With Jeff Scott Soto on Frontiers records, it made total sense that if Talisman was to get back together and put out another album, Frontiers might be the home for them. And that is what happened. After the break-up of the Humanimal project, Jeff and Marcel Jacob felt it was time to put on the Talisman hat again. However, with the falling out with Pontus Norgren, a new guitarist was needed. That new guitarist was actually the old guitarist Fredrik Akesson which is a perfect fit for the band. Mr. Jamie Borger was back on drums and the new album of the old guard was ready to be recorded.
The band recorded the album in Italy (why not since that was where the label was located). It was recorded at Planet Studios in Acqui Terme, Italy. The album saw the release on May 12, 2003. It was this album that I discovered the band thanks to Melodicrock.com. Andrew McNeice was going on and on about this guy Jeff Scott Soto and Talisman. As a result, I checked it out and then things went nuts from there. After almost 20 years now of listening to Soto and Talisman, I now have over 70 albums in my collection that Soto performs on. It all started with ‘Cats & Dogs’ and Soto’s next solo album ‘Lost in Translation’ which we will review next. This was my entry point into the universe of Soto.
With a “Hey, Hey, Hey” and a Soto scream, the album is off and running with “Skin on Skin”. It is a little funky, a little bluesy and a lot of energy. A modern rock track with its foundation firmly rooted in the past. What a way to say…”We’re back!!!”. And then Jeff does his best James Brown with a “Good God, Yeah” to kick off “Break it Down”. With some heavy bass and then a slick riff, some great harmonies and we are off to the races. It has a great, memorable chorus, great production and more fantastic vocals from Soto. Plus, Akesson’s solo is pretty sweet and his playing is a highlight on this one for sure.
After a seven year absence with new material, Billy has popped back and in a big way. His last album was 2014’s King & Queen of the Underground (which absolutely stellar) and then in 2021, he released an E.P. called ‘The Roadside’ which has one of his best songs ever called “Bitter Taste”. Almost exactly one year later in 2022, Billy released another E.P. and this one was called “The Cage” and is another 4 song set. This leads me to think that Billy might not be up for doing a full album, but if he wants to put out 4 new songs every year and with the caliber of these songs, count me in.
Billy Idol and his longtime partner, Steve Stevens have crafted another batch of great songs with the help of famed producer, Butch Walker along with Tommy English and Zakk Cervini. In an interview recently, I heard Billy talk about the fact that he was happy he somehow survived his drug induced rock & roll lifestyle because it has all been worth it. That worth it he is talk about is his granddaughter. He has seem to have found a new appreciation for life and that is reflected in his music and writing and I’m starting to think Billy is a fine wine because he keeps getting better with age!
The opening track, “The Cage”, is basically about all the pent up energy everyone was feeling coming out of the Covid Lockdown. It felt like we were all in a cage and it was time to bust out. Written by Billy, Steven, Tommy and Joe Janiak. It is a high energy, punk rock song and Billy feels right at home on this track. If there is a Billy Idol sound…this is it and with Steve Stevens on guitar, there is no mistaken that sound. A perfect song to catch your attention and reel you in.
And if you think “The Cage” is the best song on the E.P., you’d be wrong. That belongs to the introspective “Running from the Ghost”. Lyrically, the song seems to be about Billy running from his demons all his life. He has seen some dark things in this life and his alcohol and drug addiction are a battle every day. The song starts off slow and then it explodes and the guitar work by Stevens is some of his best ever. That drum beat with it are powerful and engaging. It is a beast of a track and has such a mature and serious tone. You will be surprised by this one.
Then we get to “Rebel Like You” with its fun motorcycle revving at the start. The electronic drum beat comes blaring in and Billy sings with umph and you can feel that snarl. The song has Billy on stage looking out in the audience and sees another woman dressed like him, but I’m not sure that is the gist of the story. I think the song is a shout out to his grand daughter and that she is a rebel just like him. The lines…
Ain’t nobody gonna love you more Except your mommy and your daddy, maybe Looking like you’re on the go, go, go Guess I’ve got company
I think he just loves her so much he wants to show her the world. She has the wild spirit like he had and he loves her to death. That is what I think. I could be wrong…known to happen.
The last track is called “Miss Nobody” and it is an electronic, dance song. This one was produced by Butch Walker and co-written by Sam Hollander. It is a slick pop track about a down & out woman who still is kicking ass. It is not my favorite track on the album, but it has its merits as it is catchy and contagious and will get you moving. A little less on the guitars, but still feels like a Billy track.
Let’s get this out of the way quick…I love this E.P. and have been playing it non-stop and now these songs are old friends. That is two E.P.s in two years and both are amazing. I hope this continues because I could get spoiled. If you think Billy’s heyday is behind him, you’d be seriously incorrect. This is Billy at his best. My Overall Score is a 5.0 out of 5.0 Stars. A must have!!
Now, if you want to check out the full reviews and the entire Billy Idol Series, click on any and all of the links below…
The band started recording their 9th studio album in Stommein, West Germany which is where producer, Dieter Dierks, studio was located. The album was recorded in 1983 and 1984 and finally saw its release on March 27, 1984. The line-up was intact with Klause Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell.
However, some of the early recordings that took place were actually in Sweden and had former Rainbow members, Jimmy Bain on bass and Bobby Rondinell on drums. Jimmy Bain’s name was brought up by Herman and then later Herman got sick and Bobby stepped in. The band then left Sweden and did a two week tour in the States with the normal members of the band. After the tour it was determined that everyone felt great and they headed to Germany to record with the original members.
The album became Scorpions biggest selling album of all time going triple platinum with well over 3,000,000 copies sold in the U.S. alone. Thanks in large part to MTV and the smash song “Rock You Like a Hurricane” which is a staple at sporting events and a song I think everyone in the world knows. The album went to #6 on the Billboard 200 album chart, but it was really the constant rotation on MTV that got the U.S.’s attention. I know it got mine. They played all their videos and even the ones from Blackout which made a lot of people run out and get that album as well. “Love at First Sting” was the band’s pinnacle album. The smooth, high glossed rock was so well polished it gave off a platinum sheen. And in fact, it was one of the first fully digital metal albums ever made. They have reached the top…or had they?
For My Sunday Song #322, we are talking about “Monsters”…not real ones, but the ones in the mind. It is by the band Shinedown and off their 2018 album ‘Attention, Attention’. The song is their third single on the album and was released on March 1, 2019. It is yet another Platinum selling single and went to #7 on the US Rock Airplay chart and #10 US Hot Rock & Alternative Songs. Even Canada got in on the fun where it went to #34 on the Canada Rock charts. The song was written by Brent Smith and Eric Bass.
The song isn’t about physical, real life monsters although there are those. These monsters are in your mind. These are the demons you fight with everyday and if you are someone who has battled addiction or alcoholism and are now sober, those demons are picking at you everyday. Each day can be a battle and that one slip up can push you over the edge back on to the binging. Brent struggles with it everyday and that is what inspired the song.
Musically, the song is rather gut-wrenching like the lyrics. They are ominous and threatening and make you feel like the demons are pounding on the door wanting to get in. The music is so powerful at the chorus, a thundering explosion of struggle. The verses are tender and solemn and Barry Kerch’s cymbal work is so good and adds such a cool sound as if the demons were signaling their attack. Zach Myers guitar work is splendid with a killer solo while Eric Bass’ bass (I guess he was destined for that instrument) drives the rhythm. Brent’s vocals are powerful and you can feel every ounce of pain he is going through. A splendid song.
In my quest to own everything listed on Discogs for Matt Nathanson, I picked up the CD Promotional single for the song “Run”. It is off his 2011 album, ‘Modern Love’ and was released as a single, but only reached #53 on the Billboard Hot 100 which baffles me as it is probably my favorite song by him. Another cool thing about it is that the recording engineer on the album was my brother-in-law, Ryan; however, this was the one song he didn’t engineer. Bummer!
The song is not a country song even though Sugarland are on it. No! This is a sensual, oh so sexy, love song. The lyrics are dirty with lines like “You come in waves” and “Then Swallow me whole” as well as “And I watch it explode”. At the same time they are sexy with lines like “You pull me in close / And buckle my knees” and “You trace my lines / Stirring my soul”. And then they are heartwarming with a line like “I’m amazing when you’re beside me / I am so much more”. This song speaks to me and reminds me of my lovely bride and when I hear this song, I think of only her! Each and every time.
Now here is the problem. The song I think is more about an affair than love. The lyrics talk about running back to this person. The man says he knows that it’s wrong but he can’t help it and he always goes back to her. Personally, I ignore that part and think of it more as a passionate love affair with my wife. Either way, you can’t help but love the song.
Happy Friday! We have another batch of over 40 releases for you this week, but will any of them be talked about more than Taylor Swift’s new one? Probably not. However, that doesn’t mean she has the only important release because there is another one I will listen to probably more than hers. Yes, I will listen to hers as my girls are fans and I won’t be able to escape it. Let me know what you want to hear this week and what we may have missed. Thanks for stopping by and I hope everyone has a wonderful weekend!\
Taylor Swift – Midnights – (Taylor Swift): She’s BACK!!! Taylor is knocking out albums faster than Aaron Judge was hitting homeruns. This one is supposed to be about dreams or nightmares she has had…or something like that. All I know are my kids are excited. And Taylor will sell more albums than anyone and she hasn’t even released one single for this album yet…as a result, no video to show. If I get up in this morning and there is one, I will update.
Stryper – The Final Battle – (Frontiers Records): Micheal Sweet and company are back again. Talk about putting out a lot of albums. Michael Sweet is a freaking machine. And I think the quality has been there so I am on board for another one. Bring it Mr. Sweet!!
FireHouse was actually a band way back in 1984 when they were called White Heat. Well, that name was taken so they had to change their name and they came up with FireHouse. The band moved from Virginia to my current hometown of Charlotte, North Carolina. And it was there in 1989 they were signed to Epic Records. And the next year, they delivered their monster self-titled debut album. The band was one of dozens of glam rock/hard rock bands coming out of the woodworks at that time, but the big difference is they saw some pretty dang good success.
The debut went 2X platinum and the follow-up, ‘Hold Your Fire’, in 1992 went Gold. That is pretty good for a genre that was dying a pretty quick death. They were one of the few bands that had success during this time. Even after the 80’s Rock/Glam Rock scene died, they were still killing it across Asia as they were a huge draw.
The band consisted of CJ Snare, Bill Leverty, Michael Foster and Perry Richardson. Perry is the only member no longer in the band, but don’t worry, he is with Stryper now and doing well. After over 30 years together as FireHouse, they are still going strong. Let’s go back and rank their albums from the Worst to the First. I hope you enjoy!
THE WORST – FULL CIRCLE (2011):
Full Circle is a re-recording of the band’s material from previous albums. It has some of their best song and sounds fantastic. The Original boys are back and thus the name of the album Full Circle. The only problem, bassist Perry Richardson was not back so all the original boys weren’t back. He is working with Stryper now, but wasn’t at this time. And the real big problem with this is…why? What is the point? There was nothing wrong with the original versions. If I want to hear these songs, I won’t be playing this.
2002 was a big year for Jeff Scott Soto. It was the year of his coming out as a solo artist. Yes, he released a solo album back in 1994, but the intent was not to tour and showcase as a solo artist. He had signed with Frontiers Records and was getting ready to release his 2nd solo album ‘Prism’, but before that Frontiers’ promotional crew were in high gear. With press releases and having Jeff involved in the 10th Anniversary of The Gods Festival. The festival consists of artists/bands from the Frontiers Records label as well as Now & Then label.
The festival occurred on June 2, 2002 and was to be released as a live album and a DVD. I only have the live album, I need to get the DVD still. The line-up was pretty impressive as it had Eric Martin, Hardline, Harem Scarem, Honeymoon Suite, Ten, Soto and several other bands. It took place at Pennington’s in Bradford, England and what I’ve read, it was a helluva show by all.
Jeff’s band that night consisted of some old familiar friends including Alex Papa on drums, Gary Schutt on bass & acoustic guitar (did an album review of his for this series) and on guitar, Howie Simon. JSS is listed as “Top Dog” and he is right. It is his show, his songs, his voice everyone came to hear. He proved that when he came out on stage, alone, dressed all in black and did “2 Your Heart” a cappella. The song is from the debut Human Clay album. Jeff proved that voice is for real. The band comes in full force as the race through the Queen cover “Let Me Entertain You” which is appropriate because Soto does just that.
While out digging in those crates, I came across another 7″ Single, but this one was from a newer artist not one from the 80’s that I normally collect. I really dig Halestorm and not sure how I missed this one. It is a Record Store Day Release back from 2019. The song was “Buzz” off their album 2018 album ‘Vicious’. The song was never officially released as a radio single, but they did do an exclusive release for Record Store Day.
And why do you want to get this when you can just buy the album…well…the B-Side is exclusive to this release. A song called ‘Chemicals’. The song isn’t anywhere else. And to top that off, you get a beautiful Green vinyl to go with it. A really nice little package and one I was glad to pick up.
With the album ‘Blackout’, the Scorpions were starting to break big and it looks like the record company wanted to promote more of the band’s 70’s material, especially with Uli Jon Roth. This is the band’s second compilation and like the first one, only features songs with Uli. Released on May 4, 1982, ‘Hot & Heavy’ is released under the RCA banner of “Takeoff” series. The album, as the title suggests, features the heavier songs by the band and even has 3 Uli sung songs. The songs cover the years 1974-1977.
Admittedly, this is not really necessary as a release, but it is a good showcase of the band’s more rocking material. Sadly, there are 6 repeats on this compilation that are on the ‘Best of Scorpions’ released a few years back. My version is the German release of the album and the back cover has a brief history of the band in both German and English. The back cover also highlights a few other albums under the “Takeoff” series umbrella.