In 1998, Def Leppard went back in the studio to record their seventh studio album, ‘Euphoria’. The band’s plan for the album was pretty much, don’t abandon the original Leppard sound. Go back and record an album that sounded like the albums that made the band famous. And the album turned out exactly like that. After creating an album like ‘Slang’, that was a brand new sound for the band and wasn’t that successful. This was probably a smart idea. It was produced by Pete Woodruffe and Def Leppard at Joe’s Garage Studio’s 1 & 2 in Dublin, Ireland and would be released on June 8, 1999. The album would actually be moderately successful, hitting #11 on the Billboard charts and it would go Gold in the States.
Longtime friend and producer, Robert John “Mutt” Lange, came and helped out with the album, but only spent four days in the studio giving them advice rather than sitting at the boards working. Heck, he even helped write a few songs and sang backing vocals on a track. I’m sure his direction in those short four days helped the direction of the album. Speaking of direction, the band’s look went in a different direction too. The hair was cut short, the clothes were nicer and they looked like a more modern rock band going in to the year 2000. But musically, it was back to their heyday of the 80’s and early 90’s. And not a moment too soon.
The band was still Joe Elliott, Rick Savage, Rick Allen, Phil Collen and Vivian Campbell and is still that band today as I write this in 2024. What I like about this album is that Vivian keeps getting more involved and has a lot more writing credits on this one. His influence on the band is evident. The band have aged well, matured and delivered us a solid Leppard album.
Coming out of the cage with a roar is the opening track “Demolition Man”. A high energy, fist pounding rocker. The song sees the typical gang type vocals on the chorus, the fast, frenzied guitars and Joe spitting out lyrics at breakneck speed. A banger of an opener that let it be clear, Leppard was back with what you want to hear, yet sounding both old school and modern at the same time. A nice mixture of the two.
Only the band’s second live album, ‘Inside Out’, was released on November 27, 2012. It was not one show though, it was spread across 3 epic venues as the back of the box states. The songs are from the 25th Anniversary show at Madison Square Garden, the Hometown opening night at New Meadowlands Stadium and then from the Historic 12 night run at London’s O2 Arena. 12 nights…damn!! Usually, I would hate something that wasn’t all one show, but this works. If I’m not mistaken, this is only available on iTunes. Well, that is unless you are able to find the Australian promo of the actual video…which I do. And that is what we are reviewing here, the DVD and not the iTunes version.
The DVD is a promo as it says on the back of the box and on the disc itself, “not for sale”. The video is the actual screening from the theatrical release and it does something cool. We get 14 tracks from the 3 venues and what they do at times during the songs is switch to split screen and show shots of them performing the song from the other arena or arenas in some cases. An interesting way of doing things and it makes it fun to watch. It is 75 minutes of pure Bon Jovi live energy.
The show kicks off with one of my favorite tracks, “Blood on Blood”, from ‘New Jersey’. It feels untouched as you can here the little wobbles and cracks in Jon’s voice like a good live show should have. The song might not have the same grit live as it does on the studio version, but they do put their all in to it. “Lost Highway” sees Jon dripping wet with sweat and when they show the split screens, he is perfectly dry in those which tells me one song was played early in the set and the other later.
I know, we’ve been doing a lot of Def Leppard Bootlegs from the Slang era, well, I do have a lot from that time. So bare with me for one more item. This time though, it is a Bootleg DVD so we get to actually the boys playing. This one was filmed down in Argentina back in 1997 and was actually recorded and played on Canada’s MuchMusic. How do I know that? Well, in the top left hand corner of the screen throughout the show is their logo. Yes, someone videotaped the show off their television and later transferred it to DVD.
When I googled the show, AI had this to say about it…Def Leppard performed at Cine Teatro Gran Rex in Buenos Aires, Argentina on April 19, 1997, marking their first show in the city and country. The venue is located near the coast and east of the city center, and was built in an Art Deco style in July 1937...Couldn’t have said it better myself. If I’m not mistaken, the song “Photograph” from the show was not shown during the broadcast and sadly, as a result, that isn’t here on this DVD either. Heck, what did you expect, he/she recorded it straight from the broadcast.
The band at the time and still today is still Joe Elliott, Rick Savage, Rick Allen, Phil Collen and Vivian Campbell. And they are all in fine form for this show. The setlist is basically identical to the Montreal Show I reviewed a couple weeks ago. The big differences being the Montreal Show had “Photograph”, “Another Hit & Run” as well as “Miss You In a Heartbeat” sung by Phil Collen. The Argentina show doesn’t “Photograph” but it does have, “Action” (which is great) and “Make Love Like a Man” (which is a horrible song). The DVD also has “When Love & Hate Collide” instead of “Miss You In a Heartbeat”, but I think I like Phil Singing “Miss You…” better. Everything else is spot on in same order as well.
This week were are going to dive in to the a Kiss Singles Box Set. On November 13, 2012, Kiss released the box set, ‘The Casablanca Singles 1974-1982’ collection. It houses all 29 singles the band released on Casablanca Records. The sleeves are from around the globe as we have German, Japanese and even American covers and even a few colored vinyl. Sit back and enjoy as we walk through the box set and all the singles.
So go check it out as it is live now on June 10, 2024 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
To coincide with the release of the band’s ‘Greatest Hits: The Ultimate Collection’ on CD, the band also released a DVD full of the band’s video hits and live versions as well. The DVD was released on November 10, 2010 about 2 weeks after the CD. It isn’t a full career retrospective as it is only 17 of their numerous music videos. And it omits anything from the first two albums which is a huge misstep by the band as they continue to ignore those two albums. I honestly hate when a band does that. It is stupid and an insult to fans who love those albums even if they don’t. You guys truly suck for this!!!
But what is here, is really great. It kicks off with two tracks from ‘Slippery When Wet’ with “Livin’ on A Prayer” and “You Give Love A Bad Name”, two videos that really showcased the band’s live performances and what helped draw millions of fans in to the fold. They then jump to “In These Arms” from ‘Keep the Faith’ and surprisingly enough, it is another live concert performance to the studio song. Honestly, these type of videos are great as they aren’t some cheesy video telling a story that is not what is in the song, but gives you an idea of what the band is live. Now, I say that and you then get Sam Kinison and people talking through cut-outs of Elvis for “Bad Medicine” But that was only the opening as the rest was live concert shots as well.
“Born to Be My Baby” is full of studio shots as if the band was recording the song for the first time done in black & white. Very laid back and I like it because it isn’t the exact studio version of the song, it is a different edit. Then we go full on color with the ballad “I’ll Be There For You” which is more stage performance except this time it is in front of an empty arena. A great song shot perfectly here. “Lay Your Hands On Me” gives us another live style video. Honestly, I don’t remember all their videos being basically concert style.. They did not waste a lot of money on videos and it paid off for them and save them a ton of money. The videos are all professionally done, no denying that.
Sometimes, when you buy a bootleg CD you have no idea what you are buying. This is one of those cases. I couldn’t find anything about the release other than the front cover. All it said was “Def Leppard – Live Bites” and it listed out a handful of classic Leppard songs. And it was cheap. Those two things were all I had to go on, so I bought it.
When I received the CD in the mail, It didn’t offer much else to it either. It did have a full track listing, but it was only 11 songs and from the looks of it, not a full live show…only pieces. There were two songs from ‘Slang’ and nothing later that told me it was from around 1997 at the very least. There was nothing in the booklet…ha! booklet…one sheet of paper…so not really a booklet…that gave me any indication of where these songs were recorded. The back of the CD had something that said the following…
Having sold over 65 million albums worldwide since their debut release in 1980 and proved themselves as one of rock music’s hardest working and consistently powerful live bands, Def Leppard remain one of only five rock groups who can claim two separate original 10 million-plus selling albums.
After the Circle and subsequent tour, I am guessing the band was taking a little break because it would be 3 more years before another album. In the meantime, why not another greatest hits package since the last one was ‘Cross Road’ which was about 15 years earlier. This time around it was simply called ‘Greatest Hits’. Well, that is unless you bought the 2 CD set which was called ‘Greatest Hits: The Ultimate Collection’. The package was released on October 29, 2010 and it di really well going Gold in the U.S. and selling millions in Europe going multi-times platinum in numerous countries.
One thing they did with this release is that depending where you lived, what version was available. All single disc versions had 2 new songs on them. All 2 CD versions had 4 new songs on them. The difference was the U.S. version on had 26 songs while the International version (Europe/Australia) had 30 tracks and Japan had 31. The U.S. didn’t get any songs from 7800º Fahrenheit, International got 1 and Japan were blessed with 2 (including “Tokyo Road” of course). I will say it does suck they ignore that album here and only give us one from the debut. And it does effect my score. There is nothing else to say about the release so let’s get to the music as there is a lot to get through so I hope you’ve had a nap and are well rested.
DISC 1:
The first disc kicks off with “Livin’ On A Prayer” from ‘Slippery When Wet’. It opens with a wicked bass line, finger cymbals and a talk-box. But that wasn’t all that was great about it, it is the story of Tommy & Gina in “Livin’ on a Prayer” that makes this such a great song. Jon has a way of making the songs human and easy to connect with. The everyday person with problems just like you so the songs feel personal. The song is loosely based on Desmond and his girl-friend as she worked in a Diner, but he was a taxi driver and not working at the docks. It was that Blue Collar feel to the song that made it resonate with so many people. It was a time when Bon Jovi actually wrote songs that told a story that connected with people and not try to write just to make a hit.
“You Give Love a Bad Name” is next and also from ‘Slippery’. It was originally written for Bonnie Tyler and called “If You Were a Woman (and I Was a Man)”, but the song did nothing so Desmond Child re-wrote it for Bon Jovi and the rest is history. The song went to #1 and the beginning of the rise to super stardom had begun. The song checks all the boxes, big chorus, epic guitar solo, killer bass line, pounding drum fills and pure intensity. The song will have you singing along instantly as the song feels familiar and exciting. You can’t get it out of your head.
We are now in the mid 90’s and the rock bands from the 80’s were basically gone. Ok, they were still around, but they were not cool. Those bands were try going darker, heavier and try to match the grunge scene and the style of rock that was going on at the time. Def Leppard were no different as far as not being cool anymore (except I still thought they were). Thankfully though, they did not follow the other bands and go heavier and grungier. No, instead they went in a direction no one saw coming. They experimented with new sounds, new instruments and delivered an album that was like nothing you’ve ever heard from them. They tried something entirely new.
The result of the new sound was ‘Slang’. It was a darker album for sure, but not grunge dark. Lyrically dark. The band members were not having the best of times around then. Joe Elliott and Rick Allen had both been arrested for spousal abuse (not to each other, they weren’t married to each other). Rick Savage was suffering from Bells Palsey and the death of his dad. And Phil Collen was going through a divorce. All of that impacted the writing of this album.
Another thing that impacted the album was that there was no more Mutt Lange. He wasn’t involved at all. However, we did get the impact of Vivian Campbell as this was his first studio album he had made with the band since he joined. I think that helped change things up as well. The band ended up producing the album themselves with Pete Woodroffe. They also recorded the album completely different. No more Lange style of one instrument, one note at a time. This time around, they recorded it together. A novel concept.
It was released on May 14, 1996 and it did not do well at all. Well, it did go Gold, but it didn’t go Platinum. It only went to #14 on the Billboard albums chart. They did release 4 singles but no Top 40 tracks anymore. Nope. Times had changed. However, it doesn’t mean that this album was not good…not in the slightest.
The opening track, “Truth?”, was blatantly obvious that this was not the same band. A darker, more foreboding sound. Very experimental as the band show no signs of their old self and that is why this song is a stellar choice to open the album. It says, hold on to your hat…this is going to be different. It’s heavy drumbeats and very progressive guitar work are exceptional an unlike anything else they’ve done. When I first heard this back in 1996 my initial reaction was…WHAT???? But it quickly turned in to “HELL YES!!”.
The next track, “Turn to Dust”, was an even bigger departure. With the band’s use of a sarangi in the opening of the song, you get a South Asian folk flair. There is a Beatles tone to it and even a Bowie shout-out so the boys haven’t completely abandoned their roots. The chorus is a little heavy and totally killer. It isn’t anthemic, but it is catchy and even better then the opening track.
The first single and title track, “Slang” is one of two songs that might be considered more of their older sound, but still nothing like anything else they’ve done up to this point. You could possibly dance to this one too. Heck, even Joe raps a little on this one. WTF??? Yeah, that was my first impression as well. But, I love it. They are keeping us on our toes with this one. A song about phone sex too…huh!!!
“All I Want is Everything” is up next and it slows things down. A ballad that is nothing like the well-polished ballads of the past. It is dark, foreboding and the guitar tone is gritty and morose. The chorus has a great melody and is quite brilliant. It took me awhile to get in to this song, but I think I’m finally there. I had always wondered why so many people liked this one as at first I didn’t. I put the headphones on and really listened to it and started to hear things I’d never noticed before, certain notes and textures, and eventually I found the song to be one of the finer moments on the album.
One of the more fun songs on the album is the rocker “Work It Out”. Vivian Campbell’s first major contribution to the band and it is a homerun. It has a more industrial sound, it is heavier and that bass at time from Sav is so freaking funky. And some of the best bass work, bar none, on the album. I gravitated to this one immediately and might be one of my favorite tracks on the album…if not THE favorite track.
“Breathe a Sigh” gives us another ballad and this one is another departure for the band. There are some R&B moments with those verses both musically and even how Joe delivers those lyrics. It is soft, subtle and tantalizing. The chorus is old-school Lep with those lush vocal harmonies that would make the boy bands jealous. It really shines amongst the darker material on the album.
Then we get the first misstep for me with “Deliver Me”. I do not like Joe’s singing on it at all. The song is a rocker though so it has that going for it. Joe’s vocals are deeper, grittier and maybe it is too far the other way from Lep, but it does nothing for me. The chorus does pick up and make things better, but the slow, droning verses kill it for me.
The band goes all heavy metal on us with “Gift of Flesh”. The heaviest song the band has done in years and definitely the heaviest on this album. It feels almost apocalyptic, there is an urgency to it and there is something we haven’t talked about at all on this album…a guitar solo. The best one on the album (or at least the most memorable one at least). This song is slamming from start to finish and can I get a Hell Yeah!!!…I can’t hear you!!!
Then the album ends with not 1, not 2, but 3 ballads in a row. Wow! Talk about changing things up. But don’t expect to be bored, not by any stretch of the imagination. It kicks off with “Blood Runs Cold” which could possibly be on of the most haunting songs the band has ever done. Musically, it is ethereal, so much so that it could break if you touched it. Joe delivers the lyrics so emotionally and you can feel the sadness, the pain and the heartache. My favorite ballad on the album.
“Where Does Love Go When It Dies” sees the band get all philosophical with this acoustic beauty. It is about as old-school as they get, but yet it still feels different and more sophisticated. Joe does it again lyrically and vocally and gives us another brilliant track and this one will make you stop and think. You can’t say that too many times with their songs.
Then we get the final song and most epic on the album, “Pearl of Euphoria”. It opens with a killer bass line (Sav does it again). Elliott’s vocals are deliberate, darker and deeper in tone. It has a similar modern tone like “Truth?” and yet there is a 70’s tone a la Zeppelin. It has that otherworldly lyrical content you expect from Zeppelin. The guitar playing is exquisite and some of the finest on the album. There are so many great things about this one I don’t know where to begin. What a way to go out.
Track Listing:
Truth? – Keeper
Turn to Dust – Keeper
Slang – Keeper
All I Want Is Everything – Keeper
Work It Out – Keeper
Breathe a Sigh – Keeper
Deliver Me – Delete
Gift of Flesh – Keeper
Blood Runs Cold – Keeper
Where Does Love Go When It Dies – Keeper
Pearl of Euphoria – Keeper
Track Score is 10 out of 11 Tracks or 91%. This is one of the most surprising albums the band has ever put out. It took me a couple listens to get it back in the day, but when I did, I was all in. A very dark album versus everything else in the catalog and fit with the darkness of the 90’s music that was out, but it was nothing like the 90’s music at the time. It was its own animal or beast. Def Leppard stretched their legs with this one. They experimented, tried new things and some people might not get it, but those of us that do are given a masterpiece. Now, it isn’t as good as their earlier albums, but it might be one of the best they’ve done since ‘Hysteria’, even to this day. My Overall Score is a 4.5 out of 5.0 Stars. I pull this out more than any other album except the first four. I can’t recommend this one enough.
NEXT UP: DEF LEPPARD – ‘MONTREAL: THE CLASSIC 1996 BROADCAST – (BOOTLEG CD)
Welcome back to The Collection. This week we are going to walk through William Broad’s vinyl catalog. Who is William Broad? Well, he is none other than Billy Idol. We will start with the 1981 E.P. ‘Don’t Stop’ and go all the way through to ‘The Cage’ E.P. from 2022 and touch everything vinyl in between. So, if you are fan of Idol or even Steve Stevens, come check this out!!
So go check it out as it will be live tonight right now, May 27, 2024 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
And if you are interested, you can check out all the Billy Idol reviews I have done on the site. Heck, take the day off and spend it with Billy!!
We are now up to Bon Jovi’s 11th studio album called ‘The Circle’. The band has been on a massive schedule of album, tour, album, tour for years now and honestly the quality is starting to show. Producer John Shanks is back and a lot of people believe that is the problem, but for me it is more than that. It is the fact the fact they are still chasing that hit and everything has become formulaic and tired. More on that later.
For now, let’s discuss the album itself. The title, ‘The Circle’, has many meanings one possible is that they have come full circle back to the rock & roll sound of before after dabbling in to that country genre for a second…a very long second. Or it could be that the band is a circle of guys and that circle is hard to get in to (and hard to get out unless your Richie and you stop showing up – but that hasn’t happened yet and I’m getting ahead of myself). That circle still consists of Jon Bon Jovi, Richie Sambora, Tico Torres and David Bryan. Poor Hugh McDonald still hasn’t been made an official member yet, but that will change eventually.
The album was released on November 10, 2009 and sold over 163,000 records in its first week alone. The album would reach #1 on the Billboard Charts and numerous countries around the world. It stayed at #1 for all of one week, but hey, it is a #1 album. It would also go on to Gold Status in the States and 5 other countries as well as Platinum in Canada. The band was still having success, but for me that loyalty had faded and faded fast. It was years after this album was released before I ever bought it and the only reason I pulled it out today, is so I could do a review. And after a couple more listens, my thoughts haven’t changed. Are you ready for it?
The opening track is the song “We Weren’t Born to Follow” and is very typical of every album since 2000. An uplifting song that talks about the tough times people were facing in the current economic environment. It was a charge to arms to stand up for you believe. But like every opening track on the past batch of albums, it feels like a been there and done that kind of song. Yeah, it ain’t bad, but it ain’t anything new either.
2 Loud 2 Old Music 