Universal Music was spitting out Kiss Compilations like candy in the 2000’s. There are numerous ones to speak about (and we have been). This time around we get a Canada only release for a Compilation Series that spanned numerous artists. Of course, this one is on Kiss or why else would I be talking about it. This is a very generic series and with only 7 songs, very skippable…and I mean skippable unless you are certifiably insane like me and have to have everything! There are no liner notes and no thought was put in to this release at all. But since we are here, what songs are on it?
It kicks off with “Shout It Out Loud” which was the first single off ‘Destroyer’. It was trying to capitalize off the success of the live version of “Rock and Roll All Nite” that was released previously. The title of the song comes from the Hollies song “We Want to Shout It Out Loud” which Wicked Lester demoed years earlier. The song is sung by both Paul and Gene and that chorus of “Shout it, Shout it, Shout It Out Loud” is pure rock gold.
“I Was Made For Lovin’ You” was written by Paul Stanley, Vini Poncia and the great Desmond Child makes his first of many appears with the band. This is from ‘Dynasty’ and the story goes that Disco was really big at the time and the record company wanted the band to be a little more commercial. Paul thought any idiot could write a disco song and a bet was made and a few hours later, the song was written and Paul proved his point. The song went to #11 on the Billboard Hot 100.
As you might know, we have one of the coolest local record stores in the country here in Charlotte. That store is Noble Records and its down is Dillon Smith. Dillon started selling what you would call “exclusives” every month which are albums that are released by a label and the store gets an exclusive version for their store…usually a cool color variant. Dillon later decided he wanted to do his own label and release his own archival releases and the first one up is this sweet gem from a band called Underground Fire. The original album came out in 1972 and there were only 1,500 copies in print. It is a sought after release for many collectors.
What is cool about this band is that they were a local band out of Monroe, North Carolin which is only 20 minutes from where I live and it is where Dillon grew up. He worked with the band and was able to come to agreement for a release. And what a great job they did with this release. The quality of the album jacket, the cool insert with a great interview from two of the original band members and the sound itself are all top notch quality. There are several color variants you can get including the standard black for you purists. You can buy at noblerecords.com. I purchased the most exclusive of the bunch which was the red/white pinwheel as there were only 200 copies of it released (and he is sold out of this variant).
A little about the band. The band consisted of Randy Jenkins (vocals), Mike Spurlock (Bass/vocal), Roger Helms (lead guitar), Errol English (rhythm guitar) and Danny Taylor (Drums). They came together in 1971 and scrapped up enough money to get a day in the studio. They played a lot of local venues and even played in a Battle of the Bands. They played a lot of covers from Alice Cooper, Grand Funk and The Stones so they needed original songs and they spent the week or so prior to the studio writing and fine tuning the songs. Oh yeah, these guys were in high school at the time.
We are on the third studio album for the band Down ‘N’ Outz. A band that was created by Joe Elliott to cover Mott the Hoople and Ian Hunter songs and they did that job gloriously. For this third time, they decided to do something different. They created an album that was almost all original material penned by Joe Elliott himself. There is one cover on it and that is perfectly fine. The band line-up is slightly different. We do still have Paul Guerin, Guy Griffin, Keith Weir and Paul Martini, but they have a new bass player with the wonderful Share Ross from the band Vixen. She is a great addition to this ragged bunch of guys.
The album came out on October 11, 2019 and was produced by Ronan McHugh and the engineer on the album is an old Def Leppard friend by the name of Phil Collen. Cool he lended a hand to the production. We get 12 tracks on a single LP which is a very nice gatefold with the lyrics inside. The album sleeve has some great pictures of each of the band members and the vinyl itself is simply black. I don’t know if this thing charted or any sales figures, but a project like this is done for the love of music, no expectations to be a massive chart success. Joe’s had that, this is a passion project. And let’s see how that passion plays out.
SIDE 1:
The album opens with the first song Joe wrote for the album, “Another Man’s War”. Joe was going for something that was not Def Leppard but more Mott, Bowie and that 70’s glam. and I would say he did a bang up job with that goal. The piano is the driving force on this one while the guitars give it just enough bite to rock the song out. A pure 70’s style gem and Joe’s vocals honor that era greatly. A stellar opening track that sets the mood.
I have mentioned before that I collect Noble Records Exclusive albums and that I have enjoyed them immensely, for the most part. I have listened to them so many times now, that Apple Music has started popping up related songs on my Radio Station. One of the songs that popped up was by a band called Zior. I thought the song was incredible so when I went back to Noble, I asked if they had anything by them and sure enough, they had a re-issue of the 1971 album that the song was from. Of course I bought it. And now you get the pleasure of reading what I thought about it whether you want to or not! And let me tell you, you want to hear about it.
Zior is a heavy metal, psych rock band from the 70’s with a lot of prog influence as well. The band has been compared to Black Sabbath, Led Zeppelin, Steppenwolf and even the Doors (see the sticker down further in the article). And I would say that is an accurate description as all of those elements are in this album. The band was heavy in to the occult as well as those themes are also in the lyrics. If you like Stoner Rock or even NWOBHM, I think this album would be for you. And if those descriptions aren’t enough to sway you to give them a try, then I have more work to do to convince you.
The album’s artwork was designed by Keith MacMillan who you know as he did the cover for the debut Black Sabbath album as well as a couple other of their album covers. You can definitely see his style in the cover image. The band, let’s talk about the band. We have Keith Bonser on Vocals (as well as organ, bass and flute…yep…flute), John Truba on guitar, Peter Brewer on drums (plus piano and harmonica) and Barry Skeels on bass. And you will soon find out what a fine set of musicians we have here. A solid band, a great singer and music that will surprise you. Why don’t I talk about the music and hopefully by the end, this will speak to you they way it spoke to me. It didn’t really speak to me, that would be crazy. I was speaking figuratively, not literally.
The 2000’s were a huge time for Kiss…well, for the label to release greatest hits compilations that is. There are dozens. One of the easiest ones to find is The Millennium Collection which was actually a 3 volume set with a volume released in 2003, one in 2004 and the final in 2006. 2 years after the Volume 3 set was released, Universal decided, why not repackage it and release it all in one set. Sure, why not! As a result, we get ‘3 CD » Playlist + Plus’ which was repackaged as a Double-Gatefold Cardboard set up covered in a Slipcase. It was even promoted as an environmentally friendly set (despite the plastic that wrapped around the set).
The track listing is exactly as The Millennium Collection, no changes at all. For the 3 CDs, we do get a total of 36 tracks and each disc is separate era of the band which is nice. I love the choice of pictures on the packaging with two live shots, one from Alive! and one from ‘The Millennium Concert’. And the two band pictures are pretty sweet, I even like the cover shot with the black background and the faces of the guys. Each CD is a different color and this time, not representing each band member as we get a yellow, an orange and a pink (I think).
One thing I’ve been having fun with is collecting the Exclusive vinyls offered at my local Record Store, Noble Records. Each month he generally has one or two releases that are exclusive to his store. Usually that means a colored variant of archival release. It has allowed me to branch out and listen to things I would normally never ever hear or get the chance to hear. And I will say, 90% of his releases I have found to be quite enjoyable and made me really appreciate a lot of these cult bands that seemed to fall by the wayside or discarded from this rock & roll business. I have reviewed two of these before and I thought, it is time to start diving in to more of this and do a review. So, here we are with one of those exclusives.
For this review, we are going to look at a band that had one album and was done. A One And Done band called Elias Hulk. The album was released in the UK sometime back in 1970. The band was originally called Alias the Hulk due to their love for Marvel Comics and The Incredible Hulk. Eventually the name was shorted to Elias Hulk. The band consisted of members James Haines (Bass), Bernard James (Drums), Neil Tatum (Lead Guitar), Granville Frazer (Rhythm Guitar) and Peter Thorpe (Lead Singer). And as far as sound, they are a cross between a heavy bluesy rock with some psychedelic hard rock mixed and some Eastern elements that add a cool uniqueness to their sound. And if that wasn’t enough, it is a little proggy as well. I would say that it is a pretty accurate as we definitely have some heavy moments and then some not quite so heavy, but all sounds are still rock and still kick ass.
We are finally to the 11th Studio album by Def Leppard. It comes off the longest break between albums sitting at 7 years. The last album was ‘Songs From the Sparkle Lounge’ back in 2008. Now, they did have some live albums in between the two studio albums and we reviewed those years ago, you can click those links below. Therefore, we are jumping to 2015 where the band released their first self-titled album. Why now? Simply put, the band felt this album was nothing but the Def Leppard sound. No one era of the band…a little bit of all of them. I can tell you for sure this does sound like a Def Leppard album…good or bad! The sound hasn’t changed and neither has the band as it is still Joe Elliott, Rick Allen, Rick Savage, Phil Collen and Vivian Campbell as it has been for over 20+ years. I still think of Vivian as the new guy though. LOL!!
The album was released on October 30, 2015 and it went #10 on the Billboard 200 Album Chart. This was their seventh Top 10 album of their career. Now, it did go to #1 on the Rock Charts in case you were wondering. The album did spawn four singles, but of course none of them charted in the Top 40 as we are long past those days. But we do get an album that is what you want from the band and expect. It is a Def Leppard album, no doubt. There is also a lot of diversity on the album which can be good and can be bad if it isn’t done right. We will see if it was.
The band says the album is all Def Leppard from across the years, well the opening track “Let’s Go” is straight out of the ‘Hysteria’ era. A bombastic opening track that oozes everything from that album. It has a huge chorus full of those gang vocals they do so well. Listen to Sav’s bass lines, he does some great work on this one and of course there is a Leppardesque solo to boot. An arena rock track that puts you on notice the boys are back.
Kiss is known for having a million greatest hits album and here we have another. This one is on the cheap side of things and is pretty basic. It is probably a label release and the band probably had zero to do with this one. It was released in 2008 by Mercury and UMe. It is called ‘Playlist Your Way’ and everything about it is cheap. The packing is a fold out cardboard that the CD is housed in. The cover has a big cutout and slipped in is a credit card size cardboard with a picture of the band on one side and a code on the other I believe to download some ringtones. This was 2008 and everyone wanted a ringtone so why not a Kiss one. The card could only be used in the U.S. and my copy was a sealed brand new release so the card was never used.
The CD has 14 tracks that range from the debut album up to ‘Hot in the Shade’. But no, there is not a song from every album in between. It is a random selection and it is basically the hits…well…except for “Uh! All Night”. I don’t really consider that one a hit or a good song. My buddy Michael Ladano reviewed this years ago and he thought it was strange that “Beth” was butted up against “Uh! All Night” and I would have to agree. The dynamics of those two songs sort of clash being side by side. While we are on the songs, let’s discuss them.
First up is “Rock And Roll All Nite” and surprisingly it is the ‘Dressed to Kill’ studio version and not the live version as it is on most comps. It is the rock anthem of rock anthem’s and you can hear those elements and that this song was bursting to be heard. The song came together because Neil wanted them to write an anthem or something for the fans to rally behind and this was the result…not bad!
“Lick It Up” is the band’s first single and first video without make-up and the song only went to #66. It opens with a nice little riff and a little scream from Paul. Paul’s second song on the album and it was meant for the radio. This is a pure 80’s, melodic rock song and no wonder it still gets played a lot. The video was so 80’s as well. Real cheesy and had the band in a post-apocalyptic world. It is a little comical watching it now. The song, however, is about a guy trying to talk his girlfriend in to doing the nasty so doesn’t really fit with the video.
Over the last 6 months, I have found a ton of bootlegs and for me that is great as I love getting this tidbits of history from a band especially since the band haven’t released it. There was a stretch of a few months where I found three Whitesnake bootlegs and this is the last of those that I found. This one is from the tour for ‘Saints And Sinners’ which ran from 1982-1983. And the band is listed as David Coverdale, Cozy Powell, Jon Lord, Micky Moody, Mel Galley and Colin Hodgkinson. This particular show is said to be Newscastle City Hall in England and recorded on December 14th, 1982. It is a 3 LP set and is the whole show and was released in Japan. No OBI so don’t get excited, this is a bootleg.
I’ve read there is some debate if this show is from Newcastle. All the dialogue between the songs has been cut so no city is mentioned. The setlist is similar to a show from Japan and being released in Japan has some to believe that is where the show is. That show is February 22, 1983 from Budokan in Tokyo, Japan. I honestly couldn’t tell you one way or the other. The sound isn’t bad, a little hollow at times, needs more deep end. You can hear everyone pretty good. The sound is consisten throughout the show so I am sure it is a soundboard. They must have the crowd mic’d up as you can hear them pretty good. Most audience recordings aren’t consistent.
But what I can tell you is that they set this bootleg up to look like a promo. It has tour dates listed on the back for some UK shows. If that wasn’t enough look at the labels and you will see is “Not For Sale” listed on each label. And what you will also notice is at the top of the label it says “Cozy Powell Band”. Man, that would piss off David I am sure. At least it does say Whitesnake in that really cool logo across the center of the label. You gotta love bootlegs.!
LP 1:
The album opens with “The Shadow of the Blues”…wait…what happened to the “Walking In…”. Oh well, bootlegs for you. For a blues song, this one is really rocking and the band is kicking ass and taking names. The song is sped up but not as fast as “Rough And Ready” where David is singing so fast, I can’t really understand everything he is saying. Jon Lord’s hammond is on fire as he destroys it on the solo. Then Micky comes shredding in with a wicked solo. A great 1-2 punch. According to the label, “Ready An’ Ready” is up next, but we know it is really “Ready An’ Willing”. It kicks with David asking if they are “ready and willing” over and over and then bam…they go in to the song. They slowed the tempo down a little for this to a more normal pace. The song has a great groove to it, David sounds great and more great guitar playing. Always a wonderful live song choice.
And flipping over to Side 2 we get “Don’t Break My Heart Again”. We get some opening drum beats by Cozy, some hand clapping from the audience and some Lord organ. This is a pretty radio friendly sounding track. The crowd gets in to it and sings along at the break with more hand clapping. Then we get an early recording of “Here I Go Again”. And you know it is early because it still says “Hobo” instead of “Drifter”. It has more Lord organ and only David on vocals opening. Nice and quiet before the full band kicks in and it starts to rock out. But not as much as the 1987 version does. But that is a few more years down the road.
LP 2:
First David introduces some new band members with Cozy Powell on drums and Colin Hodgkinson on bass. Now it is time for some David Cock Rock with “Love Hunter”. You’ve got Micky on slide guitar and the song is still a lot of fun even with its inappropriate lyrics. During the middle of the song it breaks in to a Micky Moody guitar solo and a Colin bass solo mixed in. In the middle of the solo, with Micky and Colin go at it, we suddenly get a honky tonk jam and it is either Mel or Colin on vocal. Then with an awkward cut, it is back to some Micky slide guitar with a big dramatic finish before we rock out with the ending of “Love Hunter”.
Flipping it over it we get David introducing another new member with Mel Galley then we get the older version of “Crying in the Rain”. A great opening set of guitar work and then David comes in and he sounds great. This is a killer, rocking track and this older version has a little more groove and not as heavy, but oh, it is as good. The guitar solo in this is extended and ripping, a song in and of itself, but still with the “Crying” groove. David does give each member a chance to shine at these shows. He’s a good boss…when he’s not firing the whole band over and over. You go to an early Snake show and you aren’t getting the songs as they are on the album, no sire. You get so much more. At the end, they go quietly in to a small piece of the Deep Purple track “Soldier of Fortune”. Then another cut and then it is all Jon Lord as he gets his turn in the spotlight…hell to the yeah!
LP 3:
Why not start LP 3 with yet another solo and this time around it is Cozy Powell on drums. He is a beast. He even does part of 633 Squadron, Over the Top and 1812 Overture during his solo. It is not your typical drum solo and that is a welcoming fresh thing to hear. When it ends they go in to classic Whitesnake mode with the bluesy “Ain’t No Love in the Heart of the City”. It is slows things down, the crowd claps along and the boys just get down and dirty with this one. Always a treat when they pull this one out.
Flipping to the final side, Side 6, they start off with an fan favorite called “Fool For Your Loving”, but this is not the Slip of the Tongue version. They speed things back up like they are in a major hurry. The later version isn’t much different. A little slower and more dramatic. And that is how they end the show, but we still have encore. And first up is “Thank You Blues” which is a little message for the audience. And yes, it is very bluesy. Then they go in to the fun, crazy “Wine, Women And Song”. It is a foot stomping boogie woogie good time. And of course, Jon Lord kicks ass on this one too! This is a great encore song that is nothing but fun. The final track is “We Wish You Well” and David softly sings the crowd out of the evening. This sounds like a recording thought and not a live performance. This was probably being played as the fans exited the arena. Kiss does that kind of stuff too.
And that is it. A 3 LP live set from Whitesnake. The sound isn’t bad. It is consistent throughout and you can hear the crowd which makes for a great live show. David sounds really good and the new band, at the time, was another fine set of musicians. It didn’t bother me that a lot of the dialogue was cut out as it meant it was basically song after song. There are a lot of great solos and jamming moments. And by spreading out the album over 3 LPs, the songs weren’t compressed and helped the sound quality. Overall a really good bootleg. My Overall Score is a 4.0 out of 5.0 Stars as it did need a little more punch in the sound, but what you get is still awesome.
The Down ‘N’ Outz were formed thanks to Mott the Hoople. Mott the Hoople was doing a reunion show, well a week’s worth of reunion shows. They asked Joe to be a part of it. One thing led to another and with the help of drummer Phil Martini, Ronnie Garrity from Raw Glory, and Paul Guerin, Guy Griffin, and Keith Weir from The Quireboys, the Down ‘N’ Outz were born. They performed as the opening act. The twist was they would be playing songs by bands or artists associated with Mott the Hoople, but not actually Mott the Hoople songs. And that was what the first album, ‘My Regeneration’ covered was songs associated with Mott the Hoople, but not Mott the Hoople songs.
This time around on ‘The Further Adventures of…’ they focus entirely on Mott the Hoople songs and what a joy it is. On April 21, 2014, they released their second album with the same line-up, a little more playing together under their belt and a fresh set of old songs. They set out on a tour and years later would release a live album & DVD of a show from the tour called ‘The Further Live Adventures of…’, but I don’t have that one yet so not sure we will get to that during this series. For now, we will focus on this album so we might as well get to it.
My copy is a standard release, no deluxe edition. But what is really cool is when you open the enclosed booklet and fold it out you get a whole comic book story as you will see below. They even turned themselves in to comic book characters. A fun, different approach and a great packing job. Joe and company are doing these releases right!
The album kicks off with the classic 1969 Mott the Hoople hit “Rock And Roll Queen” which was off their self-titled album. The band is slamming and Joe sounds great. The punchy piano breathes so much life in to the song and the song completely rocks. A great opening track to set the tone.
2 Loud 2 Old Music 