Only 2 months after Kiss released their reunion album, ‘Psycho Circus’, the band released another video. This one consisted of 2 VHS Tapes called ‘The Second Coming’. This isn’t a concert video, but instead what we get is a documentary that documents the band’s reunion with Ace and Peter and the subsequent Alive/Worldwide Tour from 96-97. The video was released on November 24, 1998 and the sales were really great as it went Platinum.
It starts off sounding like a VH1 Behind the Music TV show as they quickly go through the band’s make-up history and the first departure of Peter and Ace. This part takes only about 15 minutes and when I say it is high level, that is an understatement. This is an extremely short version of Cliffs Notes Kisstory. The good news is that leaves the remaining 2 hours left to discuss when Peter and Ace start getting back in the good graces of Gene and Paul starting with the Kiss Conventions and going through the end of the Alive/Worldwide Tour a few short years later.
Before we get in to some of the detail of the video, let’s first talk about a future Kiss connection with this video. The Director and Producer of the video is future Kiss’ own Tommy Thayer. That is right, before he became the Spaceman in Kiss, he was brought on board as basically a historian for the band.
After the very successful Reunion Tour from 1996-1997, it was time for the original band members to put other their first album in 20 years with the Gene, Paul, Ace and Peter. The last one they did together was 1979’s ‘Dynasty’. Let me tell you, I was super excited to get a new album with only the original 4 guys. I couldn’t wait. I would get to hear Ace rip solos and cool riffs on every song and Peter would bang those drums until the cows came home. Man, I am getting goosebumps just thinking about it. Now imagine my surprise when it wasn’t even close to the build up.
Yes, it was a new album that did feature all four original members. Their pictures are on the front, they each sing song, but it was far from only being the original four guys. Ace appears on only 2 of the 10 songs and Peter sings on 2 and only plays drums on 1. Nothing seems to have changed as ‘Dynasty’ was also an album Ace and Peter slightly appeared on as well. Gene and Paul still rule the roost and do things the way they want to do them. Ace does appear on the Japanese only track so on that release he is on 3 of the 11 tracks. The only song that features all four members is the Ace sung song “Into the Void” which we will discuss later. To be fair, the reason behind Ace and Peter not getting to play much as they were trying to renegotiate their contracts with Kiss and I don’t think that sit real well with Gene and Paul.
Welcome to the 50th Review in the Kiss Review Series and we aren’t even close to being done. Sadly, the 50th review is this pile of crap. Kiss in 1997 was still touring the Alive / Worldwide Tour and to keep pushing out product for cash grabs, they dumped on us a total worthless pile of dung called ‘Greatest Kiss’. Yes, another greatest hits package. This one was released on April 6, 1997 and it only hit #77 on the Billboard Charts. I don’t think it was ever certified Gold or anything like that because let’s be honest, this is not a good greatest hits package.
The problem with it is that the U.S. version only covers the time frame of 1974-1980, the make-up years with the four original members. And there is only one previously unreleased track which is “Shout it Out Loud” that was recorded the prior year while on tour. It was recorded at Tiger Stadium in Detroit, MI on June 28, 1996 and was the show opener. It had a ton of explosions and fireworks and you hear every last pop. It’s not a bad recording.
After the MTV Unplugged special that ran on August 9, 1995, the fan reaction was huge. People were itching for the original line-up to get back together in make-up. Now Kiss is not one to generally miss a good opportunity. While they were in the studio with their current line-up of Bruce Kulick and Eric Singer recording their next album (Carnival of Souls), Paul Stanley and Gene Simmons were contemplating their next move. Well, the noise was getting too hard to ignore and so was the money.
The Carnival of Soul album was shelved (for the time being) and Bruce and Eric were pushed to the side as Peter Criss and Ace Frehley were back in the band. The Kiss Reunion was going in full force. The band decided to get back together, the make-up was re-applied and the Tour was scheduled. This tour would be called the 1996-1997 Alive / Worldwide Tour. If you want to read about my concert experience a little and see the Tour Book…click TOUR BOOK.
In support of the Tour, Kiss decided to make a massive cash grab and released a Greatest Hits compilation of sorts. This one was released on June 25, 1996 and was called “You Wanted the Best, You Got the Best” and consists of all live tracks from the band with Ace and Peter. The name of the album, of course, stems from the opening line of all the Kiss shows when most famously, roadie JR Smalling would scream out “You Wanted the Best, and you got it. The Hottest Band in the Land…KISS!!!”
Before we get to the music, let’s talk about what was inside the Album. Not much, sorry. When you bought this album, inside was simply order forms for Kiss merchandise because Kiss never missed an opportunity to sell you something…
Alright, back to the music on the album. Did this album offer anything new and different. Well yes, it actually did it. But it mostly consisted of songs taken from the albums ‘Alive!’ and ‘Alive II’. There were, however, 4 previously unreleased tracks as well. You get four songs that were taken from those eras that were outtakes or leftover tracks. Now, if you were in Japan you got a bonus track. Let’s be honest, this is a total and utter cash grab. There is nothing real special. This is pure & simple, Kiss trying to profit off the new found interest in the band. But at least you got some unreleased stuff which is still way more than you get on from the next release. I’m getting ahead of myself, let us talk about what you get on this one.
RECORD 1:
The first record has the most unreleased stuff. The first three tracks are all unreleased. First up you get “Room Service” recorded in Davenport, IA in 1975. Then you get “Two Timer” which was recorded at Cobo Hall in Detroit MI on May 16, 1975. The third track is “Let Me Know” and it was recorded at the same Cobo Hall show as the previous track. These are cool tracks as they aren’t normally played live so that much is awesome about them. But here is the crazy thing. They were overdubbed and remixed in 1996 with not Ace on guitar or probably not even Peter on drums. Bruce Kulick has admitted he worked on the overdubs and those drums sound pretty damn good and clean…and a little modern. I’m just saying. The crowd noise also sounds so fake and it doesn’t really feel that live. Who knows what to believe.
The remaining of Record 1 are three tracks from ‘Alive!’ which are “Rock Bottom”, “Parasite” and “Firehouse” and one track from ‘Alive II’ which is “I Stole Your Love” and “Calling Dr. Love”. If you don’t have those two albums, then these songs are classic and worth having. But if you don’t, you aren’t really a Kiss fan are you…sorry I’m judging and that isn’t nice…but seriously why don’t you own those two albums…better than this crap!!
RECORD 2:
The second record kicks off with another previously unreleased track and that one is “Take Me” which was Los Angeles, CA and recorded in 1976. Again, this was overdubbed in 1996 as well. It at least has more of a live feel than those first three. Paul is a little rougher around the edges and there is a better energy so I won’t bash this one. Now most of the rest of the album are tracks from the two classic albums again. The tracks are “Shout it Out Loud”, “Beth” and “Rock And Roll All Nite”.
If you have the Japanese edition, your album would end with another unreleased live track. This one was Ace’s song “New York Groove”. This one is cool in that it was recorded from Australia back in 1980 and actually includes Eric Carr on the drums which is always cool. I actually like this track as well and glad I have it. I like it because it has the warts and all as they didn’t clean up the feedback or much of anything which makes it really live. On Side D of this album is a 17 minute interview with the band hosted by Jay Leno. Which basically makes it pure promotion, nothing but softball question and Peter is the only that sounds like he is having any fun (maybe Ace too). Gene and Paul are the same as they always are…stick to the point and sell it. Now the funny thing is Paul states that everyone is “Straight” and “Clear Headed”, but if I’m not mistaken that during rehearsing for the Unplugged, Ace would show up late and in a slight “haze” from possible drinking so not an honest comment completely.
And that is it, thank goodness. What a waste of product this truly is and is only for diehard fans and idiots like myself. However, I don’t own this yet as it is really expensive to get on vinyl. I will have it at one time, but right time, right price! As far as a score, it gets a 2.0 out of 5.0 Stars only because it does have 5 unreleased tracks at the time. If it wasn’t for that, this would be a 0!!
Next Up: Kiss – Greatest Kiss (1997)
Check out the rest of the series if you have time!!
Welcome back to Kiss Review Series and this time around we will discuss the album ‘Unplugged’ or is it ‘MTV Unplugged’, I wasn’t really sure. I stuck with ‘Unplugged’ as that is what it says on the spine of the vinyl cover. But it was recorded for MTV so didn’t know the right way to label this post. But enough of that garbage, let us get back to the Kisstory.
Kiss seemed in no hurry to do an album. It had been several years since ‘Revenge’. They have been putting out product as we have reviewed it, but yet no studio album. And with this review, still no studio album. In 1995, the band set out and did these Convention Tours as around this time, Kiss Konventions had started popping up. Kiss would go play these and they were all done as acoustic performances. They would even get some special guests to join them and one time Peter Criss showed up and jumped on stage with them. Kiss started to play lesser known songs at the audience requests and they seemed to be enjoying themselves. Well, around that time MTV came a calling and asked if they wanted to do an episode of MTV Unplugged and the band agreed.
In my quest to get all the Kiss Tour Books in my collection, I have now come to my fifth in the Tour Book Series. This is one of two that came from the Kiss Alive / Worldwide Tour from 1996-1997. You might remember I already did one from that tour, but that was a special edition book during the 1997 part of the tour which included the Giant 1997 Poster Calendar and had a silver cover. It was a replica of the European Book. Plus, all the pictures were different. This is original Tour Book with the Black Cover.
I bought this book right at the beginning of the pandemic. A friend of my brothers was selling it and so he reached out to me and I said, yes, buy it for me (I did pay him back). I asked my brother to hold on to it and I would grab it the next time I was down in Atlanta which would’ve only been about a month or two after I bought. 9 months later and I still hadn’t gone down thanks to Covid. I finally asked him to mail it on up to me and he graciously did.
One of the interesting things about this book is that it was bought at the October 1, 1996 show at the Omni in Atlanta. How do I know, the ticket stub was still inside. That for me is cool to know which show it was purchased because I was actually at that show. I can’t believe I have a book from the actual show I attended. What are the odds of getting one 25 years later. Our ticket stubs are below.
Kiss were plugging along and everything is still right in the world. In 1988, as they were preparing for their Tour of Japan, the label and the band decided to release a greatest hits compilation. The CD was issued on May 25, 1988 and was limited to only 100,000 copies and only released in Japan. The was the 2nd greatest hits package to not be issued in the U.S., the first being 1982’s ‘Killers’. For that fact, this is a hot collector’s item for Kiss collectors and I didn’t even know about it until years after its release and I still don’t have a physical copy of this release (but I will get one someday).
The Japanese character on the back of the case and on the CD might look familiar. It is the same symbol that was on the bottom of the cover art for the band’s 1974 album, ‘Hotter Than Hell’. Eric Carr also used that symbol on his drum kits for quite some time. Chikara is the Japanese word for Power if you are interested in knowing that fact. And when you are looking to buy this CD on ebay or somewhere, the prize to get is the OBI strip with all the Japanese writing. A lot of the ones I’ve seen out there don’t have that strip anymore.
You are probably wondering why I’m doing a Black ‘N Blue album in the middle of a Kiss Review Series. What does this band have to do with Kiss? There are several reasons why, but first and foremost is who is a member of this band. Current Kiss guitarist, Tommy Thayer, is the guitarist in Black ‘N Blue. Since Tommy is still in the band, I can’t do his first release after his time in the band as that hasn’t happened yet. Instead, I decided to find an album of his work prior to his time in Kiss and I picked an album with some major Kiss connections. The album is actually the band’s third studio album and this one was produced by Kiss member, Gene Simmons. This is where the relationship between Gene and Tommy blossomed as they had met previously in 1985 when they opened for Kiss. It would lead to Tommy’s eventual membership in Kiss.
If you’ve paid attention to the last few Kiss reviews, you will notice I mentioned that Gene wasn’t always completely committed to Kiss during this time of Kiss and this was one reason why. He was busy finding new bands and producing other albums. Gene came across the band and really liked their sound, he was brought on as the producer of this album as well as the follow-up and took the band back to a more raw sound. The album, ‘Nasty Nasty’, came out in August of 1986.
His name is George Peter John Criscuola, but you know him as Peter Criss thanks to a little band he was in called Kiss. On May 18, 1980, it was official that Peter Criss was fired from the band. According to Peter he quit, but Gene, Ace and Bill Aucoin all say he was fired. He did have one last duty before he left the band and that was film the music video for the song ‘Shandi’ off the ‘Unmasked’ album. When that video shoot was done, so was Peter. A sad day in Kisstory as the first of the original four had left the band. Kiss as we knew it had changed forever (or at least until 1996 when a Reunion Tour was announced)
Peter didn’t waste any time and put together a solo album so he could keep his name out there and try to make it as a solo artist now. So in just a few short months, on September 8, 1980, Peter released his second solo album called “Out of Control”. The Kiss Peter Criss solo album was the first. The album tanked and did not do well at all. I believe there are two reasons for that failure. First, Peter was on the same label as Kiss, Casablanca. Kiss had been with Casablanca since the beginning and you can bet your ass they were not going to let Peter’s album do well so I am sure they pulled some strings with their label to not push this album as hard as they push a Kiss album. I’m not saying this is true, but I’m saying it is a major possibility. Just ask John Sykes about his Blue Murder album which was on Geffen, the same label as his former band Whitesnake.
The second reason this album didn’t do well probably stems from his first solo album under the Kiss brand. That music was not rock, it was not Kiss, it was Lounge Rock as a fellow blogger described it. Think Rod Stewart without the songs or the talent and you have an idea. That scared off a lot of people and when the first single came out, it was pretty much more of the same.
The album cover was done by artist Todd Schorr, who took an idea from Peter and turned into this, let us say interesting, cover. The blonde chick on the lower left is based on Peter’s wife at the time, Debra Jensen. The picture is a jukebox exploding and records flying all over the place. The picture screams 70’s to me and feels dated so not a timeless cover.
Peter does write 9 of the 10 songs, one is a cover and 8 of those songs are co-written with his former Chelsea and Lips bandmate, Stan Penridge who also played guitar on the album. It surprised me that the two didn’t form their own band, but I understand them wanting to capitalize on Peter’s name since he was with Kiss. Alright, that is enough behind the music stuff, let us actually get to the music.
SIDE 1:
The first song, and first single, is “By Myself”. It is a ballad and a strange song to kick off the album. I guess he figured since his big Kiss hits were ballad let’s kick it off with one. The song is about him being solo…by myself…get it. It is cheesy, sappy and probably the worst song to open an album. However, it is Peter and it is the type of music he prefers it is just a bad opening track as it doesn’t suck you in, it puts you to sleep.
The next song, “In Trouble Again” is much better and kicks things up a notch. It is a more rocking tracking with a solid groove and Peter’s vocals fit nicely with this one as that gravely vocal works well. Plus there is a little cowbell, never have enough of that. The highlight is a nice guitar solo by Stan which makes the song rock out pretty good. The keyboards on it are a little much, but don’t detract a whole lot as it is still an enjoyable song.
“Where Will They Run” changes things up again as this one is more R&B and soul with a nice bass groove. Think Hall & Oates, but not quite as good. It is a little slower tempo and with nothing of note to mention, the song is kind of a sleeper track at least until George Young whips out the saxophone and the song then has one nice little moment.
Then with “I Found Love” we jump into the 80’s with a synthesizer keyboard overload. The song is about his finding love with his Playmate wife, Debra Jensen. It is a pure pop song and it is a little catchy and I kind of like it…a little…okay I like this one for some strange reason. I am sucker for 80’s synth pop I guess.
Side 1 ends with “There’s Nothing Better”, which was written for Dynasty but not used obviously. It is another rocking track with some nice piano work. Very upbeat, but with horns and this pop feel to it, it would’ve need to be re-worked to be on a Kiss album. It is too chipper for Dynasty, the horns would have to go. Otherwise, not a bad song, not a great one, but not bad either. I mean it does have a guitar solo. One thing of note, with Peter being the drummer, you think the drums would’ve been more front and center, but they aren’t. He focused on the songs and the singing.
SIDE 2:
This side kicks off with the title track, “Out of Control”. This has Peter’s raspy vocals showing that he really is a decent rock singer, his material is usually the problem but not here. More piano and synths, as they are prevalent on most or all the songs. Peter does a good job on this one, I like his grit and probably one of the better songs on the album.
Then we get to “Words” and well, I should probably just leave it with that. It is a slowed down song that seems pretty lifeless and I don’t think bad is a strong enough term.
“You Better Run” is up next and we get a Pat Benatar cover song…wait…Pat’s is a cover song…ok. Well here we have a Young Rascals cover song. Peter keeps it rocking, for a song that seems to be about revenge, I don’t really hear the anger or urgency in wanting to get that revenge. It is lackluster at best and truly unbelievable. Plus, I can’t get Pat out of my head so I don’t think this is anywhere near as good as her version which to me is the most exceptional version of this song.
“My Life” is up next and plods along going nowhere. It falls flat and has way too much piano which is too loud in the mix and almost drowns out Peter’s vocals.
The album finally comes to an end with “Feel Like Letting Go” which is exactly how I feel after listening to Side 2. The song opens with a piano and I swear I was about to hear Elton John start singing, but sadly that was not the case. This is one of those songs that he is trying to make it sound bigger than it really is and for me misses the mark wildly. Now at the very end of this track is a hidden track called “As Time Goes By (intro)” and Peter sings the first two lines which are “You must remember this… a kiss is still a kiss…” which I am guessing is a little shout out to his former band.
Track Listing:
By Myself – Delete
In Trouble Again – Keeper
Where Will They Run? – Delete
I Found Love – Keeper
There’s Nothing Better – Keeper(1/2 point)
Out of Control – Keeper
Words – Delete
You Better Run – Delete
My Life – Delete
Feel Like Letting Go – Delete
The Track Score is only 3 1/2 out of 10 for a Score of 35%. I would say it got better with every listen, which it did up until a point that it didn’t. I liked Side 1 better than Side 2, but the biggest problems were the songs. They weren’t that good. I think they tried to do too much and tried to make the songs bigger than they were or they could handle. It did have its moments, but I am not a big fan of this style especially in 1980 this would not have been on my radar. I will say I liked his Kiss solo album better. My overall score on this one is a 1.5 out of 5.0 Stars.
Next Up: Kiss – The Elder (1981)
Check out the rest of the series if you have time!!
I know…you are probably sick of Kiss related posts at the same time I am doing the Kiss Review Series and I am sorry. I am in a Kiss Zone right now and everything is KISS, KISS, KISS!!! And on my continuous Kiss hunt, I found another book that was all about Kiss that I want to discuss.
This is a book right up my alley and education level. It is a picture book with very few words…YEAH ME!!! It is Kiss: 1977-1980 by Lynn Goldsmith. Lynn is a celebrity portrait photographer and was one of the very first female Rock Photographers. Lynn has been asked numerous times to photograph Kiss and this book encompasses all of those meetings and pictures from all of the sessions she had with the band. Those sessions were only from 1977-1980 which was a very interesting and transforming time for the band. It was coming out of Alive II, the solo albums, in to Dynasty and Unmasked where the music changed and Peter left. It goes up to where Eric Carr joins the band and has his first photo shoot with the band.
2 Loud 2 Old Music 