Happy Friday! I am so excited as this is the one week I’ve really been waiting for most of the year (or at least since the albums were announced). There are two albums that for me are the ones I’ve look forward to most of all. Paul Laine’s new album his Danger Danger bandmates and that is The Defiants’ new album ‘Drive’. The bands third studio album and have high hopes. The other album I’m excited by is the new Extreme album, simply titled Six. It has been way too long since their last one. Can’t wait to hear Nuno shred!! There are also a bunch of reissues this week and on some big albums from Niall Horan, Janelle Monae, Jason Isbell and so many more…and yes Frontiers Records has a bunch as is very common. Now, let me know what you want to hear or what we may have missed. Thanks so much for stopping by and I hope you all have a great and wonderful weekend.
The Defiants – Drive – (Frontiers Records)
Extreme – Six – (earMusic / Edel Music & Entertainment)
If there is one thing I love to find and that is Kiss Bootlegs. I was out on Record Store Day, in line to check out with my RSD vinyl when I looked down and to my left and at the bottom of this shelf were a handful of bootlegs. 2 Van Halen boots and 1 Kiss. Well, all three are mine now and first up we have the Kiss Bootleg, Alive! in Amityville 1973. It was recorded at the Daisy in Amityville, NY on June 16, 1973. It says it is an audience recording, but I’ve read else where it is a soundboard recording, but either way…it is a recording and I have it. The sound quality is actually quite good as it has been remastered and repaired as it says on the back cover.
The really cool thing about this album is that this is about 8 months before the debut album ‘Kiss’ came out in 1974. You can’t get much earlier than this with Kiss recordings. Except maybe the Coventry shows. This is the original line-up of Gene Simons, Paul Stanley, Peter Criss and Ace Frehley. The band didn’t form until late January 1973, so we are only 6 months in to the life of this band. A lot of these songs you know as they did get released, but not all of them made to recording stages. Heck, the band hasn’t even been signed yet and Bill Aucoin isn’t even in the picture at this point. Really cool stuff. Let’s check this show out.
SIDE 1:
First up is the song “Nothin’ to Lose” and it sounds like the song from the debut. You have both Gene and Peter and they attack this song with a vicious ferocity. The lyrics don’t match up perfectly and it seems a little scattered as some of the arrangement does differ from the final studio version, but you do recognize it for what it is. The band is killing it as you can feel the energy and excitement in their playing.
The strange thing is that Peter seems to do most of the talking between songs. He does a great job, but it is weird not hearing Paul. Then we get the song “Firehouse” which seems to have Gene and Paul on vocals. The song sounds like you’d expect, but it isn’t quite the same. There is a strange scream before the chorus, and extra long drum part and the guitar solo from Ace sounds nothing like the one from the studio version. They didn’t have a siren so the end is Peter hitting the cymbals to make that sound. But still so cool to hear it played this way.
The next track is one I’ve never heard before, ever. It is called “Life in the Woods” and it is almost 8 minutes of riffing as it is a guitar heavy song. It was originally titled “Want You Beside” and written by Paul. The song has Paul yelling at the crowd to get up and get moving. There are a lot of harmonies at the beginning with Paul and Peter and then the band comes full force in. There is a break in it where they are screaming “Life in the Woods” and honestly I don’t know who is singing it as it doesn’t sound like any of the guys. And Peter seems to take over the vocals at the end and let’s out an F Bomb at the end. It is a strange song and doesn’t sound like they really know what to do with it as it is all over the place. I don’t think the song really works well and within a month or so, they stopped playing this one which is great because it is awful.
The final track on side 1 is the old Wicked Lester song “Simple Type”. This one I have heard before and have the studio version of the track on a bootleg or two. Ace opens this one with a great riff and then they lay down a cool groove while Ace throws out riffs all over the place. The studio song is less than 3 minutes I believe but this goes on for over 7 minutes. You have both Paul and Gene on vocals and I have to admit this doesn’t sound like the “Simple Type” song I remember from other bootlegs. This one is more of a rocker and the guys are letting all hang out on this one. Ace is really tearing things up here. What drags this song for 7 minutes is the cool jam section and I like to see the boys do that. Now, on the vocals so far, it seems like most of the songs have had two different people in each song singing…this would later become, one song, one voice except for may “Rock & Roll All Nite” and very few others. It’s nice to see more of a band focus here.
SIDE 2:
The first song up is “Acrobat” which is a part of two songs one of which would become “Love Theme from Kiss” off the debut and the other is called “Much Too Young” which was a Gene idea that never materialized. Most of the song is an instrumental, but there are some lyrics with the “Much Too Young” part. Mid way through, Peter gets a drum break and then Ace gets to let loose as well. If you have the Kiss Box Set, this recording of “Acrobat” is in there and it is attributed to the August Daisy shows, but there is some disagreement on that front. I don’t know or care which is true.
Next up is the classic song “Deuce” and this will sound familiar. It is basically the album version, but maybe some tweaks to the ending. Come on, you know it isn’t going to match perfectly. Gene is on vocals, liked you’d expect, and he tears it up. It is Gene, all dark and menacing. This feels like the Kiss I know and love.
“100,000 Years” is another off the debut album and you get what you expect here. You get Gene’s opening bass line which is so recognizable and then Paul comes in on vocals. Paul’s vocals are stellar and hits those high notes perfectly. And then throw in Ace’s blistering guitar work and you have a masterpiece. The biggest difference is Paul’s lyrics at the end are completely different and he even tells the woman he’s speaking to in the lyrics to give him head!! Okay, that’s different.
The famous guitar lick kicks in and you know it is time for “Watchin’ You”. Gene’s on vocals and they are a little rough as he’s screaming too loud in to the mic at first, but it gets better. This song sounds like the final version and it is such a killer tune and great to hear live.
The final track we have here is “Let Me Know” which sees Gene and Paul trade off on the vocals. It is a fun song and a little more poppy. It is basically the old song “Sunday Driver” which Paul had written. I really like this song and I love it when those two trade off on vocals. It is something they should’ve done more of through their career.
And there you have it. Another cool piece in Kisstory. I will point out that this bootleg of the show appears to be missing the songs “Black Diamond” and “Strutter” so if I ever find another version of this show and those two songs are on it, I’ll have to grab it. Otherwise, this set is awesome. I really love it. The sound quality is actually phenomenal so whatever they did to clean it up worked beautifully. I can see myself pulling this one out again and again. My Overall Score is a 5.0 out of 5.0 Stars. There is nothing negative I really have to say about this one. Yeah, “Life in the Woods” isn’t a great song, but how cool is it to have a recording of it when the band never actually recorded this song. If you see this one, you need to grab it.
For the 2022 Insiders Club, Needtobreathe changed things up. They were no longer going to release a physical product and only do the Digital Songs only. I stopped being a member right then and there as I want a physical product. Well, I think the backlash was swift and loud as a few months in to the year, that all changed. They decided that there will be a new tier level in the Insiders Club, more expensive of course, but a physical product would be given. This time around instead of only a CD, you will get an autographed vinyl copy as well. They still have the digital songs, which are different then the ones on here. The new CD and Vinyl are now a Best of The Insiders giving us the 10 best songs from the 8 years of The Insiders CD series started. This is the 1st Edition which means there will be more (and there is because 2023 is doing the same thing and it is the 2nd Edition).
I bought this immediately after the announcement when out to make sure I got a copy. They sent a bunch of other goodies as well right away, but the album didn’t show up until March of 2023. That is due to the fact they had so much backlash and had to create this from scratch and with vinyl pressing times so slow, it took quite a long time to come. The CD came back in the fall, so it was much quicker. But what was great is they did give updates on the vinyl, but it showed up unannounced and made for a great surprise. Well, almost surprise. I saw someone had already stuck one of these for sale on eBay for $250 and I thought…”Hey! How did they get their’s already?”…little did I know, that a few hours later mine arrived at the door. BTW…they still haven’t sold it yet. I hope they do, because that price would be sweet!
Talisman’s founder, bassist Marcel Jacob, took his own life back on July 21, 2009 and to commemorate their friends passing, Talisman got back together to pen this song, “Never Die”. Time restraints didn’t allow them to finish the song in time, but it did come out in digital format only on December 20, 2019, 10 years after his passing. So, I probably should’ve done this earlier than I have, but there is a reason. Because now there is actually a way to get his song physically. On March 6, 2020, Talisman released the song as a limited run vinyl 7″ Single. And when I say limited, I mean it as there are only 300 copies of the single. I have copy #121 as you can see below. And my copy came with a large black chip (I guess you’d call it) with the Talisman logo on it. I don’t know if this was with it or something the person I bought it from threw in…either way, cool piece (you can see down further).
The three main Talisman members in the band got back together to write the song. You have Jeff Scott Soto on vocals, guitarist Pontus Norgren and drummer Jamie Borger. Jamie gave Jeff some great melodies and Jeff’s wrote the lyrics pretty easily. And what is great about them, as there are some Talisman song title shout outs in the song.
“i’ll be waiting, mysterious, coloured xtc just between us tears from the sky fall again”
It is a touching tribute to their fallen brother and captain of Talisman as it was his dream they all helped make come true. And to help celebrate his life even more, the proceeds from this single were donated to the organization Suicide Zero to help increase knowledge about mental illness and I think they did a great thing to honor their friend.
For My Sunday Song #363, we are tackling Morgan’s Choice song #3 with SZA’s “Ghost in the Machine” which features it girl Phoebe Bridgers. The song was released on December 9, 2022 and is off SZA’s 2022 album ‘SOS’. The song cracked the Top 40 going to #40 and I am sure my daughter found the song on TikTok like so many of the songs she listens to every day.
The song is about the digital age and how we are losing our humanity due to being wired in all the time. For SZA, it is longing for that human connection that we can’t get through our devices. She wants to love and get hurt and basically live. For Phoebe, that Ghost in the machine is the long, lonely days in airports and hotels being far away from the people you love. People are using social media to connect with people, but you aren’t your true self this way. You can’t really look in to another’s eyes and see who they really are and connect to their soul. It is a wonderful truth that it would be nice if we’d wake up and realize that we are losing ourselves thanks to technology.
Musically, this isn’t my normal cup of tea, but it really is a great song. There is a lot electronica in the song as most everything is done through a keyboard or programmed through a computer which I find interesting considering the topic of the song. The singing is soft, gentle and filled with loneliness. There is a great groove to it as well and has a modern R&B vibe along with an indie sound. It is multiple genres rolled in to one. The music is sullen and dripping with sadness as the person feels lost. It isn’t a happy song at all, but it works.
Get your wallets ready as this week is heating up as Summer is in full force and the releases are coming hard and heavy. This week there are quite a few I want to hear (not necessarily buy, stream yes). First up, Foo Fighter’s first album without Taylor Hawkins and I am looking forward to see what this tragedy does for the band. Then we have some great bands with Rival Sons, Buckcherry, Hollywood Vampires Live and even a deluxe box set of Black Sabbath’s Live Evil. Let me know what you are eager to hear this week or what we may have missed. As always, thanks so much for stopping by and I hope you all have a great weekend.
Foo Fighters – But Here We Are – (Roswell Records)
You read that right. The next series here at 2 Loud 2 Old Music will be Bon Jovi. It is coming July 4th, 2023. What better way to spend America’s birthday then to start reviewing one of the most American Bands there is…BON JOVI!!!
This Collection Series will include everything I have in my collection and that includes Jon Bon Jovi Solo stuff as well as Richie Sambora as to me, they are Bon Jovi (even if it is Jon’s band). No Richie, No Bon Jovi…okay, no real good Bon Jovi without Richie. There, I said it and got that out of the way. We have around 60 reviews coming to you and of course, that is going to take over one year to get through as we normally do 1 post a week on a series.
If you had a 2 Loud 2 Old Music Mug, I’d tell you to sit back, fill it up with whatever you like and prepare yourself for what is to come. This was an interesting month and some incredible finds…for cheap!! And I mean cheap!! But before we get to the cheap stuff, let’s discuss what first showed up on our doorstep for May…well, it was actually April but it was the day I posted the April Purchases wrap-up so it missed that post. That is the boxset for the Whitesnake album ‘Good To Be Bad”…titled “Still…Good To Be Bad”. Another impressive boxset…or is it?…review to come.
And there was an album that came out months ago on CD and digital, but the album just showed up in May. It is for the lead singer of one of my favorite bands Needtobreathe. It is Bear Rinehart’s second solo album under the name Wilder Woods. It is different then NTB which it should be since he is the voice of NTB. If it sounded like NTB, it would be a NTB album…
After playing over 80 shows together to support the debut album, Derek Sherinian, Mike Portnoy and Ron “Bumblefoot” Thal joined up at Mike’s studio and started working on the new album. The three gelled and wrote the album in around 3 weeks. Of course, after that, the songs need lyrics and that is were lead singer Jeff Scott Soto comes in as he wrote all the lyrics for the album (with minor exceptions of help from Mr. Sherinian on some of the melodies). And the songs were ready to record. Writing and recording happened over 8 months and each member of the band, including bassist Billy Sheehan, able to work in their own studios for their parts.
The album was called MMXX which is 2020 in Roman Numerals and the time when it was released which was on January 17, 2020. The album’s sound changed a little from the last album which had a lot of sounds from the past as it had some Dream Theater elements as well as some classic rock. This time around, they went for a more modern sound and a much more polished feel which is why the cover with the band’s crest seems more polished. The prior songs were more mythical and now they are more futuristic. Is the change in a sound a good thing or is it a bad thing? I guess we need to go through the tracks and find out.
The opening song and first single (came out on November 15, 2019), “Goodbye Divinity”, brings the prog right out of the gate as it goes on for about 2 minutes before Soto gets his pipes in the mix. After that happens it becomes a solid rock song with ample time for each musician to show what they can do. With not just hints of Dream Theater’s sound, but obvious stamps that show their roots are front and center. Honestly, it is a good song, but not as strong as the opener “God of the Sun” from the debut in my opinion. The working title on this one was called “Blood Orchid” which was inspired by a riff by Derek that he did during one of his live solos (thanks wiki for that one).
I want to thanks Geoff Stephen of The 1002nd Album Podcast for having me on the show. Join Geoff and I as we talk though the album as well as discussing the impact of opening acts, unforced concept albums, and records that feel like movies. It was a lot of fun discussing one of my all time favorite albums and why it should be the 1002nd album on the The 1001 albums you should hear before you die.
Click on The 1002nd Album to hear…or click on the Youtube link below…
The Defiants – Drive – (Frontiers Records)
Extreme – Six – (earMusic / Edel Music & Entertainment)
Foo Fighters – But Here We Are – (Roswell Records)
Rival Sons – Darkfighter – (Atlantic Records)
2 Loud 2 Old Music 