I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.
This time around we have another Australian Bootleg which means it has a big “UNAUTHORIZED” across the cover. It is called Boxx (Vol. 1) and was released in 1993 by a label called Banana and distributed by Apple House Music. What is with the fruit references?? It’s packaging is identical to the Live Vol. 1 we did a few weeks back. Both were made in Australia. This time instead of tracks from one show we get them from two. One is Cleveland 1975 and the other is actually Nashville 1984 despite the cover saying ’85. Oops. It looks like songs 1-6 are from June 21, 1975 at the Cleveland Music Hall and was actually part of the King Biscuit Flower Hour Broadcast…which explains why it sounds so good. Tracks 7-13 are from January 11, 1984 show at Nashville Municipal Auditorium.
It starts off with what is called “Intro” so I was expecting a big “You Wanted the Best, You Got the Best…” opening, however, it was simply the intro to the song “Hotter Than Hell” as are only taking songs from the setlist here and not a full show. “Hotter Than Hell” really cooks. The guitars are smoking, the bass is steaming and the drums are explosive. Paul’s vocals are killer and it is hard to believe this is a bootleg. The go right into “Firehouse” like they do in the original full show. And it is more of the same awesomeness. You know how the song goes so no need discussing that, simply know this sounds like a band in their prime and hungry as hell.
If there is one thing I love to find and that is Kiss Bootlegs. I was out on Record Store Day, in line to check out with my RSD vinyl when I looked down and to my left and at the bottom of this shelf were a handful of bootlegs. 2 Van Halen boots and 1 Kiss. Well, all three are mine now and first up we have the Kiss Bootleg, Alive! in Amityville 1973. It was recorded at the Daisy in Amityville, NY on June 16, 1973. It says it is an audience recording, but I’ve read else where it is a soundboard recording, but either way…it is a recording and I have it. The sound quality is actually quite good as it has been remastered and repaired as it says on the back cover.
The really cool thing about this album is that this is about 8 months before the debut album ‘Kiss’ came out in 1974. You can’t get much earlier than this with Kiss recordings. Except maybe the Coventry shows. This is the original line-up of Gene Simons, Paul Stanley, Peter Criss and Ace Frehley. The band didn’t form until late January 1973, so we are only 6 months in to the life of this band. A lot of these songs you know as they did get released, but not all of them made to recording stages. Heck, the band hasn’t even been signed yet and Bill Aucoin isn’t even in the picture at this point. Really cool stuff. Let’s check this show out.
SIDE 1:
First up is the song “Nothin’ to Lose” and it sounds like the song from the debut. You have both Gene and Peter and they attack this song with a vicious ferocity. The lyrics don’t match up perfectly and it seems a little scattered as some of the arrangement does differ from the final studio version, but you do recognize it for what it is. The band is killing it as you can feel the energy and excitement in their playing.
The strange thing is that Peter seems to do most of the talking between songs. He does a great job, but it is weird not hearing Paul. Then we get the song “Firehouse” which seems to have Gene and Paul on vocals. The song sounds like you’d expect, but it isn’t quite the same. There is a strange scream before the chorus, and extra long drum part and the guitar solo from Ace sounds nothing like the one from the studio version. They didn’t have a siren so the end is Peter hitting the cymbals to make that sound. But still so cool to hear it played this way.
The next track is one I’ve never heard before, ever. It is called “Life in the Woods” and it is almost 8 minutes of riffing as it is a guitar heavy song. It was originally titled “Want You Beside” and written by Paul. The song has Paul yelling at the crowd to get up and get moving. There are a lot of harmonies at the beginning with Paul and Peter and then the band comes full force in. There is a break in it where they are screaming “Life in the Woods” and honestly I don’t know who is singing it as it doesn’t sound like any of the guys. And Peter seems to take over the vocals at the end and let’s out an F Bomb at the end. It is a strange song and doesn’t sound like they really know what to do with it as it is all over the place. I don’t think the song really works well and within a month or so, they stopped playing this one which is great because it is awful.
The final track on side 1 is the old Wicked Lester song “Simple Type”. This one I have heard before and have the studio version of the track on a bootleg or two. Ace opens this one with a great riff and then they lay down a cool groove while Ace throws out riffs all over the place. The studio song is less than 3 minutes I believe but this goes on for over 7 minutes. You have both Paul and Gene on vocals and I have to admit this doesn’t sound like the “Simple Type” song I remember from other bootlegs. This one is more of a rocker and the guys are letting all hang out on this one. Ace is really tearing things up here. What drags this song for 7 minutes is the cool jam section and I like to see the boys do that. Now, on the vocals so far, it seems like most of the songs have had two different people in each song singing…this would later become, one song, one voice except for may “Rock & Roll All Nite” and very few others. It’s nice to see more of a band focus here.
SIDE 2:
The first song up is “Acrobat” which is a part of two songs one of which would become “Love Theme from Kiss” off the debut and the other is called “Much Too Young” which was a Gene idea that never materialized. Most of the song is an instrumental, but there are some lyrics with the “Much Too Young” part. Mid way through, Peter gets a drum break and then Ace gets to let loose as well. If you have the Kiss Box Set, this recording of “Acrobat” is in there and it is attributed to the August Daisy shows, but there is some disagreement on that front. I don’t know or care which is true.
Next up is the classic song “Deuce” and this will sound familiar. It is basically the album version, but maybe some tweaks to the ending. Come on, you know it isn’t going to match perfectly. Gene is on vocals, liked you’d expect, and he tears it up. It is Gene, all dark and menacing. This feels like the Kiss I know and love.
“100,000 Years” is another off the debut album and you get what you expect here. You get Gene’s opening bass line which is so recognizable and then Paul comes in on vocals. Paul’s vocals are stellar and hits those high notes perfectly. And then throw in Ace’s blistering guitar work and you have a masterpiece. The biggest difference is Paul’s lyrics at the end are completely different and he even tells the woman he’s speaking to in the lyrics to give him head!! Okay, that’s different.
The famous guitar lick kicks in and you know it is time for “Watchin’ You”. Gene’s on vocals and they are a little rough as he’s screaming too loud in to the mic at first, but it gets better. This song sounds like the final version and it is such a killer tune and great to hear live.
The final track we have here is “Let Me Know” which sees Gene and Paul trade off on the vocals. It is a fun song and a little more poppy. It is basically the old song “Sunday Driver” which Paul had written. I really like this song and I love it when those two trade off on vocals. It is something they should’ve done more of through their career.
And there you have it. Another cool piece in Kisstory. I will point out that this bootleg of the show appears to be missing the songs “Black Diamond” and “Strutter” so if I ever find another version of this show and those two songs are on it, I’ll have to grab it. Otherwise, this set is awesome. I really love it. The sound quality is actually phenomenal so whatever they did to clean it up worked beautifully. I can see myself pulling this one out again and again. My Overall Score is a 5.0 out of 5.0 Stars. There is nothing negative I really have to say about this one. Yeah, “Life in the Woods” isn’t a great song, but how cool is it to have a recording of it when the band never actually recorded this song. If you see this one, you need to grab it.
After the MTV Unplugged special that ran on August 9, 1995, the fan reaction was huge. People were itching for the original line-up to get back together in make-up. Now Kiss is not one to generally miss a good opportunity. While they were in the studio with their current line-up of Bruce Kulick and Eric Singer recording their next album (Carnival of Souls), Paul Stanley and Gene Simmons were contemplating their next move. Well, the noise was getting too hard to ignore and so was the money.
The Carnival of Soul album was shelved (for the time being) and Bruce and Eric were pushed to the side as Peter Criss and Ace Frehley were back in the band. The Kiss Reunion was going in full force. The band decided to get back together, the make-up was re-applied and the Tour was scheduled. This tour would be called the 1996-1997 Alive / Worldwide Tour. If you want to read about my concert experience a little and see the Tour Book…click TOUR BOOK.
In support of the Tour, Kiss decided to make a massive cash grab and released a Greatest Hits compilation of sorts. This one was released on June 25, 1996 and was called “You Wanted the Best, You Got the Best” and consists of all live tracks from the band with Ace and Peter. The name of the album, of course, stems from the opening line of all the Kiss shows when most famously, roadie JR Smalling would scream out “You Wanted the Best, and you got it. The Hottest Band in the Land…KISS!!!”
Before we get to the music, let’s talk about what was inside the Album. Not much, sorry. When you bought this album, inside was simply order forms for Kiss merchandise because Kiss never missed an opportunity to sell you something…
Alright, back to the music on the album. Did this album offer anything new and different. Well yes, it actually did it. But it mostly consisted of songs taken from the albums ‘Alive!’ and ‘Alive II’. There were, however, 4 previously unreleased tracks as well. You get four songs that were taken from those eras that were outtakes or leftover tracks. Now, if you were in Japan you got a bonus track. Let’s be honest, this is a total and utter cash grab. There is nothing real special. This is pure & simple, Kiss trying to profit off the new found interest in the band. But at least you got some unreleased stuff which is still way more than you get on from the next release. I’m getting ahead of myself, let us talk about what you get on this one.
RECORD 1:
The first record has the most unreleased stuff. The first three tracks are all unreleased. First up you get “Room Service” recorded in Davenport, IA in 1975. Then you get “Two Timer” which was recorded at Cobo Hall in Detroit MI on May 16, 1975. The third track is “Let Me Know” and it was recorded at the same Cobo Hall show as the previous track. These are cool tracks as they aren’t normally played live so that much is awesome about them. But here is the crazy thing. They were overdubbed and remixed in 1996 with not Ace on guitar or probably not even Peter on drums. Bruce Kulick has admitted he worked on the overdubs and those drums sound pretty damn good and clean…and a little modern. I’m just saying. The crowd noise also sounds so fake and it doesn’t really feel that live. Who knows what to believe.
The remaining of Record 1 are three tracks from ‘Alive!’ which are “Rock Bottom”, “Parasite” and “Firehouse” and one track from ‘Alive II’ which is “I Stole Your Love” and “Calling Dr. Love”. If you don’t have those two albums, then these songs are classic and worth having. But if you don’t, you aren’t really a Kiss fan are you…sorry I’m judging and that isn’t nice…but seriously why don’t you own those two albums…better than this crap!!
RECORD 2:
The second record kicks off with another previously unreleased track and that one is “Take Me” which was Los Angeles, CA and recorded in 1976. Again, this was overdubbed in 1996 as well. It at least has more of a live feel than those first three. Paul is a little rougher around the edges and there is a better energy so I won’t bash this one. Now most of the rest of the album are tracks from the two classic albums again. The tracks are “Shout it Out Loud”, “Beth” and “Rock And Roll All Nite”.
If you have the Japanese edition, your album would end with another unreleased live track. This one was Ace’s song “New York Groove”. This one is cool in that it was recorded from Australia back in 1980 and actually includes Eric Carr on the drums which is always cool. I actually like this track as well and glad I have it. I like it because it has the warts and all as they didn’t clean up the feedback or much of anything which makes it really live. On Side D of this album is a 17 minute interview with the band hosted by Jay Leno. Which basically makes it pure promotion, nothing but softball question and Peter is the only that sounds like he is having any fun (maybe Ace too). Gene and Paul are the same as they always are…stick to the point and sell it. Now the funny thing is Paul states that everyone is “Straight” and “Clear Headed”, but if I’m not mistaken that during rehearsing for the Unplugged, Ace would show up late and in a slight “haze” from possible drinking so not an honest comment completely.
And that is it, thank goodness. What a waste of product this truly is and is only for diehard fans and idiots like myself. However, I don’t own this yet as it is really expensive to get on vinyl. I will have it at one time, but right time, right price! As far as a score, it gets a 2.0 out of 5.0 Stars only because it does have 5 unreleased tracks at the time. If it wasn’t for that, this would be a 0!!
Next Up: Kiss – Greatest Kiss (1997)
Check out the rest of the series if you have time!!
2 Loud 2 Old Music 