For My Sunday Song #416, we are going back to The Defiants and this time around we are talking about “Save Me Tonight” from their self-titled 2016 album. The Defiants are Paul Laine, Bruno Ravel and Rob Marcello and basically they are Danger Danger 2.0. Better, stronger and have aged nicely. The Defiants don’t get much notice here in the States and that is too bad as songs like this show this band has the goods to take over the world. If this was the 80’s, they would be as big as Bon Jovi…at least I think they would…they are better then today’s Bon Jovi at least.
A ballad that is full of so much heartbreak and heartache. The song is about a man who is fallen so deeply in love with this woman, but she is leaving and it is over. He is in so much pain and he wants her to come back and save him and give their love one more chance. There are some great lines that highlight the pain such as “They say love never dies but it sure leaves a scar” and “And all that’s left behind is a tattoo on your heart”. A beautifully written song.
But how beautiful is it really? Is it too sappy? No, not in the least. The Defiants put on a master class on how to perform a ballad. The music is tender, heartfelt and aches with the pains of the lyrics. The opening synths give it an almost atmospheric tone like floating through the air. The guitar tone is almost weeping and that solo will leave you breathless. But the winner is those vocals by Paul Laine. The notes he hits are amazing, the angelic tones, the emotiveness of his words is crazy good. Paul is still one of the finest vocalists out there today. He still has it in spades. If you ever thought the ballad was dead…here is proof it is alive and better than ever.
It is the first new release post of June and we already have a major release. Yes, Bon Jovi is back with their new album ‘Forever’. With Shanks still on board, my hopes are not high for this one but I will listen as I always have hopes they will be good again. I have it on order and it will get reviewed, but not until it’s slot in the Bon Jovi Collection Series that is currently running. Maybe 3 more months. I also want to hear the Loverboy Live album from 1982…their prime!! What are you interested in hearing this week? Let me know and what we may have missed. Thanks for stopping by and I hope you all have a wonderful weekend!
Bon Jovi – Forever – (Captain Kidd Corp / Island Records / UMG)
Loverboy – Live in ’82 – (earMusic / Edel Music & Entertainment)
Apocalyptica – Plays Metallica, Vol. 2 – (Throwdown Entertainment / BMG Rights Mgmt)
The band’s first show in this beautiful city since August 1992 for the Adrenalize Tour sees them at the Centre Molson in Montreal, Canada on September 15, 1996. A tour that ran from May 9th, 1996 through to April 27th, 1997 in support of their new album, at the time, ‘Slang’. No more ‘In the Round’, the band played on the traditional end stage set-up, but instead of 20,000 people, the place held anywhere from 5,000-9,000 people. No more massive shows, they were no doing a straight up rock show with less lights and less everything. A pure rock & roll show.
This show was broadcast on the radio in Montreal and southern Canada as well as across the U.S. And what we have here is a wonderful bootleg of that show across 2 CDs. A fun fact, a month later on October 23, 1996, the band would enter the Guinness Book of World Records for being the first band to play on three continents in a 24 hour period. That has nothing to do with this release, but figured why not throw that in for good measure. Back to the bootleg, this one sounds fantastic, there appear to be no errors in the track listing as far the titles are right, and the pictures are even of the era of the band. Finally, a bootleg with no mistakes.
Well, it was completely devoice of mistakes actually, the opening track “Rock! Rock! (Till You Drop)” actually fades in part way through the song. I am guessing someone forgot to hit “record” on the tape deck. Otherwise, the only issue. The song sounds great, but man, they are playing it at warp speed. They then go into a track from ‘High & Dry’ that doesn’t get played enough, “Another Hit And Run”. The guitar work is sensational on this one and has a great solo. Then we get “Animal” and then the ballad “Have You Ever Needed Someone So Bad” which for me is one of the better songs on ‘Adrenalize’.
We are to the end of another month so it is time to what 2 Loud 2 Old Music added to the collection this month. We hit a couple local shops including Noble Records and Mad Jacks. I also ordered some new releases from Amazon and bought a few things off Discogs including one I’d been wanting a while. In fact, had to sell a couple things to be able to afford it. If you like Kiss, Aerosmith, Motley Crue and Billy Idol, then it is a must see. If not, you should still see all that is in store. We have cassettes, CDs and Vinyl for you this week. Enjoy!!!
So go check it out as it will be live tonight right now, June 3, 2024 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
And for those that like to see all the stuff in one shot…here you go…
Bon Jovi at this point is still putting out material on a steady basis. This time around we get their 5th live video called ‘Live at Madison Square Garden’. It was released on several different dates around the world, but here in the U.S., it was released on May 11, 2010, but elsewhere around the world it was released in November 2009. In the States this thing did go to #1 on the Video charts.
The show was recorded on July 14 & 15, 2008 in New York City at the famous Madison Square Garden…I know, that was a shock given the name of the video. It was directed by Anthony Bongiovi and Brian Lockwood, glad to see Jon keeping it in the family. The version I have is the DVD, but if you buy the Blu-Ray, you get the great documentary we discussed last week, ‘When We Were Beautiful’. The story around that DVD centered around the free Central Park show which was like a day or so before these fine concerts. The band was tight and ready to go.
The video doesn’t waste anytime and once you hit play, the band is there ready to go at full speed. They open with the song “Lost Highway” and not just because I don’t like that album, but what an awful song to kick off the show with. They used to kick off with something so powerful and energetic that this falls flat. With that being said, this is probably the only mistake they make the whole night. You get a band that is still in their prime, Jon’s vocals sound amazing and the band is as tight as ever. They go in to “Born to Be My Baby” and then Jon pulls out his acoustic guitar, Richie picks up his slide guitar and they go in to “Blaze of Glory” and things pick up from there.
My Sunday Song #415, we are back to Danger Danger and this time around “Six Million Dollar Man” off the band’s fifth album ‘The Return of the Great Gildersleeves. The album is from 2000 and the song was written by Paul Laine, Bruno Ravel and Steve West. It wasn’t a single, but maybe that was a missed opportunity.
The song is from the big nerd side of Paul. I mean you have to be a nerd to write a song about the “Six Million Dollar Man”. Now, he admitted that he was one to me. He had been writing songs for his next album not expecting there to be another Danger Danger album and lo and behold, they did another one and this song wound up on it. There is no hidden meaning behind the song, it is truly about the TV show and even has a shout out to Jamie Summers and Oscar Goldman.
The song has the lines from the T.V. show…”Steve Austin, astronaut. A man barely alive. We can rebuild him. We have the technology. We can make him better than he was. Better…stronger…faster.” And no, they didn’t get permission to use the audio from the show. Shhh…don’t tell anyone. The song is a rocker, party anthem with killer, powerful drumming by Steve West and some killer guitar work from Bruno and I think the solo was actually done by Paul. He also handled the keys and vocals. There are a lot of electronic, sci-fi type sounds with lasers and robots. The song is meant for fun and delivers in spades.
Is it getting hot out there or is that just me??? LOL!! I’m kidding. What is hot are the new releases this week. There are a couple I want to hear such as the new Crowded House and the new Jon Foreman. If you are a Guns N Roses fan, Duff has a new live album and Stranger Thing fans have a new album from Maya Hawke to check out. A lot of new releases. Let me know what you want to hear this week or what we may have missed. Thanks for stopping by and I hope you all have a great and wonderful weekend.
Crowded House – Gravity Stars – (BMG Rights Mgmt)
Jon Foreman – In Bloom – (Jon Foreman)
Duff McKagan – Tenderness: Live in Los Angeles – (Blood Meridian)
We are now in the mid 90’s and the rock bands from the 80’s were basically gone. Ok, they were still around, but they were not cool. Those bands were try going darker, heavier and try to match the grunge scene and the style of rock that was going on at the time. Def Leppard were no different as far as not being cool anymore (except I still thought they were). Thankfully though, they did not follow the other bands and go heavier and grungier. No, instead they went in a direction no one saw coming. They experimented with new sounds, new instruments and delivered an album that was like nothing you’ve ever heard from them. They tried something entirely new.
The result of the new sound was ‘Slang’. It was a darker album for sure, but not grunge dark. Lyrically dark. The band members were not having the best of times around then. Joe Elliott and Rick Allen had both been arrested for spousal abuse (not to each other, they weren’t married to each other). Rick Savage was suffering from Bells Palsey and the death of his dad. And Phil Collen was going through a divorce. All of that impacted the writing of this album.
Another thing that impacted the album was that there was no more Mutt Lange. He wasn’t involved at all. However, we did get the impact of Vivian Campbell as this was his first studio album he had made with the band since he joined. I think that helped change things up as well. The band ended up producing the album themselves with Pete Woodroffe. They also recorded the album completely different. No more Lange style of one instrument, one note at a time. This time around, they recorded it together. A novel concept.
It was released on May 14, 1996 and it did not do well at all. Well, it did go Gold, but it didn’t go Platinum. It only went to #14 on the Billboard albums chart. They did release 4 singles but no Top 40 tracks anymore. Nope. Times had changed. However, it doesn’t mean that this album was not good…not in the slightest.
The opening track, “Truth?”, was blatantly obvious that this was not the same band. A darker, more foreboding sound. Very experimental as the band show no signs of their old self and that is why this song is a stellar choice to open the album. It says, hold on to your hat…this is going to be different. It’s heavy drumbeats and very progressive guitar work are exceptional an unlike anything else they’ve done. When I first heard this back in 1996 my initial reaction was…WHAT???? But it quickly turned in to “HELL YES!!”.
The next track, “Turn to Dust”, was an even bigger departure. With the band’s use of a sarangi in the opening of the song, you get a South Asian folk flair. There is a Beatles tone to it and even a Bowie shout-out so the boys haven’t completely abandoned their roots. The chorus is a little heavy and totally killer. It isn’t anthemic, but it is catchy and even better then the opening track.
The first single and title track, “Slang” is one of two songs that might be considered more of their older sound, but still nothing like anything else they’ve done up to this point. You could possibly dance to this one too. Heck, even Joe raps a little on this one. WTF??? Yeah, that was my first impression as well. But, I love it. They are keeping us on our toes with this one. A song about phone sex too…huh!!!
“All I Want is Everything” is up next and it slows things down. A ballad that is nothing like the well-polished ballads of the past. It is dark, foreboding and the guitar tone is gritty and morose. The chorus has a great melody and is quite brilliant. It took me awhile to get in to this song, but I think I’m finally there. I had always wondered why so many people liked this one as at first I didn’t. I put the headphones on and really listened to it and started to hear things I’d never noticed before, certain notes and textures, and eventually I found the song to be one of the finer moments on the album.
One of the more fun songs on the album is the rocker “Work It Out”. Vivian Campbell’s first major contribution to the band and it is a homerun. It has a more industrial sound, it is heavier and that bass at time from Sav is so freaking funky. And some of the best bass work, bar none, on the album. I gravitated to this one immediately and might be one of my favorite tracks on the album…if not THE favorite track.
“Breathe a Sigh” gives us another ballad and this one is another departure for the band. There are some R&B moments with those verses both musically and even how Joe delivers those lyrics. It is soft, subtle and tantalizing. The chorus is old-school Lep with those lush vocal harmonies that would make the boy bands jealous. It really shines amongst the darker material on the album.
Then we get the first misstep for me with “Deliver Me”. I do not like Joe’s singing on it at all. The song is a rocker though so it has that going for it. Joe’s vocals are deeper, grittier and maybe it is too far the other way from Lep, but it does nothing for me. The chorus does pick up and make things better, but the slow, droning verses kill it for me.
The band goes all heavy metal on us with “Gift of Flesh”. The heaviest song the band has done in years and definitely the heaviest on this album. It feels almost apocalyptic, there is an urgency to it and there is something we haven’t talked about at all on this album…a guitar solo. The best one on the album (or at least the most memorable one at least). This song is slamming from start to finish and can I get a Hell Yeah!!!…I can’t hear you!!!
Then the album ends with not 1, not 2, but 3 ballads in a row. Wow! Talk about changing things up. But don’t expect to be bored, not by any stretch of the imagination. It kicks off with “Blood Runs Cold” which could possibly be on of the most haunting songs the band has ever done. Musically, it is ethereal, so much so that it could break if you touched it. Joe delivers the lyrics so emotionally and you can feel the sadness, the pain and the heartache. My favorite ballad on the album.
“Where Does Love Go When It Dies” sees the band get all philosophical with this acoustic beauty. It is about as old-school as they get, but yet it still feels different and more sophisticated. Joe does it again lyrically and vocally and gives us another brilliant track and this one will make you stop and think. You can’t say that too many times with their songs.
Then we get the final song and most epic on the album, “Pearl of Euphoria”. It opens with a killer bass line (Sav does it again). Elliott’s vocals are deliberate, darker and deeper in tone. It has a similar modern tone like “Truth?” and yet there is a 70’s tone a la Zeppelin. It has that otherworldly lyrical content you expect from Zeppelin. The guitar playing is exquisite and some of the finest on the album. There are so many great things about this one I don’t know where to begin. What a way to go out.
Track Listing:
Truth? – Keeper
Turn to Dust – Keeper
Slang – Keeper
All I Want Is Everything – Keeper
Work It Out – Keeper
Breathe a Sigh – Keeper
Deliver Me – Delete
Gift of Flesh – Keeper
Blood Runs Cold – Keeper
Where Does Love Go When It Dies – Keeper
Pearl of Euphoria – Keeper
Track Score is 10 out of 11 Tracks or 91%. This is one of the most surprising albums the band has ever put out. It took me a couple listens to get it back in the day, but when I did, I was all in. A very dark album versus everything else in the catalog and fit with the darkness of the 90’s music that was out, but it was nothing like the 90’s music at the time. It was its own animal or beast. Def Leppard stretched their legs with this one. They experimented, tried new things and some people might not get it, but those of us that do are given a masterpiece. Now, it isn’t as good as their earlier albums, but it might be one of the best they’ve done since ‘Hysteria’, even to this day. My Overall Score is a 4.5 out of 5.0 Stars. I pull this out more than any other album except the first four. I can’t recommend this one enough.
NEXT UP: DEF LEPPARD – ‘MONTREAL: THE CLASSIC 1996 BROADCAST – (BOOTLEG CD)
Welcome back to The Collection. This week we are going to walk through William Broad’s vinyl catalog. Who is William Broad? Well, he is none other than Billy Idol. We will start with the 1981 E.P. ‘Don’t Stop’ and go all the way through to ‘The Cage’ E.P. from 2022 and touch everything vinyl in between. So, if you are fan of Idol or even Steve Stevens, come check this out!!
So go check it out as it will be live tonight right now, May 27, 2024 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
And if you are interested, you can check out all the Billy Idol reviews I have done on the site. Heck, take the day off and spend it with Billy!!
Bon Jovi’s 11th Studio album is ‘The Circle’ and came out on November 10, 2009. My version of the album has a bonus DVD entitled ‘When We Were Beautiful’. The video is documentary movie that was recorded during the 2007 Tour for the band’s ‘The Lost Highway’ Tour. The film premiered at the 2009 Tribeca Film Festival and was directed by Phil Griffin. This isn’t your typical behind the scenes video, there is more depth and expertise to it and a purpose behind it. A story that was meant to be told.
The video shows them on stage and off and some very intimate moments. This isn’t some wild, crazy party video, but an opportunity for the guys to be shown as people and far more than just Bon Jovi. Don’t get me wrong, there are some fun moments. For instance, it was hilarious, and a little bit scary, when a woman jumped on stage in Dublin just to kiss Jon. That girl was bound and determined to do it and she succeeded.
But the interviews here with the band members are the most enjoyable part. You get to see a very serious side of Jon Bon Jovi, the smoker, the businessman, the CEO of a major brand over the last 25 years. A man who struggles more with touring, the stress, the loneliness. There is an artistic side to the film as well. I love when they show Jon singing “Hallelujah” and intersperse an interview with him as the song is playing. Jon talks about his insecurities about performing and how he hates the lull in the show and always wants to have it going up, up and up. It is moments like this that keep this film interesting and a step above most documentaries you have seen.
Tico Torres, the man who doesn’t look to the past, and lives in the moment and loves to spend his down time playing golf, but family is his most important thing. Tico had a serious drinking problem and had so many issues with his dad leaving him at a young age. He has dealt with those demons and today might be the most together person of the whole band. He has found salvation in his art.
Bon Jovi – Forever – (Captain Kidd Corp / Island Records / UMG)
Loverboy – Live in ’82 – (earMusic / Edel Music & Entertainment)
Apocalyptica – Plays Metallica, Vol. 2 – (Throwdown Entertainment / BMG Rights Mgmt)
Crowded House – Gravity Stars – (BMG Rights Mgmt)
Jon Foreman – In Bloom – (Jon Foreman)
Duff McKagan – Tenderness: Live in Los Angeles – (Blood Meridian)
2 Loud 2 Old Music 