We are starting out things a little different. We aren’t starting with the earliest Bon Jovi piece in the collection. We are going to start the Bon Jovi Collection Series with the piece that convinced me to start the series. I picked this up around Christmas of last year and when I had all the album on vinyl, I thought, let’s do it. I took some time filling some holes in the collection and arranging what I wanted to review and now here we are. Currently this collection is going to take some time as there are around 60 pieces to review so this will take over a year to complete so I hope you are along for the ride. We will save the history of the band and how it got started to later. For now, let’s look at this box set in all its glory.
The Box Set was released on February 10, 2017 and was released on both vinyl and CD. I chose the Vinyl collection as I love to have their albums on vinyl. The set carries all studio albums up to that point which means it stops at ‘This House is Not For Sale’. But that isn’t all, it has both Jon Bon Jovi solo albums as well as an “Extra” LP with a bunch of their international B-Sides which is a nice treat. But that is it. There no extra posters, stickers, booklets or anything. Each album though is remastered on 180g LP and the 16 albums are spread over 24 LPs. At the time this was released, 7 of the albums had never been released on vinyl and then you have the “Extra” LP which is the first time this had ever been released. So, for the vinyl collector this was the easiest way to get everything. Now, they did release the albums individually, well the Bon Jovi ones were, I don’t think I ever saw the Jon Bon albums ever in the stores…I mean ever.
As we now know as we are now on their fourth studio album, W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson and Robban Back both from the band Eclipse as well. And a new face to the band with Andreas Passmark (Royal Hunt) will handle the bass duties.
The album was released on January 22, 2021 right slap dab during the COVID pandemic. So, no touring sadly. However, at this point in the pandemic, band’s were still delaying albums and we are so grateful that W.E.T. did not. Their fourth studio album, ‘Retransmission’, sees Erik still at the helm and this time, the guitar is king a little more than it has in the past. But don’t worry, if you are expecting to hear W.E.T., you will in spades as you still get melodic rock, 80’s anthemic AOR and solid music throughout still drenched in keyboards and smothered with great melodies and vocals from the great Jeff Scott Soto. They have become AC/DC in a sort of way with the fact that all the albums sounds the same, but in a very good way. I think people might be upset if they changed their sound, thankfully, they did not. Just punched it up, polished it off and delivered another spectacular release. Let’s see how it holds up.
“Big Boys Don’t Cry” comes screaming out of the gates with its bombastic drums, ear-splitting guitars and as is usually the blueprint, you get both Erik and Jeff on vocals for this first song and it is a scorcher. The melodies and harmonies between the two are better than ever. The anthemic beast of a song shows that W.E.T. have not lost a step in the three years since their last release. They come out swinging with this one.
One of my favorite debut albums from a band is ‘Dawn Patrol’ from the band Night Ranger. Most people got in to Night Ranger thanks to either “Sister Christian” or “(You Can Still) Rock in America”, but for me, it was actually their debut album which came out November 1, 1982 and I’m sure I saw the video on MTV as I am not sure how else I would’ve heard of them at that time.
For those that don’t know, Night Ranger is made up of a bunch of extremely talented musicians. The guitar duo of Brad Gillis and Jeff Watson is an unbeatable duo and it almost wasn’t meant to be as Brad was playing with Ozzy Osbourne in 1982 after the tragic death of Randy Rhodes, but he didn’t end up fitting in with the band so he came back to Night Ranger. Kelly Keagy (drums) and Jack Blades (bass) were from a band called Rubicon which also happened to have Brad Gillis in it as well. They then brought in Alan Fitzgerald on keyboards and he came from the band Montrose. The band was complete and what I liked even more was that they had two singers with Kelly and Jack. Kiss had two singers as well and I loved Kiss so I was high on these guys as well for that two singer approach as it gives so much variety to the music.
And the music was great. It was hard rock with a hint of AOR as well. The guitars were immense, the drumming was sensational and the vocals were the best. The keyboards accentuated the music and not over powering it. The debut album was probably the most raw, most intense and the heaviest of that 80’s run which makes it my favorite.
An interesting fact about the band is that they were originally called Ranger and the debut album was printed with that name. Before it was shipped, it was discovered there was a country band called Ranger in California (where Night Ranger is from) and they were worried about getting sued. So, they destroyed all the albums and reprinted them with the new name Night Ranger which was taken from a song on the album. I wonder if any of those Ranger covers ever slipped through and somehow survived as that would be a pretty impressive collectible if so.
During the Covid pandemic, there was no touring, records kept getting delayed and the music industry felt like it was basically shut down. During this time though, some artists stayed creative and Jeff Scott Soto was one of them. He took 10 of his songs and redid them. If you are thinking this is a Bon Jovi ‘This Left Feels Right’ disaster, you would be wrong. It is less a re-imagining of the songs and more of stripping them down to their bare essence. He did everything himself, except for the mixing which he had some friends handle that part such as David Clarkson, John Ellis, and Alessandro Del Vecchio. And I was curious as to what songs he would choose to re-visit and he chose songs that he was the solo writer on and that makes sense as he wouldn’t need approval from anyone else since they were his songs.
The project was originally going to be released as a Jeff Scott Soto solo album, however, there were some legal issues with that maybe because he had just released a solo album a month or two earlier or who knows why. So, Jeff took it his other band, SOTO, and released it under their name. And the release is only available as a digital only release. There is no physical product as of now. Hopefully that will change down the road. I get why he put it under the SOTO moniker so it could get released, but don’t think this is a Metal album at all. This is stripped down, mostly acoustic and slowed down versions of his songs. Nothing metal about them.
The opening track is “Eyes of Love” off his second solo album, ‘Prism’. The original version is a hard rock, melodic ass kicker and here the song his just Jeff and a piano and turned in to a beautiful ballad. Stripping the songs down gives the songs a new chance to shine while really showcasing the power of Jeff’s voice and this is a great way to kick it all off.
The next rack is “My Love, My Friend” which was an a cappella track from Soul Sirkus’ album ‘World Play’ which he did with Neal Schon. He added a drum beat and a piano to it including extra lyrics and more arrangements. It is now a fully flushed out song rather than a short all vocal track. Is it better? It is different and not a bad track. The electronic drum sound hurts it for me. A respectable version for sure, but not a full on knock-out.
There is no better feeling than out vinyl digging and find something unexpected like a bootleg. Make that bootleg Van Halen and make there be two different ones there by Van Halen and that is why I love collecting. Those little surprises and this is the first one we will talk about. It is a soundboard recording from April 3, 1978 and recorded at the Pogo’s Night Club and Discotheque in Wichita, Kansas. The show was Pogo’s Catch a Rising Star which was a showcase for up and coming bands in the the 70’s. Van Halen had just released their debut album so you can’t get much more up and coming than that.
This show is David Lee Roth, Michael Anthony, Alex Van Halen and the late, great Eddie Van Halen and man were they young and hungry and this show definitely showcases that hunger. They play almost everything from the debut (minus two songs) and even a cover to end the show. David Lee Roth is in fine form as his banter with the crowd is worth the price of admission alone, but since you get Eddie’s guitar mastery it is icing on the top of the cake. I’m getting excited just talking about. Let’s crank this mutha and get in to the music. The label on the vinyl is pretty cool Some Steampunk guy standing there like he is introducing you to new the rising stars of Van Halen.
Jeff Scott Soto keeps cranking out the music whether solo or one of his many projects. This time around we are on Jeff’s 7th Solo album and it as with almost all his solo albums, it is on Frontiers Records. This time around he brought in a staple at Frontiers, Alessandro Del Vecchio, to produce, arrange, mix and master the album. He also helped with the songwriting and instrumentation as well. Wait, is this a Jeff solo album or an Alessandro album with Jeff singing? No, don’t worry, it is a Jeff solo album and that voice is on full display. And if you were around when this came out, you were excited because you were in the midst of the Covid pandemic and happy to get any album as so many bands were constantly delaying their albums in hopes the pandemic would end soon. But not Jeff. He was releasing albums and this one came out on November 6th, 2020.
The rest of the band on this album aside from Jeff and Alessandro was Fabrizio Sgattoni on guitar and damn he can play. Good friend Edu Cominato on drums who is also in Jeff’s band Soto so you know this musicians are top notch. And to make this album even more appealing, there is a bonus disc of Jeff’s digital only release (up to this point) Loud & Live in Milan 2019 which we reviewed last week.
The album opens with a solid rocker called “Someone to Love” and it blasts out of the gate with Soto’s soaring vocals in overdrive. The guitar playing by Frabrizio is to notch and with the accompanying rhythm section that drives the song home, you get a brilliant opener. The song slides in to “Mystified” with Edu slaying the drums and giving us a driving beat throughout. Jeff again sounds great and while the song is another rocker, it is a little forgettable and doesn’t quite go where you think it is. Aside from another killer little guitar solo, the overall song left me a little wanting more as there was no big payoff with the chorus or anything really.
Kiss has been killing it with live releases and the ‘Off the Soundboard’ Series. It was a brilliant idea for them to take control of their live shows and rather than not make any money with all the bootlegs out there, but to release their own bootleg versions of these shows. This is the 5th one I believe and might be one of the cooler ones they’ve done. It was recorded in Poughkeepsie, NY on November 28, 1984 at the Mid-Hudson Civic Arena. Wait, this is their 5th one, which means there are still 2 I haven’t reviewed yet. I need to get on that. Well, back to this. What makes this one so special? It is because the guitarists on the album is Mark St. John. The band at the time also had original members Gene Simmons and Paul Stanley as well as Peter Criss’ replacement Eric Carr on drums. Now, by this time, Eric is considered a regular and not the new guy anymore. And one of the nicest guys ever.
Mark was hired after they let Vinnie Vincent go because they didn’t feel he deserved the contract that Vinnie thought he deserved and thank goodness they didn’t. Mark recorded the guitars on the ‘Animalize’ album and immediately let the world know this was not the same old Kiss. And with these Kiss songs played live, Mark adds his own flair and isn’t out there to copy anybodies parts. Nope, not at all. This show is Mark doing it his way.
Sadly, Mark had developed reactive arthritis which caused his hands and arms to swell making playing very difficult. He went out on tour with the band and the band also brought along Bruce Kulick to be the back-up guitarist if Mark couldn’t play. It turned out that Mark was only able to play on 3 of the Kiss shows and this was one of them. That’s right, they actually have the recording of one of the shows with Mark and that is what makes this set so cool. I already have a bootleg from this tour, but my show has Bruce on it. I also saw this tour and that show had Bruce in it. That is why I think this set is so freaking cool. Great job Kiss!!
For the 2022 Insiders Club, Needtobreathe changed things up. They were no longer going to release a physical product and only do the Digital Songs only. I stopped being a member right then and there as I want a physical product. Well, I think the backlash was swift and loud as a few months in to the year, that all changed. They decided that there will be a new tier level in the Insiders Club, more expensive of course, but a physical product would be given. This time around instead of only a CD, you will get an autographed vinyl copy as well. They still have the digital songs, which are different then the ones on here. The new CD and Vinyl are now a Best of The Insiders giving us the 10 best songs from the 8 years of The Insiders CD series started. The 1st Edition came in March 2023 almost a year after the announcement, but the band was smart as they went ahead and worked on the 2023 Edition at the same time they were working on the 2022 Edition. We received this vinyl in April 2023. We reviewed the 1st Edition last week so now it is time to review the 2nd Edition.
This time around, we only get 9 songs but you have to remember they are trying to fit them on easily on a vinyl with only a set amount of time, so I’m okay with only 9 songs. We did get the CD again which is unsigned bunch of other goodies including a calendar, some magnets of the band members and even a small notebook and a turntable mat. Lots of cool stuff, but nothing more cool than the autographed copy of the vinyl. Like the first one, this is a very limited quantity as it was exclusive to the Insiders Club VIP group which is more expensive so you figure there are fewer people. Let us get to the music, shall we…
Every year, I believe, Frontiers Records holds a festival with their artists getting up and playing a set. It was the Frontiers Rock Festival VI. It is a brilliant idea because they can take those sets and release albums or bonus material and it is all recorded at the same time so costs are cheaper. And fans are treated to a really great line-up and a great show each and every time. This particular Jeff Scott Soto was recorded at the 2019 show in Milan.
Fast forward to March 2020 and COVID hits. The world basically shuts down. No albums are getting a physical release, no touring is happening…nothing is happening. Frontiers does a brilliant move while waiting for the whole COVID thing to end, they decide to release a Jeff Scott Soto show digitally. And on April 27, 2020, we are greeted with the new album Loud & Live in Milan 2019. That date is signficant because it is the one year anniversary of the show which was April 27, 2019.
I was excited to have something because Amazon wasn’t going to be delivering much of anything as far as physical product, so I got this one. I will admit I was a little disappointed not having a physical product, but by November 6, 2020 that would change. Jeff finished his next solo album, ‘Wide Awake (In My Dreamland)’, and as a bonus disc, we were given this show on DVD, which of course I have. Now, let’s talk about this show since that is why we are here.
Jeff performed only a 10 song, 40 minute set, but what you get is worth every minute of your time. This a Jeff Scott Soto legacy set which is songs from through out his solo career with minor exceptions. The band is quite stellar as well as you get some SOTO regulars with BJ on bass, Edu Cominato on Drums and Leo Mancini on guitar.
If there is one thing I love to find and that is Kiss Bootlegs. I was out on Record Store Day, in line to check out with my RSD vinyl when I looked down and to my left and at the bottom of this shelf were a handful of bootlegs. 2 Van Halen boots and 1 Kiss. Well, all three are mine now and first up we have the Kiss Bootleg, Alive! in Amityville 1973. It was recorded at the Daisy in Amityville, NY on June 16, 1973. It says it is an audience recording, but I’ve read else where it is a soundboard recording, but either way…it is a recording and I have it. The sound quality is actually quite good as it has been remastered and repaired as it says on the back cover.
The really cool thing about this album is that this is about 8 months before the debut album ‘Kiss’ came out in 1974. You can’t get much earlier than this with Kiss recordings. Except maybe the Coventry shows. This is the original line-up of Gene Simons, Paul Stanley, Peter Criss and Ace Frehley. The band didn’t form until late January 1973, so we are only 6 months in to the life of this band. A lot of these songs you know as they did get released, but not all of them made to recording stages. Heck, the band hasn’t even been signed yet and Bill Aucoin isn’t even in the picture at this point. Really cool stuff. Let’s check this show out.
SIDE 1:
First up is the song “Nothin’ to Lose” and it sounds like the song from the debut. You have both Gene and Peter and they attack this song with a vicious ferocity. The lyrics don’t match up perfectly and it seems a little scattered as some of the arrangement does differ from the final studio version, but you do recognize it for what it is. The band is killing it as you can feel the energy and excitement in their playing.
The strange thing is that Peter seems to do most of the talking between songs. He does a great job, but it is weird not hearing Paul. Then we get the song “Firehouse” which seems to have Gene and Paul on vocals. The song sounds like you’d expect, but it isn’t quite the same. There is a strange scream before the chorus, and extra long drum part and the guitar solo from Ace sounds nothing like the one from the studio version. They didn’t have a siren so the end is Peter hitting the cymbals to make that sound. But still so cool to hear it played this way.
The next track is one I’ve never heard before, ever. It is called “Life in the Woods” and it is almost 8 minutes of riffing as it is a guitar heavy song. It was originally titled “Want You Beside” and written by Paul. The song has Paul yelling at the crowd to get up and get moving. There are a lot of harmonies at the beginning with Paul and Peter and then the band comes full force in. There is a break in it where they are screaming “Life in the Woods” and honestly I don’t know who is singing it as it doesn’t sound like any of the guys. And Peter seems to take over the vocals at the end and let’s out an F Bomb at the end. It is a strange song and doesn’t sound like they really know what to do with it as it is all over the place. I don’t think the song really works well and within a month or so, they stopped playing this one which is great because it is awful.
The final track on side 1 is the old Wicked Lester song “Simple Type”. This one I have heard before and have the studio version of the track on a bootleg or two. Ace opens this one with a great riff and then they lay down a cool groove while Ace throws out riffs all over the place. The studio song is less than 3 minutes I believe but this goes on for over 7 minutes. You have both Paul and Gene on vocals and I have to admit this doesn’t sound like the “Simple Type” song I remember from other bootlegs. This one is more of a rocker and the guys are letting all hang out on this one. Ace is really tearing things up here. What drags this song for 7 minutes is the cool jam section and I like to see the boys do that. Now, on the vocals so far, it seems like most of the songs have had two different people in each song singing…this would later become, one song, one voice except for may “Rock & Roll All Nite” and very few others. It’s nice to see more of a band focus here.
SIDE 2:
The first song up is “Acrobat” which is a part of two songs one of which would become “Love Theme from Kiss” off the debut and the other is called “Much Too Young” which was a Gene idea that never materialized. Most of the song is an instrumental, but there are some lyrics with the “Much Too Young” part. Mid way through, Peter gets a drum break and then Ace gets to let loose as well. If you have the Kiss Box Set, this recording of “Acrobat” is in there and it is attributed to the August Daisy shows, but there is some disagreement on that front. I don’t know or care which is true.
Next up is the classic song “Deuce” and this will sound familiar. It is basically the album version, but maybe some tweaks to the ending. Come on, you know it isn’t going to match perfectly. Gene is on vocals, liked you’d expect, and he tears it up. It is Gene, all dark and menacing. This feels like the Kiss I know and love.
“100,000 Years” is another off the debut album and you get what you expect here. You get Gene’s opening bass line which is so recognizable and then Paul comes in on vocals. Paul’s vocals are stellar and hits those high notes perfectly. And then throw in Ace’s blistering guitar work and you have a masterpiece. The biggest difference is Paul’s lyrics at the end are completely different and he even tells the woman he’s speaking to in the lyrics to give him head!! Okay, that’s different.
The famous guitar lick kicks in and you know it is time for “Watchin’ You”. Gene’s on vocals and they are a little rough as he’s screaming too loud in to the mic at first, but it gets better. This song sounds like the final version and it is such a killer tune and great to hear live.
The final track we have here is “Let Me Know” which sees Gene and Paul trade off on the vocals. It is a fun song and a little more poppy. It is basically the old song “Sunday Driver” which Paul had written. I really like this song and I love it when those two trade off on vocals. It is something they should’ve done more of through their career.
And there you have it. Another cool piece in Kisstory. I will point out that this bootleg of the show appears to be missing the songs “Black Diamond” and “Strutter” so if I ever find another version of this show and those two songs are on it, I’ll have to grab it. Otherwise, this set is awesome. I really love it. The sound quality is actually phenomenal so whatever they did to clean it up worked beautifully. I can see myself pulling this one out again and again. My Overall Score is a 5.0 out of 5.0 Stars. There is nothing negative I really have to say about this one. Yeah, “Life in the Woods” isn’t a great song, but how cool is it to have a recording of it when the band never actually recorded this song. If you see this one, you need to grab it.
2 Loud 2 Old Music 