Scorpions – ‘Humanity: Hour 1’ (2007) – Album Review (The Scorpions Collection Series)

For their 16th Studio album, Scorpions wanted to shake things up a bit. But before they could do that they needed to get a producer and that seemed like a daunting task. They had hoped to work with Dieter Dierks yet again, but that didn’t work out yet again due to contract issues. They brought a ton of producers to Germany to interview including Roy Thomas Baker, but the band wasn’t exactly pleased with those results. In the end they settled on two producers. They chose James Michael (lead singer of the band Sixx A.M.) and famed songwriter/producer Desmond Child. They each had their own specific expertise that was utilized on the production. James worked on the guitars, drums and bass while Desmond concentrated on the vocals.

So, Rudolf Schenker, Mathias Jabs, Pawel Maciwoda and James Kottak were in one studio with James while Klaus Meine was in another with Desmond. Desmond believes that if a singers vocals are in great shape, you will get a great performance so Desmond had Klaus basically take vocal lessons every day for an hour before they recorded the vocals. They brought in vocal coach to help Klaus warm up his vocals each and every day. The album is full of songwriters from outside the band as well, but the band still is on every song. You get Eric Bazilian (Hooters), Marty Frederiksen, Jason Paige, Russ Irwin, James Michael, Desmond Child and there are even more.

The band started recording in October 2006 and had about 30 songs and by the second recording process they had another 20 songs. The album was going to be a concept album that was developed by Desmond Child and futurist Liam Carl. It was based on a civil war between humans and robot, it is very apocalyptic in nature and at times very dark. Which is why a number of songs were thrown out because they were too dark. The album needed some more upbeat style songs and those were added, but they were all based around this concept and all tied together because the songs were about humanity. The album was called ‘Humanity: Hour 1′ and was released on May 14, 2007 in Europe and August 28, 2007 in the U.S. We were introduced to a very modern sounding Scorpions album, but at the same time, it still sounded like the Scorpions. All I know is that when I heard this album, I was back on board the Scorpions’ train and been riding it since. Sit back and get ready for the best Scorpions album in decades!!

A woman robot welcomes us to Humanity: Hour 1 as “Hour 1” is the start of the war. The earth-shattering drum beats, the Sabbathy guitar riffs and then Klaus comes in and sounds amazing as he introduces the reasons behind our downfall and that humans tried to play God with their machines causing all the problems we are now facing. It is a heavy, intense and rocking opening track. Very modern and very brutal and a solo that will rip your face off as the battle rages on. A killer opening track and one of their most aggressive tracks…ever!! And what is even cooler about this one is that the guest guitarist is none other than the mighty John 5.

Continue reading “Scorpions – ‘Humanity: Hour 1’ (2007) – Album Review (The Scorpions Collection Series)”

1,000,000 Views and Counting

On Sunday, February 26, 2023, 2 Loud 2 Old Music reached a milestone for the site. We finally reached 1,000,00 views on the site. It all started April 17, 2016 and only took just shy of 7 years to hit that mark. Now, at the pace we are going now, it should take less than 4 years for the next million.

What did we do to get to this point, well, we have written a lot of post. We are at 2,141 posts since we started and I am not sure why I keep saying we, because it is just me. Maybe the we is me, myself and I. We have done over 350 post of My Sunday Songs and Friday New Release posts which I have been doing since almost the beginning. We have done I think close to 1,000 album/single reviews, a bunch of The Original Vs The Cover posts and even a lot of Album Rankings. I never thought I would write this much and still have stuff to write about, but we’ve barely scratched the service at what is in the collection so there will be more to come.

The 10 most popular posts are as follows:

  1. New Release Page – over 25,700 views
  2. Maroon 5 – The Albums Ranked Worst to First – over 10,200 views
  3. Apple Music vs. Amazon Music Unlimited – over 9,400 views
  4. The Original vs The Cover: “The Sound of Silence” – over 9,100 views
  5. Whitesnake – The Albums Ranked Worst to First – over 8,200 views
  6. Ratt – The Albums Ranked Worst to First – over 8,200 views
  7. Poison – The Albums Ranked Worst to First – over 6,700 views
  8. Tuesday’s Memes – Christmas Music – over 6,200 views
  9. The Top 20 Ratt Songs – over 6,000 views
  10. Tuesday’s Memes – Rock & Roll – over 5,700 views

And if you wonder why I have done a lot of Album Rankings, well, they do make up 40% of the list so there is that reason. I stopped doing the Memes collections, but maybe I should bring that back…nah!

What I have really enjoyed doing over the last few years are artist series where I cover every album either in my collection or in their catalog. Definitely I’ve done all the studio albums for these bands so there are a lot of reviews up for these artists. I’ve done quite a few.

  • Ratt
  • Billy Idol
  • David Coverdale/Whitesnake
  • Kiss
  • Queen
  • Judas Priest
  • Aerosmith
  • Cheap Trick
  • Scorpions (only 3 more left to write)
  • Jeff Scott Soto (only 18 more to write) – And will be the most comprehensive reviews of Soto’s career anywhere on the web and I can almost guarantee that.

And the next one lined up is Bon Jovi which will start sometime either late Spring or early Summer.  Not sure where I will be going after that series.  

I think I am going to stop the You Pick It series as that doesn’t get a whole lot of participation. I think I have one more lined up to post for April’s selection and that will be it. I’m working on March’s right now.

Let me know if there is something you’d like to see me do on the site and maybe I’ll do it. I am planning to continue to show off things in the collection and write reviews on them and if I ever catch up and do it all, maybe I’ll stop at that time, but I think I still have a few more years left in me.  When we hit the 10 year mark, I’ll re-evaluate and see what is next, but for now, I am going to keep on doing what I’m doing.

Thank you to everyone that has come and stopped by the site and to those regular readers, thank you most of all. You are my motivation and reason to keep on going.  You know who you are.

Here’s to the next 1,000,000 views!!

February 2023 Purchases – Vinyl & CDs

We had another good month here at 2 Loud 2 Old Music and the collection keeps growing, both the vinyl and the CD collection as well as now even the cassette collection. I found some more stuff to add to the ever growing Kiss collection, the Needtobreathe collection, the Matt Nathanson collection and even the Ratt and Whitesnake collections.

First thing that came in was something that was bought months ago, but the vinyl had been delayed. It finally arrived and it is the new Matt Nathanson album ‘Boston Accent’ which now completes my vinyl collection for Matt…well until he releases something else of course…

Then I bought a bunch of things this month from the internet including some new releases as well as filling out my The Poodles collection, Eclipse, Wig Wam and H.E.A.T. The Wig Wam can be counted as new too along with The Winery Dogs…

Continue reading “February 2023 Purchases – Vinyl & CDs”

W.E.T. – ‘Rise Up’ (2013) – Album Review (The Jeff Scott Soto Series)

W.E.T. includes Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. They were originally going to be a one-off project, never tour and never do another album. Well, they did a small tour and here we are now reviewing their 2nd album, ‘Rise’. And this time, they are giving more credit to Robben Black and Magnus Henriksson as full time members. Both guys are also from the band Eclipse along with Erik.

The album came out on Frontiers Records since it was all Serafino Perugino’s idea anyway. It was released on February 22, 2013 and was actually produced by Mr. Erik Martennsson himself. Along with the songwriting, guitar playing, bass playing, keyboards, he was rather busy on this album. But Erik wasn’t alone on the songwriting as Robert Sal was heavily involved as well as Jeff Scott Soto and Magnus Henriksson. Come to think of it, everyone who did songwriting on the debut, pretty much contributed here as well. The sound on this album didn’t change, it is pure 80’s melodic rock or AOR if you want. Think Journey, Bon Jovi and the like and you pretty much have an idea of what this album will sound like.

The album opens with “Walk Away”, a lusciously sounding lick and then some heavy drums goes right in to a groove that brings it all together. Soto’s vocals are so smooth and slick you are transported to another era. With a hook that has you singing along as you ride down the rode with this beautiful melodic rock extravaganza.

Then we get the delicious “Learn to Live Again” which is a duet between Erik and Jeff and it is nothing short of delightful. You get more of the same hummable, singable magic as they figure, if it ain’t broke, why fix it. Jeff, again, sounds fantastic with his almost falsetto singing at times, and with this wicked riffs and a killer solo backing him up, it is more greatness.

Continue reading “W.E.T. – ‘Rise Up’ (2013) – Album Review (The Jeff Scott Soto Series)”

My Sunday Song – “Like a Stone” by Audioslave

For My Sunday Song #339, we are going to discuss the song “Like a Stone” by Audioslave. The song is another off this debut self-titled 2002 album. The song was written by the everyone including Chris Cornell, Tim Commerford, Brad Wilk and Tom Morello (well, at least they all got credit for it). The song was the second single off the album and went to #1 on the Mainstream Rock Charts and made the Top 40 going to #31. Those chart positions helped it go Gold selling over 500,000 copies! The music video for this song has over 1 Billion Views!! That is crazy.

The song is about pondering the afterlife. How you can work so hard and be a good person and yet still go to hell anyway. Despite how well you treated others, how good you tried to be, it still wasn’t enough to save you. Because we all know what it takes to be saved, don’t we. It’s lyrics are so so sad and full of regret and really makes you wonder what was really going through Cornell’s mind when he wrote those lyrics. It was a dark place for sure.

The music matched that sadness as the guitar parts from Tom Morello had a tone that was so full of melancholy and at times it sounded like it was crying heartbreaking tears during that wicked guitar solo. That drum beat by Brad Wilk with Tim Commerford’s bass kept a groove that was as morose as it comes. All together it was as close to perfection as you can get with music matching the lyrics and vocal tone. Hauntingly beautiful I must say!

Continue reading “My Sunday Song – “Like a Stone” by Audioslave”

GRAB A STACK OF ROCK…with Mike and the Mad Metal Man – Episode 15:  Welcome Jex Russell!

Come check out the show tonight at 7pm. See what goodies we have to show off tonight!!

There has been a heck of a lot going on here lately.  We need reset the show back to basics, back to the original intent.  That always was just hanging out with no plan!  So that’s what we’re doing.  Showing off whatever music they have lying around will be HarrisonTim DurlingJohn Snow, and new arrival Jex Russell!  You might be familiar with the Friendly Frenchman from his stints on Scotch on the Rocks and Tim’s Vinyl Confessions.  Tonight he’ll grab a stack of rack with us and have a good time doing it!

Friday February 24 at 7:00 P.M. E.S.T.  Enjoy on YouTube or on Facebook.

Friday New Releases – February 24, 2023

Happy Friday! And any Friday with new releases should be a happy one, no doubt. This week we have around 50 new releases for you and a wide range of genres. There should be something for everyone this week and if not, well, I don’t know what else I can do for you. I only have one I’m really interested in hearing and that is Adam Lambert. He’s such an amazing singer and his stuff is usually quite interesting. I might dive in to a few others, but this is really what I’ll spin today (or stream since I don’t actually have a copy). Let me know what you want to hear this week and if we missed anything. Thanks for stopping by and I hope you all have a wonderful weekend!!

  • 81geTubIvcL._AC_UY436_FMwebp_QL65_  Adam Lambert – High Drama – (More is More LLC / BMG Rights Mgmt)

And all the rest…

  • 71-8xQigeNL._AC_UY436_FMwebp_QL65_  Godsmack – Lighting Up the Sky – (BMG Rights Mgmt)
  • 81GlEkRFk0L._AC_UY436_FMwebp_QL65_  Steel Panther – On the Prowl – (Steel Panther)
Continue reading “Friday New Releases – February 24, 2023”

Scorpions – ‘Unbreakable’ (2004) – Album Review (The Scorpions Collection Series)

We are now on to the 15th Studio album from the Scorpions called ‘Unbreakable’. It had been 5 years since their last studio album, ‘Eye II Eye’, which was not a success. The band had some success with their live albums ‘Moment of Glory’ and ‘Acoustica’ and after some touring, the guys were ready to go at it again. They went to the studio in late March or early April and recorded 16 demos. Not a bad start…but…they scrapped every single one and started over. They tried again in June 2003 and nothing much from that one either. Finally after another short tour, they went back in to the studio a third time in September 2003 and did another 20 songs and finally they felt they could pull an album from those tracks.

They shopped for a producer and they had a number of people on the list that they sent the demos to in hopes of hiring a producer. They wooed Bob Rock, Max Martin, Rick Parasher, Erwin Musper and even old time producer Dieter Dierks. In the end they ended up using Erwin Musper and he did a pretty good job. But that wasn’t all they were shopping for as they also needed a bass player. The courted Jeff Pilson (Dokken) and Jimmy Bain (Rainbow/Dio), but they wound up with Paweł Mąciwoda who was able to play on about 10 of the 13 tracks.

After recording from October 2003 to January 2004, the album was finally complete. It saw the light of day on May 3, 2004 and I have to say after the last two albums were a departure from what we expect from Scorpions, this one brought the band back to form. They brought back the heavy riffs, the great bombastic choruses and even modernized it all a little. This is the album that reminded me that Scorpions still had the goods to deliver what the fans like best. Solid guitar rock. I think a lot of what I like about this one is due to the fact of there was so much I didn’t like about the last two. This probably elevates this one a little as a result, but still so much goodness.

It all starts with the killer opening track “New Generation” which starts out with a slow build that keeps getting grander as you go and then the song really kicks in slamming it home. The hypnotic guitar riff is stellar and the song sounds so modern yet so like classic Scorpions at the same time. A brilliant track that reminds a lot of the opening tracks from a lot of bands in the 80’s as it has that grand feel and runs close to 6 minutes. Love it!!

Continue reading “Scorpions – ‘Unbreakable’ (2004) – Album Review (The Scorpions Collection Series)”

Saigon Kick – ‘The Lizard’ (1992/2018) – Album Review

For my last You Pick It vote, I had a tie between Queensryche’s ‘Hear in the Now Frontier’ and with Saigon Kick’s ‘The Lizard’. Last week reviewed Queensryche and this week, as promised, we have Saigon Kick. Mike Ladano from MikeLadano.com agreed to tag team with me here and he is also reviewing this album so go check it out as it came out today as well. Go to Mike’s Lizard Review here.

Saigon Kick had a problem in 1992. Mis-labeling was their problem. Due to their massive power ballad hit, “Love is On the Way”, they got dumped in to the 80’s Glam Rock scene (or Hair Metal) when in fact, they were not even close to anything that sounded like that. People who bought this thinking it was the next Danger Danger, Trixter or maybe even Bon Jovi were surprised at what they heard. They weren’t Grunge either so they were a band that had no real marketable identity at the time. They were alternative, but to melodic for them and not metal enough for the glam. What a weird place to be. The timing sucked for them as well with the Glam scene dying at an alarmingly fast rate and Grunge taking over, just where did this band fit in the mold.

Saigon Kick’s sophomore album, ‘The Lizard’, was a diverse collection of rock songs that defied classification. The songs were so well crafted, so mature and unlike anything else at the time. The closest band I would say would be Extreme as they were also had a diverse, eclectic set of songs and because of their ballads also got lumped in to the Hair scene, unfairly as well I might add. The band was Matt Kramer (Vocals), Jason Bieler (Guitar, keyboard), Tom DeFile (Bass) and Phil Varone Drums). The bands second album saw Jason step up and produce the album and do most of the heavy lifting with the songwriting as he wrote all the music and had his hand in all but three of the songs on the lyrics. The album was released on June 2, 1992 and sold well, going to #1 on the Heatseekers Album Chart and #80 on the Billboard 200 chart. It did get certified Gold selling over 500,000 copies some time around 1996 though.

I was a fan of that ballad I mentioned earlier, but back in the day, I didn’t buy this album. I didn’t buy it until last year after I saw Jeff Scott Soto and Jason Bieler in concert together. They played mostly Saigon Kick songs and I had forgotten how great those songs were so I ran out and bought the band’s first three albums off Rock Candy. This version of the album has massive liner notes all new for this reissue and a bonus track. To top it off, thanks to the clout of The LeBrain Train show, I was able to snag Jason Bieler for an interview and Mike Ladano and I interviewed him for that show. It was a lot of fun and great diving in to his career.

Continue reading “Saigon Kick – ‘The Lizard’ (1992/2018) – Album Review”

Cheap Trick – The Best & Worst Song from Every Album

Last month, I did a post on the Best & Worst songs from every Judas Priest album. I really enjoyed doing that so I thought I would continue that process and this time we would go through every Cheap Trick album and see what is the best song and the worst one off each album as well. Cheap Trick has 20 studio albums to go through so sit back and take it all in. Now, let’s preface this with the fact that these are my choices and not necessarily yours as we can have different opinions. If you watched the show you will see that sometimes my worst song was their favorite so you never know what people like and we all like different things or this would be a very dull world. I hope you enjoy!!

CHEAP TRICK (1977)

BEST SONG – “ELO KIDDIES”: The song is telling kids to fuck school and go out and be nuts. It is a blast of a track with a catchy ass chorus and a Rick Riff that is memorable and you’re able to singalong and that is a good riff if you can do that. What teenage kid doesn’t think that school is a waste, but only Cheap Trick has the balls to tell you it’s true. This to me is a pure punk attitude.

WORST SONG – “MANDOCELLO”: The song sucks the energy right out of the album. With a heavy bass line and and slowed down tempo, the song drags along while Robin’s angelic singing style doesn’t actually breathe any life in to the song. The chorus though feels like the Beatles with the harmonies and is almost a saving grace but not quite.

IN COLOR (1977)

BEST SONG – “SOUTHERN GIRLS”: This album is perfect and so hard to pick a favorite or a worst for that matter as there isn’t any. But I had to pick a favorite and this was my choice. Now, this isn’t about “Southern” girls from the deep South in the U.S. Nope! This is Canadian Southern Girls. Didn’t know there was any such thing. The beat is perfect for hand clapping as it bounces along and feels you with joy. It is pure pop fun with a little gritty guitar work thrown in for good measure along with some playful piano fills.

Continue reading “Cheap Trick – The Best & Worst Song from Every Album”