My buddy, Mike Ladano, at Grab a Stack of Rock had a friend named Len Labelle who was selling his CD collection. Mike sent pictures out and I was so in on buying as so many pieces that I needed. Len & Mike are in Canada and shipping was going to be expensive to the States, so I made sure to buy enough to make it worth it…and it so was. 55 CDs later and we have a ton of great stuff to add to the collection. If you like Journey, Dokken, Sammy Hagar, Tesla, Slaughter and more…you’ll like this.
So go check it out as it will be live tonight at 7pm, April 14, 2025 on YouTube. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
I was on Facebook Marketplace just goofing around when I stumbled across a picture of someone selling a bunch of CD’s & DVD’s. I zoomed in on the picture and though I couldn’t see everything, I made out a bunch of CD’s that I would want. I checked the price it was only $50, plus $10 for shipping. I thought to myself, that looks like a good deal…so I took a chance and bought it. There are around 75 CDs, 13 DVDs and 3 books. Everything music related. And did I get a good deal? Watch the show and find out. If you like George Lynch, Dee Snider, Dimebag Darrell, Jani Lane, Firehouse, Nickelback and so many more bands, you will think I hit the motherlode!!
So go check it out as it will be live tonight, January 20, 2025 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
As we end another month, it is time to go back and see what 2 Loud 2 Old Music added to the collection. This is December 2024 and we have lots of vinyl, CDs, cassettes and even books plus some music related items. So much to go through including another Noble Record Exclusive, Voice of America Archive Albums as well as another addition to the Rock Candy collection, the Kiss collection and Box Set collection. Lots of great albums to go though and show for this month so I hope you enjoy the show!!
So go check it out as it will be live tonight right now, January 6, 2025 at 8pm. Thanks for stopping by and please click “Like” and hit “Subscribe” as it helps out the site when you do.
Universal Music was spitting out Kiss compilations faster than Gene and Paul were badmouthing Ace & Peter. Man, that is fast. This time around, we get a German only compilation from 2012 that was only available at the retail store Rossman. It is a 2 CD set with 30 songs and a bonus track as well. But is it really a bonus track if this is the only version released. No vinyl, no cassette, only a CD. That to me seems like it is a 2 CD set with 31 songs. Maybe it is because all the songs on here are album cuts except for this 31st song…who knows. Regardless, cool to get this one in the collection and I love that it has the German Kiss logo with the different SS’s.
The songs are mostly focused on the 70’s with a small taste of anything from the 80’s and when I say small, I mean only like 4 songs out of the 31. But there are some cool choices on here that you don’t normally see on a Kiss compilation and being 2 CDs, gives you a great taste of the band especially if you like the 70’s.
CD 1:
The album kicks off with the song “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
Between 2002-2008, The record labels in control of the Kiss Catalog released not one, not two, heck not even 3 Greatest Hit Compilations. Nope. They released a total of 7 greatest hits compilations spread over those years. I am sure there are more, I just haven’t found them yet. Over the last few weeks, we have been through a bunch of them and hopefully this is the last one for a little while. At least until I find more…which I will. As far as compilations go, this one is worth taking notice. Let me explain.
Originally this was released in 2004 as part of the KISS Sound and Vision box set. This set was released on January 11, 2005 and is a 2 CD Set called ‘Gold’. The label for this one was Universal Music Corporation. This set covers the make-up years from 1974 up to 1982…except it doesn’t include anything from ‘Creatures of the Night’. The 1982 in reference here is for the ‘Killers’ compilation. There are 20 songs per disc which means we get a handful of releases from almost every album with some minor exceptions. There is at least one from every release though (except maybe Double Platinum. If you want a comp that gives you the best coverage of the make-up era, I don’t know if you can do better than this.
DISC 1:
Kiss (1974): The representation of the debut album is strong as it gives you five tracks:
The album kicks off with the song “Strutter”. The song was written by both Paul Stanley and Gene Simmons and over the years, this would be a rare experience as they would wind up writing songs by themselves. The music of the song was based off an old Gene song called “Stanley the Parrot” which was recorded even before there was a Wicked Lester.
If there is one thing I love to find and that is Kiss Bootlegs. I was out on Record Store Day, in line to check out with my RSD vinyl when I looked down and to my left and at the bottom of this shelf were a handful of bootlegs. 2 Van Halen boots and 1 Kiss. Well, all three are mine now and first up we have the Kiss Bootleg, Alive! in Amityville 1973. It was recorded at the Daisy in Amityville, NY on June 16, 1973. It says it is an audience recording, but I’ve read else where it is a soundboard recording, but either way…it is a recording and I have it. The sound quality is actually quite good as it has been remastered and repaired as it says on the back cover.
The really cool thing about this album is that this is about 8 months before the debut album ‘Kiss’ came out in 1974. You can’t get much earlier than this with Kiss recordings. Except maybe the Coventry shows. This is the original line-up of Gene Simons, Paul Stanley, Peter Criss and Ace Frehley. The band didn’t form until late January 1973, so we are only 6 months in to the life of this band. A lot of these songs you know as they did get released, but not all of them made to recording stages. Heck, the band hasn’t even been signed yet and Bill Aucoin isn’t even in the picture at this point. Really cool stuff. Let’s check this show out.
SIDE 1:
First up is the song “Nothin’ to Lose” and it sounds like the song from the debut. You have both Gene and Peter and they attack this song with a vicious ferocity. The lyrics don’t match up perfectly and it seems a little scattered as some of the arrangement does differ from the final studio version, but you do recognize it for what it is. The band is killing it as you can feel the energy and excitement in their playing.
The strange thing is that Peter seems to do most of the talking between songs. He does a great job, but it is weird not hearing Paul. Then we get the song “Firehouse” which seems to have Gene and Paul on vocals. The song sounds like you’d expect, but it isn’t quite the same. There is a strange scream before the chorus, and extra long drum part and the guitar solo from Ace sounds nothing like the one from the studio version. They didn’t have a siren so the end is Peter hitting the cymbals to make that sound. But still so cool to hear it played this way.
The next track is one I’ve never heard before, ever. It is called “Life in the Woods” and it is almost 8 minutes of riffing as it is a guitar heavy song. It was originally titled “Want You Beside” and written by Paul. The song has Paul yelling at the crowd to get up and get moving. There are a lot of harmonies at the beginning with Paul and Peter and then the band comes full force in. There is a break in it where they are screaming “Life in the Woods” and honestly I don’t know who is singing it as it doesn’t sound like any of the guys. And Peter seems to take over the vocals at the end and let’s out an F Bomb at the end. It is a strange song and doesn’t sound like they really know what to do with it as it is all over the place. I don’t think the song really works well and within a month or so, they stopped playing this one which is great because it is awful.
The final track on side 1 is the old Wicked Lester song “Simple Type”. This one I have heard before and have the studio version of the track on a bootleg or two. Ace opens this one with a great riff and then they lay down a cool groove while Ace throws out riffs all over the place. The studio song is less than 3 minutes I believe but this goes on for over 7 minutes. You have both Paul and Gene on vocals and I have to admit this doesn’t sound like the “Simple Type” song I remember from other bootlegs. This one is more of a rocker and the guys are letting all hang out on this one. Ace is really tearing things up here. What drags this song for 7 minutes is the cool jam section and I like to see the boys do that. Now, on the vocals so far, it seems like most of the songs have had two different people in each song singing…this would later become, one song, one voice except for may “Rock & Roll All Nite” and very few others. It’s nice to see more of a band focus here.
SIDE 2:
The first song up is “Acrobat” which is a part of two songs one of which would become “Love Theme from Kiss” off the debut and the other is called “Much Too Young” which was a Gene idea that never materialized. Most of the song is an instrumental, but there are some lyrics with the “Much Too Young” part. Mid way through, Peter gets a drum break and then Ace gets to let loose as well. If you have the Kiss Box Set, this recording of “Acrobat” is in there and it is attributed to the August Daisy shows, but there is some disagreement on that front. I don’t know or care which is true.
Next up is the classic song “Deuce” and this will sound familiar. It is basically the album version, but maybe some tweaks to the ending. Come on, you know it isn’t going to match perfectly. Gene is on vocals, liked you’d expect, and he tears it up. It is Gene, all dark and menacing. This feels like the Kiss I know and love.
“100,000 Years” is another off the debut album and you get what you expect here. You get Gene’s opening bass line which is so recognizable and then Paul comes in on vocals. Paul’s vocals are stellar and hits those high notes perfectly. And then throw in Ace’s blistering guitar work and you have a masterpiece. The biggest difference is Paul’s lyrics at the end are completely different and he even tells the woman he’s speaking to in the lyrics to give him head!! Okay, that’s different.
The famous guitar lick kicks in and you know it is time for “Watchin’ You”. Gene’s on vocals and they are a little rough as he’s screaming too loud in to the mic at first, but it gets better. This song sounds like the final version and it is such a killer tune and great to hear live.
The final track we have here is “Let Me Know” which sees Gene and Paul trade off on the vocals. It is a fun song and a little more poppy. It is basically the old song “Sunday Driver” which Paul had written. I really like this song and I love it when those two trade off on vocals. It is something they should’ve done more of through their career.
And there you have it. Another cool piece in Kisstory. I will point out that this bootleg of the show appears to be missing the songs “Black Diamond” and “Strutter” so if I ever find another version of this show and those two songs are on it, I’ll have to grab it. Otherwise, this set is awesome. I really love it. The sound quality is actually phenomenal so whatever they did to clean it up worked beautifully. I can see myself pulling this one out again and again. My Overall Score is a 5.0 out of 5.0 Stars. There is nothing negative I really have to say about this one. Yeah, “Life in the Woods” isn’t a great song, but how cool is it to have a recording of it when the band never actually recorded this song. If you see this one, you need to grab it.
If you are thinking, “John, you’ve reviewed this show before”. You would be right. I reviewed it about a 1 1/2 years ago. But this one is different…it has a different cover and from a different manufacturer. In my quest to get as many Kiss Bootleg’s I can, I found this one in a local record show, new and sealed. And cheap. This is actually an easy one to get if you are collecting Kiss Bootlegs. I think I paid $20 for it. When I saw it, I knew I had this show, but I really liked the cover and this one has clear vinyl. Otherwise, there is nothing really special about this one, no inserts, no picture sleeves and no surprised in the package like I have received in a lot of my bootlegs. This one is rather generic. For historical reasons though, it is pretty cool. The recording is an FM Broadcast from April 18, 1974 in Memphis, TN at the Lafayette Music Room and is one of the earliest recordings of the band.
Soundwise…well…let’s just say there is sound. This is a recording off a radio broadcast on to a tape. That tape was then copied, which was then copied, which was then copied, which was then copied and keep going for another dozen copies. There is a massive tape drag at several points during the show which slows the song down and it is quite noticeable. That proves that the source material was from an old tape that had been copied many times. Yes, the sound sucks at times and might be on the low end of some of my bootlegs, but I am still okay with it and because I collect them I will buy regardless.
If you look at the setlist, you will notice a few things stand out. One is they basically played the entire debut album with a few minor exceptions. Two, they play the song “She” which won’t come out until 2 albums later on ‘Dressed to Kill’. And Three, they play a song called “Acrobat” which is actually the basis for the song “Love Theme From Kiss” from the first album. This is two months after the debut album release, so it is strange they played the “Acrobat” version and not the album version.
SIDE A:
The album and set opens with “Deuce” and boy can you hear the tape drag on this one, pretty drastic. But you can still make out the song and hear Gene just fine as it is in the instruments where you have the issues. Nothing is real clear except the vocals. Towards the end of the song, it clears up and gets a little louder and that cowbell comes in nicely. “Strutter” is up next after a slight pause and you get more wobbly instruments and even a little on the vocals this time around. Paul sounds like he is singing the song so much slower. Again, you are buying this strictly for the historical value…that is what I keep telling myself anyway.
“Firehouse” sounds great and I happy with that version. It is an untouched, live version warts and all and it is quite enjoyable. Ace’s solo sounds good and you get a glimpse of the band doing what they do best with no real hiccups. The cool song on here is “She” as I said it hadn’t even been released yet on an album. The guitar opening on it sounds a little slower and I am guessing that is the tape drag as there is a lot of wobble. But vocally again, sounds good. Gene is menacing as ever and Paul on background duties. The coolest part is the instrumental break/guitar solo as it isn’t what we get later. This the reason to buy this release if you need one. And last up for Side 1 is the badass song “Nothin’ to Lose”. And by this time you are used to the wobble and so it starts sounding pretty decent (okay, decent enough). I love this song as you get both Gene and Peter on vocals (and Paul is heard pretty good on backing vocals). I love Peter’s gritty and raspy old school singing on this one. Always fun.
SIDE 2:
Side 2 kicks off with the Ace Frehley penned song “Cold Gin” (after the radio DJ does a station break), but with Gene on vocals as Ace wasn’t singing this early on in the band. Now, I did get to see Ace do this one this past Summer when he opened for Alice Cooper but that is another story. I really love this song but I will say this version seemed a little flat and not sure if that was the band or the recording itself. After a little tuning, we get Gene’s bass and some thumps until they become “100,000 Years”. Paul sounds fresh and youthful and can do some great ooh-yeahs back then.
Another favorite of mine to hear live is “Black Diamond” even with a DJ interrupting the opening notes for a station break. The tape is wobbly again as it sounds a little funky and messed up, but it is still “Black Diamond”. I love the slow opening and then the bombastic explosion for the rest of the song. Plus, the instrumental break and solo are always great. An all around fantastic song every time I hear it. The song ends the broadcast. Then the show announcer comes back and the band is tuning their instruments a little they go in to what is labeled as “Acrobat” but it cuts out the “Love Theme From Kiss” parts off and is just the band jamming. Peter has a little drum solo piece then the band kicks in and they jam out, all instrumentally and then they start singing only a little. There are very few lyrics and they sing “You’re much too young” a couple times and then they go back to jamming and we get a killer guitar solo piece as well. Then Paul says “Good Night” and it is all over. Fun track.
Despite the tape drag and the wobbly sound in out at times throughout, I still find this an enjoyable most especially for an early version of “She” and for the encore with “Acrobat”. It is also a cool historical piece to have anything live and uncut from 1974 with them really just getting going. All-in-all, it turned out to be an okay show as you get used to the sound issues and you enjoy it for what it is. I can’t give it too high of a score, but I will give it at least a 2.5 out of 5.0 Stars (but it should get more for the two songs I mentioned – maybe a 3.0 to 3.5…but that might be too generous).
Happy Thanksgiving!! Here is what I am thankful for as far as music goes (of course tops is my family and friends).
I am always on the hunt for Kiss Bootlegs and I got another classic one a few weeks back. Noble Records was having their 3rd Anniversary Drop and Dylan always has some great stuff out that day. The store opened at 10 and the line had to be long as it always in as everyone wants the good stuff. I had been recovering from surgery and this was my first trip out so there was no way I was getting there early and standing in line. No, I wasn’t doing that. Instead I left the house at a little before 10 and got there around 10:20 am. I figured, if it was meant for me to have it, it would still be there. And guess what, it was still there and I grabbed it!!! Yes, I was excited. Bootleg #21 of Kiss was now in my collection.
This one was an old one. It was from 1981 and was actually a re-issue of the 1978 original release of the album. The people putting out this one spared no expense as the album sleeve is a plain white cardboard with nothing on it. Instead you get a piece of paper with a badly printed picture of the band and the details on the release. That is it. The inner sleeve is white and labels, well, as you see below, there was not much too them. But typical bootleg fashion, the band’s name is not on the label. I love these old style boots, you can’t beat them.
This was recorded live at Los Angeles Forum, California, On August 25, 1977 and this is fresh off the new album at the time, ‘Love Gun’. I’m really excited about this one because I didn’t have a bootleg from the Love Gun Tour…now I do. The band was hungry, young and insanely good at this time. The recording is an audience recording as you can hear a lot of the kids screaming around the person recording the show. But as far as audience recordings go, it isn’t bad. It isn’t the whole show as it is only 11 songs and most of them are from the ‘Love Gun’ album.
FireHouse was actually a band way back in 1984 when they were called White Heat. Well, that name was taken so they had to change their name and they came up with FireHouse. The band moved from Virginia to my current hometown of Charlotte, North Carolina. And it was there in 1989 they were signed to Epic Records. And the next year, they delivered their monster self-titled debut album. The band was one of dozens of glam rock/hard rock bands coming out of the woodworks at that time, but the big difference is they saw some pretty dang good success.
The debut went 2X platinum and the follow-up, ‘Hold Your Fire’, in 1992 went Gold. That is pretty good for a genre that was dying a pretty quick death. They were one of the few bands that had success during this time. Even after the 80’s Rock/Glam Rock scene died, they were still killing it across Asia as they were a huge draw.
The band consisted of CJ Snare, Bill Leverty, Michael Foster and Perry Richardson. Perry is the only member no longer in the band, but don’t worry, he is with Stryper now and doing well. After over 30 years together as FireHouse, they are still going strong. Let’s go back and rank their albums from the Worst to the First. I hope you enjoy!
THE WORST – FULL CIRCLE (2011):
Full Circle is a re-recording of the band’s material from previous albums. It has some of their best song and sounds fantastic. The Original boys are back and thus the name of the album Full Circle. The only problem, bassist Perry Richardson was not back so all the original boys weren’t back. He is working with Stryper now, but wasn’t at this time. And the real big problem with this is…why? What is the point? There was nothing wrong with the original versions. If I want to hear these songs, I won’t be playing this.
I can’t believe we are on our 20th Review in the Kiss Bootleg Series. Nuts to think I’ve picked up that many. This one is called ‘The Ritz on Fire’ which is from August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. This one is not the full show, but sort of a Best Of Compilation of that show. There are a bunch of different ones out there, some with full shows and some like this. I do have a show from the Crazy Nights Tour that was recorded on April 18, 1988 in Osaka, Japan, so I figured I’d grab this one as well as why not, you can never have enough Kiss Bootlegs…obviously or we wouldn’t be on #20.
I have found that this version is one of the few bootlegs that get all the packaging correct. They have the right band members in the pictures (Paul Stanley, Gene Simmons, Eric Carr and Bruce Kulick) and the right song titles and I don’t see any mistakes which is rare in the Bootleg world.
This is Kiss live much in the same vein as their current “Off the Soundboard” series in that there are no touchups, it is as you heard it when it happened and in this case as it was on the radio broadcast. The first 9 songs on this 10 song set are in order of the original setlist and it isn’t until the 10th song that it jumps ahead a number songs and plays one more. Basically, it is the first half of the show.
2 Loud 2 Old Music 