunion album ‘Psycho Circus’ is the Japanese Bonus Track called “In Your Face”. It was written by Gene Simmons but it is Ace that is on vocals. The song didn’t make the regular album, but did show up as a B-Side on singles and listed as a non-album track. Therefore, there are no charting on the song and it didn’t help drive sales, but I have to say I really dig it.
The song seems to be autobiographical for Ace even though Gene did write it. Gene made it from Ace’s perspective. The song seems to be about that Ace doesn’t feel like he belongs, but he is who he is and he won’t apologize for it. And if you push him, he will get in your face so you better watch out. They lyrics mention Ace and the Spaceman and the song feels like an Ace track. It is better than numerous songs on this album.
As I said, Ace sings and actually plays lead guitar on this one which he only does on 3 of the 11 tracks on the Japanese Edition. I assume Gene is on bass since he wrote the song and Paul on rhythm guitar, but there is no Peter on drums as it is handled by Kevin Valentine. I do love the bass on this one as Gene really gets a little nasty on this one. Ace sounds great and his solo is also spectacular. Again, the song has a classic Ace feel to it and is a solid rocker with a catchy chorus and all around melodic track.
MNRK Records has been going a little overboard with the Ace Frehley collection in releasing so many different color variants of his vinyl that it borderlines on the ridiculous. How many copies do you really need. Me…one!! But they have a done a couple cool things with The Space Cassette Collection and now a Singles Collection. These are at least different formats and not the same vinyl with a different color or cover. I finally picked up the Singles Collection, but only because of a massive price drop. The set was way overpriced at $125 which I think is nuts for what you get. I saw someone post on Facebook that there was a huge sale on it and so I went and snatched a copy. The price had dropped to only $40 and now it is worth the price for what you get.
There are seven 7″ Singles all with picture sleeves and colored vinyl. You get at least one single from each album starting with his 2009 comeback album ‘Anomaly’ and going all the way up to his most recent album, the 2020 covers album, ‘Origins, Vol. 2’. Most of the albums get only one single, but ‘Origins, Vol. 1’ and ‘Spaceman’ get two singles. And I think those are two of the better albums so it makes sense to me.
We won’t go in to detail of each song, but we will post pictures of everything you are getting so you have an idea of what you are really getting in the box set in case you want to buy it. You also get a digital download card of the songs and I won’t post that picture because that is my card and I don’t want anyone using it before I do. I hope you enjoy the walk through the set.
If there is one thing I love to find and that is Kiss Bootlegs. Whether it is on CD or vinyl, I don’t really care. I do prefer vinyl, but I’ll take it on CD as well so I can play it anywhere once I load it up to the cloud. This time around it is a CD bootleg. And not any CD bootleg, but a whole collection of radio broadcast from over the years. In fact, there are 8 shows spread over 10 CDs and includes 119 tracks. A good coverage of years from as early as 1974 all the way up to 1994. I guess there aren’t too many broadcast after the 90’s as you can see from below…
I love that it covers the make-up era and the non make-up era all the way up to prior to the big Reunion Tour. And it even includes one Non-Kiss Show with a Frehley’s Comet one. The are radio broadcast so the quality is good, but realize these are bootlegs and not pure soundboard recordings released by the band with the sound cleaned up. The set comes in a small cardboard box with each individual disc in a fake vinyl-like sleeve. Nothing fancy, but they cram a lot of music in to a small package.
These are raw and rough and that is why I like them. I really enjoy bootlegs and getting all the shows that I can have from throughout their career. The band started releasing their own “bootleg” type albums with the ‘Off the Soundboard’ Series, but after five releases, that has been put on hold currently. I do hope they get back to it soon. For now, let’s go through this set of albums.
Disc 1:
WMMS, Agora Ballroom, Cleveland, Ohio, 1st April 1974 / King Biscuit Flour Hour, The Music Hall, Cleveland, Ohio, 21st June 1975
Yes, I was there for the end. The final Kiss show. I have been a fan for around 46 years or since ever since I discovered these albums in my brothers collection. I was around 7-8 years old. The make-up, the larger than life characters, the pictures on those albums and most of all, the songs all captured this little kid’s mind and never let go. Through the good years and the bad (and there have been some), Kiss has always been a part of my life.
My very first Kiss show was December 26, 1983 for the Lick It Up Tour. My brother, Gary, gave me a ticket for the show on my birthday, which was the day before the show. Imagine my surprise. Here we are 40 years later and this time I bought the tickets. My brother took me to My First Kiss Show and I am taking him to the Last!! We arrived in New York City early morning on Friday, December 1st, 2023. Gary from Atlanta and I from Charlotte. Once we arrived, we did a couple touristy things, but one of the cool things was going to where Kiss were photographed in the suits for the Dressed to Kill album cover. That was at the southeast corner of W23rd Street and 8th Avenue looking North. I didn’t recreate it, just took a picture there.
Cheesy, yeah…but it was fun standing there where the guys made that iconic Kiss picture. The other Kiss place we went was down to Electric Lady Studios. The place where Kiss recorded their demos with Eddie Kramer, prior to the debut album. You know this studio because it was Jimi Hendrix’s Studio. If you open the door, you will see the original door and brick that was there when Kiss was. The funny thing about these two locations is that we knew we found the right locations as there were already other Kiss fans doing the same thing we planned on doing. And speaking of fans, everyone we met was so friendly and so excited about the weekend. Kiss fans, when not being overly critical, are actually great people.
I have done a few of these already on the Best & Worst songs from every Judas Priest, Cheap Trick and Whitesnake albums. I really enjoyed doing those so I thought I would continue that process and this time we would go through every Kiss studio album (including the 4 solo albums) and see what is the best song and the worst one off each album as well. Kiss has 24 studio albums to go through so sit back, grab a drink and take it all in. Now, let’s preface this with the fact that these are my choices and not necessarily yours as we can have different opinions. My worst song could be your favorite and this is okay. We all like different things or this would be a very dull world. I hope you enjoy the list!! And we will go chronological if you were wondering.
‘KISS’ (1974)
THE BEST SONG – “BLACK DIAMOND”: On an album with so many ‘classic’ Kiss tunes, it was hard to pick. The album ends with one of the band’s best songs, “Black Diamond”. The song was written by Paul and he does sing on it, but is mostly sung by Peter. The songs starts off with a 12-string acoustic guitar and Paul sings the opening line and when he screams “Hit It!”, the song turns in to a blistering rock song with Peter taking over vocals. The song was written about New York and those ladies working on the street that they would fantasize about. Peter’s gravelly vocals gave the song such a powerful edge and he put so much heart and soul in to those vocals. Towards the end of the song, there is a brief musical interlude with Ace tearing it up on guitar and Peter laying down some fills all accompanied by that nasty bass riff from Gene before Peter lays down a final barrage of drum fills and then the song slowly, distortedly comes winding down to an end. It is dark and foreboding and so metal.
THE WORST SONG – “KISSIN’ TIME”: The worst is a cover of the Bobby Rydell Song “Kissin’ Time” which was written by Kal Mann and Bernie Lowe. It was recorded two months after the release and added a couple months after that to the album. The band was not happy about this at all, but they were pressured into recording it. Paul, Gene and Peter all sang on the song and it is just a shit song. It has that whole 50’s, early 60’s style and is not a wrong song. It is easy to hear that they didn’t want to be there singing this crap and that is why I want the original version so I don’t have to hear that song anymore.
Kiss has been killing it with live releases and the ‘Off the Soundboard’ Series. It was a brilliant idea for them to take control of their live shows and rather than not make any money with all the bootlegs out there, but to release their own bootleg versions of these shows. This is the 5th one I believe and might be one of the cooler ones they’ve done. It was recorded in Poughkeepsie, NY on November 28, 1984 at the Mid-Hudson Civic Arena. Wait, this is their 5th one, which means there are still 2 I haven’t reviewed yet. I need to get on that. Well, back to this. What makes this one so special? It is because the guitarists on the album is Mark St. John. The band at the time also had original members Gene Simmons and Paul Stanley as well as Peter Criss’ replacement Eric Carr on drums. Now, by this time, Eric is considered a regular and not the new guy anymore. And one of the nicest guys ever.
Mark was hired after they let Vinnie Vincent go because they didn’t feel he deserved the contract that Vinnie thought he deserved and thank goodness they didn’t. Mark recorded the guitars on the ‘Animalize’ album and immediately let the world know this was not the same old Kiss. And with these Kiss songs played live, Mark adds his own flair and isn’t out there to copy anybodies parts. Nope, not at all. This show is Mark doing it his way.
Sadly, Mark had developed reactive arthritis which caused his hands and arms to swell making playing very difficult. He went out on tour with the band and the band also brought along Bruce Kulick to be the back-up guitarist if Mark couldn’t play. It turned out that Mark was only able to play on 3 of the Kiss shows and this was one of them. That’s right, they actually have the recording of one of the shows with Mark and that is what makes this set so cool. I already have a bootleg from this tour, but my show has Bruce on it. I also saw this tour and that show had Bruce in it. That is why I think this set is so freaking cool. Great job Kiss!!
If there is one thing I love to find and that is Kiss Bootlegs. I was out on Record Store Day, in line to check out with my RSD vinyl when I looked down and to my left and at the bottom of this shelf were a handful of bootlegs. 2 Van Halen boots and 1 Kiss. Well, all three are mine now and first up we have the Kiss Bootleg, Alive! in Amityville 1973. It was recorded at the Daisy in Amityville, NY on June 16, 1973. It says it is an audience recording, but I’ve read else where it is a soundboard recording, but either way…it is a recording and I have it. The sound quality is actually quite good as it has been remastered and repaired as it says on the back cover.
The really cool thing about this album is that this is about 8 months before the debut album ‘Kiss’ came out in 1974. You can’t get much earlier than this with Kiss recordings. Except maybe the Coventry shows. This is the original line-up of Gene Simons, Paul Stanley, Peter Criss and Ace Frehley. The band didn’t form until late January 1973, so we are only 6 months in to the life of this band. A lot of these songs you know as they did get released, but not all of them made to recording stages. Heck, the band hasn’t even been signed yet and Bill Aucoin isn’t even in the picture at this point. Really cool stuff. Let’s check this show out.
SIDE 1:
First up is the song “Nothin’ to Lose” and it sounds like the song from the debut. You have both Gene and Peter and they attack this song with a vicious ferocity. The lyrics don’t match up perfectly and it seems a little scattered as some of the arrangement does differ from the final studio version, but you do recognize it for what it is. The band is killing it as you can feel the energy and excitement in their playing.
The strange thing is that Peter seems to do most of the talking between songs. He does a great job, but it is weird not hearing Paul. Then we get the song “Firehouse” which seems to have Gene and Paul on vocals. The song sounds like you’d expect, but it isn’t quite the same. There is a strange scream before the chorus, and extra long drum part and the guitar solo from Ace sounds nothing like the one from the studio version. They didn’t have a siren so the end is Peter hitting the cymbals to make that sound. But still so cool to hear it played this way.
The next track is one I’ve never heard before, ever. It is called “Life in the Woods” and it is almost 8 minutes of riffing as it is a guitar heavy song. It was originally titled “Want You Beside” and written by Paul. The song has Paul yelling at the crowd to get up and get moving. There are a lot of harmonies at the beginning with Paul and Peter and then the band comes full force in. There is a break in it where they are screaming “Life in the Woods” and honestly I don’t know who is singing it as it doesn’t sound like any of the guys. And Peter seems to take over the vocals at the end and let’s out an F Bomb at the end. It is a strange song and doesn’t sound like they really know what to do with it as it is all over the place. I don’t think the song really works well and within a month or so, they stopped playing this one which is great because it is awful.
The final track on side 1 is the old Wicked Lester song “Simple Type”. This one I have heard before and have the studio version of the track on a bootleg or two. Ace opens this one with a great riff and then they lay down a cool groove while Ace throws out riffs all over the place. The studio song is less than 3 minutes I believe but this goes on for over 7 minutes. You have both Paul and Gene on vocals and I have to admit this doesn’t sound like the “Simple Type” song I remember from other bootlegs. This one is more of a rocker and the guys are letting all hang out on this one. Ace is really tearing things up here. What drags this song for 7 minutes is the cool jam section and I like to see the boys do that. Now, on the vocals so far, it seems like most of the songs have had two different people in each song singing…this would later become, one song, one voice except for may “Rock & Roll All Nite” and very few others. It’s nice to see more of a band focus here.
SIDE 2:
The first song up is “Acrobat” which is a part of two songs one of which would become “Love Theme from Kiss” off the debut and the other is called “Much Too Young” which was a Gene idea that never materialized. Most of the song is an instrumental, but there are some lyrics with the “Much Too Young” part. Mid way through, Peter gets a drum break and then Ace gets to let loose as well. If you have the Kiss Box Set, this recording of “Acrobat” is in there and it is attributed to the August Daisy shows, but there is some disagreement on that front. I don’t know or care which is true.
Next up is the classic song “Deuce” and this will sound familiar. It is basically the album version, but maybe some tweaks to the ending. Come on, you know it isn’t going to match perfectly. Gene is on vocals, liked you’d expect, and he tears it up. It is Gene, all dark and menacing. This feels like the Kiss I know and love.
“100,000 Years” is another off the debut album and you get what you expect here. You get Gene’s opening bass line which is so recognizable and then Paul comes in on vocals. Paul’s vocals are stellar and hits those high notes perfectly. And then throw in Ace’s blistering guitar work and you have a masterpiece. The biggest difference is Paul’s lyrics at the end are completely different and he even tells the woman he’s speaking to in the lyrics to give him head!! Okay, that’s different.
The famous guitar lick kicks in and you know it is time for “Watchin’ You”. Gene’s on vocals and they are a little rough as he’s screaming too loud in to the mic at first, but it gets better. This song sounds like the final version and it is such a killer tune and great to hear live.
The final track we have here is “Let Me Know” which sees Gene and Paul trade off on the vocals. It is a fun song and a little more poppy. It is basically the old song “Sunday Driver” which Paul had written. I really like this song and I love it when those two trade off on vocals. It is something they should’ve done more of through their career.
And there you have it. Another cool piece in Kisstory. I will point out that this bootleg of the show appears to be missing the songs “Black Diamond” and “Strutter” so if I ever find another version of this show and those two songs are on it, I’ll have to grab it. Otherwise, this set is awesome. I really love it. The sound quality is actually phenomenal so whatever they did to clean it up worked beautifully. I can see myself pulling this one out again and again. My Overall Score is a 5.0 out of 5.0 Stars. There is nothing negative I really have to say about this one. Yeah, “Life in the Woods” isn’t a great song, but how cool is it to have a recording of it when the band never actually recorded this song. If you see this one, you need to grab it.
2 Loud 2 Old Music 