In 2020, Covid had the family home a lot. One thing we ended up doing was Jigsaw Puzzles. I believe we did around 6 during the year. What would happen is that the kids would get excited and open the puzzle and sort out all the pieces to find the end pieces because that is where you start the puzzle. They would work diligently and do the border and then they would slowly do less and less of the puzzle leaving me to finish them up…so I guess you could say I finished 6 puzzles and the kids started 6. My wife helped of course because she loves to sort the pieces out by color and get everything organized so we can get through it quicker and more efficiently. Yes, I think she is a little OCD, but I love that about her. Hell, even the apps on her phone are organized…BY COLOR!!!
Now for Christmas in 2020, the kids thought Daddy needs another puzzle so they got me a Kiss puzzle. Yes, why not give me one of my favorite bands. So, now I had another puzzle except this time, I started it, I sorted it and I finished it. No one really helped me because they are all sick of puzzles.
So, it was time to start it one weekend and I did what you always do, unwrap the cellophane from the box, open it and then dump all the pieces on the table…
And then it was time to sort the pieces and build the border which probably took an hour tops…
And I decided the easiest step for me is do the albums that are around the border because I know those albums intimately. I could easily see a piece and quickly know which album it belonged to and I built that up rather quickly. I would say a few hours tops (over a couple days not all in one sitting.
Then it got harder. The middle section had a lot of dark pieces and slowed me down a bunch. That took the longest part of all. It is funny how you can sit down at the puzzle and start piecing things together and the next thing you know, a whole hour has gone by and not much progress has been made, but once I got in to a rhythm and picked up on some clues, I was able to finish it up…
And then it was done…
1000 pieces in probably about a 6 hour stretch over about a week. Not too bad. It helped that I know the images, that was a huge advantage. Normal puzzles take me a lot longer as I am studying the picture a lot more.
I hope you enjoyed this silly distraction and send me pictures of your Rock & Roll Puzzles! Admit it, you know you have them too!!!
On our journey through the band Kiss, we have taken detours for one side project from every member of the band. We are almost done with that part of the journey as we only have two members left we haven’t covered. The first of those is Gene Simmons. In 2004, in between all the band’s touring, Gene managed to put together an album for his first “true” solo album. I say it that way because his first solo album was part of the 4 Kiss solo albums each member did that was under the Kiss logo. This is his first proper one. If you remember his first, you will remember it was very diverse and had a ton of guest appearances on the album. Let me tell you, this album is in no way different. It is also all over the place style wise and contains more guest appearances than any album in the history of albums…okay, that is a bit much, but there are a lot of guests.
The album was released on June 8, 2004 and didn’t do that great only going to #86 on the Billboard Charts. There is both an unedited version of the album (and cover) and an edited version of the album (and cover). The cover picture for this post is the edited as I was worried the unedited one might get dinged on Facebook or Twitter for being too offensive. And as you can see by the picture below, you get an idea of what the unedited might be like. Now, before we move on, is anyone else wondering where that finger has been in the picture below or is it just me??? I am also waiting for any minute that Sir Mix A Lot will pop out and sing his signature song…again..is that just me???
I am very familiar with this album, but not for the reason you think. It wasn’t because I ran out and bought this. Nope. I actually just bought this album a few weeks ago, because I need it to complete the collection. My familiarity with it comes from Gene Simmons ‘The Vault” as almost every song is on that collection and is on it in demo form except for maybe one or two tracks. And sometimes they are on there numerous times at different stages of completion. I will be completely honest with you…I prefer ‘The Vault’ versions immensely more than this. Why? Because at least I knew “The Vault’ versions were demos, these are supposed to be finished products, but I’m sorry, they aren’t that good AT ALL!! With minor exceptions.
The album kicks off the album with what is probably the best song on the album. And I will go further and say it is one of my favorite Gene tracks. “Sweet & Dirty Love” is a beast of a track. It rocks out with the help of Bruce Kulick and Eric Singer on guitar and drums, respectively. It is what you want the Demon to do as a song and Gene hits some killer notes and has never sounded better. I like one of ‘The Vault’ versions better only because it is a little more raw and raunchy as this is very polished. But still, the best song on the album.
The second track is a cover which is a little early to have it the #2 song on the CD in my book. And it is a strange one as Gene is covering “Firestarter” by Prodigy. The guitar work on here is fantastic as that is handled by Dave Navarro of Jane’s Addiction fame. Gene sticks to the original version for the most part and the song is ver industrial with that metallic sound and I know people think this song is awful, but I think it is so bad it is now good. I actually don’t mind it because I do love the music in it and Gene is being Gene which I have to admit I like at times.
Then we get to the song “Weapons Of Mass Destruction” which is another heavy song, completely balls to the walls bombastic power. There is even a punk edge to it. It has Bruce and Eric back helping out and if you take out the stupid “E Pluribus Unum” quote in the lyrics, this would a 5 star song, but I will ding it down to a 4. Another great track and really the last of the really good ones. There are two demos on ‘The Vault’, one with Eric and Tommy Thayer that is a little slower and darker. The other lyrics were written and it was given to Ace to play after it wasn’t picked for ‘Psycho Circus which was the original intention. The Ace version is killer. After this the album goes to shit.
Next we get the song Gene wrote with Bob Dylan…yes, that Bob Dylan. It is a ballad and it is bloody awful. It is called “Waiting on the Morning Light” and I think Gene is trying to be Dylan and he isn’t the Bob Dylan type of writer and that is okay, we love him for him. It is just a bad attempt at trying too hard.
Then we get a synth song called “Beautiful” with Mark Addison helping on guitars and such and Nina Singh on percussion who wrote the song. It is another ballad that has a nice chorus and is a pretty good effort that just falls short of being a great ballad. That annoying synth sound doesn’t really help. The verses are a little rough vocally, but he makes up for it in the chorus. “The Vault” version is actually cleaner sounding and I like it better than this one.
We are now at the title track “Asshole” which is rocking track where Gene embraces the whole “asshole” personae. It is a rock anthem type song that makes you want to scream “asshole” right at Gene and helps make it a fun singalong. It is still not a great song, but it will pass. Now, the edited version is atrocious as it doesn’t bleep out asshole, it just turns the “ass” part in to what sounds like a goat…it is horrendous.
“Now That You’re Gone” is a song Gene wrote with Bob Kulick. You get his daughter Sophie on background vocals along with Zachary Grant and Jeff Diehl on keyboards. The bass is real strong on this one, it has a children’s choir type sound with Sophie and Zachary. It plods along going nowhere and is totally uninteresting and lifeless and that is putting it nicely. ‘The Vault’ has three versions of this song and none are really that great.
Then we get “Whatever Turns You On” was a demo received from a band Gene was working with and Gene took it from them but it has the co-write of Dave Williams so he didn’t steal it. If you are going to steal a song, steal something better. This sounds like a bunch of drunks hanging around and partying having a good time and thought it would be a good idea to record it, but they’d be wrong. It does have his lovely wife Shannon Tweed and her mom on the background vocals along with Dave. I think with some work, this song could’ve been turned in to something better than what is here. At least they sound like they are having more fun than the listener. This one is on ‘The Vault’ as well with about the same effect, maybe a little better.
“Dog” was written by Gene and Alex Chuaqui (or Bags as Gene had him change his name as Alex Chuaqui wasn’t a good enough rock name and too ethnic) On the song Gene howls like a dog and he speaks a very sexual and dirty Little Red Riding Hood verse that is as dirty as it gets. It is a mid-tempo song and is so close to being something good. It isn’t bad, but could’ve been more.
Then we get an unexpected surprise an unfinished Frank Zappa song called “Black Tongue” that Gene licensed from the estate and finished it up with the help fo the entire Zappa family as Dweezil, Ahmet, Moon and Gail are all on background vocals. Frank even has a speaking part that was left over from the original demo. The guitar work is sensational as you would expect because it is being handled by Richie Kotzen. Zappa’s guitar riffs are their, Richie does the solo and adds some flair. It sounds like a mixture of grunge with still a hint of that Zappa psychedelic vibe. I will admit I like this song.
Next we get “Carnival of Souls” which was written by Gene and Scott Van Zen and recorded back in 1993 or 1994 originally. It was passed over for both the ‘Carnival of Souls’ album and ‘Psycho Circus’. ‘The Vault’ has two versions of it and both are really good. One version is a little slower tempo and much darker which is always a good thing. This version is heavy, speedy and a rocking track. It isn’t half bad. I will keep this one especially since it is another with Richie Kotzen on guitar. Also, Nick Tweed Simmons does the background vocals so now the whole family was involved.
Then we get what might be the worst song on the album “If I Had A Gun” is a horrible topic and just a horrible pile of dung. It sounds like what comes out of an Asshole for sure so if that was the intent, then he struck gold. Not a great song for all the gun violence we have. It slows down and speeds up and goes back and forth but feels so disconnected and utter trash. Skip this one as fast as you can. I skipped ‘The Vault’ version to and wound up on My Worst of the Vault list.
Lastly, we get a similar ending as we got on his 1978 solo album. Almost a carbon copy of that Disney sounding song is this copycat “1,000 Dreams”. This one even has a country music flair to it. Please cue the vomit inducing noise now as that is what you want to do when you hear this. More garbage and the worst way to end this album. Good Riddance.
Track Listing:
Sweet & Dirty Love – Keeper
Firestarter – Keeper
Weapons of Mass Destruction – Keeper
Waiting for the Morning Light – Delete
Beautiful – Keeper(1/2 Point)
Asshole – Keeper(1/2 Point)
Now That You’re Gone – Delete
Whatever Turns You On – Delete
Dog – Keeper(1/2 Point)
Black Tongue – Keeper
Carnival of Souls – Keeper
If I Had A Gun – Delete
1,000 Dreams – Delete
The Track Score is 6.5 out of 13 or 50% which is probably way to generous on my part. I have a soft spot for Gene, what can I say. However, I still think this album is horrible and not worth getting unless you are a diehard like me or a glutton for punishment. The songs are all over the place and there seems to be no direction and the album is definitely lacking good flow. Overall, the album only get s a 2.0 out of 5.0 Stars and that is probably too high of a score but that is what I am giving it. To me, ‘The Vault’ was worth what I paid for it, but this one, not so much.
Next Up: Kiss – Rock the Nation Live ! – DVD (2005)
Check out the rest of the series if you have time!!
My youngest daughter loves her Funko Pop! Figures and was thrilled when I got my own set of the Def Leppard Funko Pop! Set. She also knows I am a huge Kiss fan and so for Christmas this past year, she searched out and found all 4 of the Kiss Funko Pop! Rocks Figures. I was thrilled and happy to get this set and to come from her makes it extra special.
This set is the 2nd Kiss set in the Funko Pop! Rocks series as they are numbered #121-124. The first set in their series was #04 to #07 and they looked a lot different than this set. And it is much more expensive, so maybe some day down the road I will find that, but for now I am going to enjoy this special set.
This set doesn’t go by the band member’s actual names as that would be tough to choose who you are basing the make-up and the costume on and possibly give credit to past members and Kiss doesn’t want to do that. Instead, they are based on the Kiss characters each rock star is playing.
It is time for us to do our shout-out to Eric Singer and one of his projects. Before Kiss, Eric had played with Black Sabbath and he even had his own band Badlands that released a stellar release in 1989. Then he joined Kiss with the Revenge album and stayed with the band up until the reunion tour in 1996. He would later play with numerous artist, but most notably the great Alice Cooper. However, I wanted to highlight one with a big Kiss connection because that is what I like to do. His side project the Eric Singer Project was a supergroup that had Eric on drums and vocals, Chuck Garric on bass and vocals, John Corabi and guitar, bass and vocals and the big Kiss connection is who was also in the band. It was Eric’s former Kiss co-hort, Bruce Kulick on guitar.
The band was a side group that played covers. They played some live shows and put out an album called ‘ESP’…Eric Singer Project. The one I see most Kiss collectors trying to grab up is this album so I figured this is the perfect album to do for Eric. I know, I probably should’ve done Badlands since this is all covers, but this had too big a Kiss connection to pass up. Plus, I love Corabi so it was a chance for me to hear him as well even if he isn’t singing all the time.
The track listing is pretty good with some not so common covers and there are a few that a typical cover songs. Here are the songs and the original band…
Shortly after the MTV Unplugged Show, the current line-up of the band, Gene Simmons, Paul Stanley, Bruce Kulick and Eric Singer, went back in to the studio to record what would become the band’s 17th studio album. The album was recorded between November 1995 and February 1996, however, the album was scrapped and pushed aside. Why would they do such a thing, was it that bad? No, not exactly. The problem was that after the MTV Unplugged Show, the buzz about the Ace Frehley and Peter Criss playing with the band again was reaching a fever pitch. Would they get back together and do a reunion tour? Would they put the make-up back on? And the answer to both of those questions was a resounding, YES!!
The album was set aside for the time being. Somehow though, bootleg copies of the album got out and were being distributed around in certain circles (I wasn’t in that certain circle). As a result, the band decided to finally release the album and they called it ‘Carnival of Souls: The Final Sessions’. It actually didn’t have all the same songs as the bootleg, but at least it was out.
The album was a complete departure for the band. It saw them go darker and more grunge because as usual, the band were followers and trying to follow the trend. They didn’t care in the least anymore to be trend setters and set the bar high. Nope, they pandered to what was big in music. There is a problem with that as Grunge was fading by this time. A lot of the sound was actually a result of Bruce Kulick’s doing as he helped co-write 9 of the 12 songs. I am not saying it is his fault, I am only saying that it was because of Bruce they were able to do that sound as he was versatile enough and technically savy enough to play anything.
Welcome back to Kiss Review Series and this time around we will discuss the album ‘Unplugged’ or is it ‘MTV Unplugged’, I wasn’t really sure. I stuck with ‘Unplugged’ as that is what it says on the spine of the vinyl cover. But it was recorded for MTV so didn’t know the right way to label this post. But enough of that garbage, let us get back to the Kisstory.
Kiss seemed in no hurry to do an album. It had been several years since ‘Revenge’. They have been putting out product as we have reviewed it, but yet no studio album. And with this review, still no studio album. In 1995, the band set out and did these Convention Tours as around this time, Kiss Konventions had started popping up. Kiss would go play these and they were all done as acoustic performances. They would even get some special guests to join them and one time Peter Criss showed up and jumped on stage with them. Kiss started to play lesser known songs at the audience requests and they seemed to be enjoying themselves. Well, around that time MTV came a calling and asked if they wanted to do an episode of MTV Unplugged and the band agreed.
After Kiss released ‘Alive III’ you figured it would be time to do another album, but that wasn’t the case. The band instead decided to release another video on VHS. On August 16, 1993, the band released the video ‘Kiss Konfidential’. It sold over 50,000 units and in VHS tapes, that is considered Gold…who knew. The video is basically the live concert for ‘Alive III’ as there are 12 live performances that are from that album. So if you wanted a video concert of ‘Alive III’ this was as close as you were going to get.
Now that wasn’t all you were getting. The video also contained 4 live performances from the Kiss Archives which gave us “100,000 Years” from Detroit in 1976; “Nothing to Lose” from San Francisco in 1975; “Hotter Than Hell” again from Detroit in 1976 and lastly, “Let Me Go Rock ‘N’ Roll” from Japan in 1977. Now the songs were not played one right after the other because interspersed between the songs were backstage footage from the Revenge Tour as well as Exclusive interviews with the band. You were given about an hour and half of total Kiss.
Finally!! Kiss decided to release another live album and this one is ‘Alive III’ which was 17 years after their last release. Now they did release a live video, but this is the first album since ‘Alive II’ in 1977. The band recorded the album during the Revenge Tour in 1992 and used the recordings from the Cleveland, Detroit and Indianapolis stops of the tour. This is also the first live album of the Non-Makeup era and the first to not have the original Kiss line-up. The line-up is of course Paul Stanley and Gene Simmons, but now it is Eric Singer on Drums and still Bruce Kulick on guitar. Oh yeah, and off to the side of the stage on keyboards is Derek Sherinian who toured with the band at this time since they added keyboards to a lot of the late 80’s songs.
Before we get to the music, let’s talk the packaging. We get a 2 LP set in a beautiful Gatefold cover. One side of the Gatefold has a really cool Kiss Family Tree. Although hard to read at times, it is a cool tracing back of where all the Kiss members, current and past, come from in their musical careers.
On the flip side of the Gatefold, you get the track listing and all the tour credits as well as some band pictures and a little note from the band.
The lack of success for the band’s last album, ‘Hot in the Shade’, had them at a crossroads again as to what to do. They were asked to record a song for Bill & Ted’s Bogus Journey in February of 1991, so they brought Bob Ezrin back to record it although Gene was a little hesitant about it after the debacle of ‘Music from the Elder’. But they recorded that song, which was “God Gave Rock And Roll To You II”, and then nothing for awhile. Paul was writing songs with various people, Gene was writing with Bob Dylan (sort of – you can read about that in The Vault series), and then the tragedy of Eric Carr happened. As we discussed in the last post, Eric had heart cancer and died on November 24, 1991 and he had been sick for some time. It was a dark day in Kisstory.
Eric Singer was brought in as the drummer full time now and Kiss went back in the studio in December 1991 with Bob Ezrin back at the helm as the producer probably in part that the Bill & Ted song did so well. The band sought help from an old friend at this time to help with the songwriting. That old friend was Vinnie Vincent. Actually, I think Vinnie reached out to them, but it doesn’t matter. Vinnie had turned over a new leaf and wrote some great songs with both Gene and Paul. And then Vinnie turned back in to Vinnie and tried to renegotiate a contract with them, sued the band and then lost. And Vinnie was again on bad terms with the band. Oh well, at least they tried. There was another Kiss connection on this album as the boys from the band Black ‘N Blue were brought in to help with backing vocals. They would be Jaime St. James and Tommy Thayer. Tommy is now the current Kiss guitarist for the band. This brings the count to 7 Kiss members that worked on the album…Gene, Paul, Eric S., Eric C., Bruce, Tommy and Vinnie. Pretty cool!
Prior to the release of their next studio album, Kiss was asked to due a song for a movie. That movie was Bill & Ted’s Bogus Journey. Yes, one of cinema’s finest movies, I know. The song was a cover of “God Gave Rock And Roll To You” by the band Argent, but the lyrics were changed up so much, they added the “II” at the end to signify it was a little different than the original. So that meant, not only was Russ Ballard’s name on the credits, it now had Gene Simmons, Paul Stanley and producer Bob Ezrin who the band was working with at the time for the new album. The single was released on August 22, 1991.
What was special about this song and release is that is the last Kiss single to feature Eric Carr. Eric wasn’t healthy enough to do the drums at the time, but he is featured in the background vocals. And luckily he was healthy enough to be in the video. Eric was extremely ill as he had been diagnosed with heart cancer. He had become so ill, he was no longer able to play, so the drum work on the song was handled by Eric Singer, who also did the drum work on the band’s next album, ‘Revenge’. Eric Carr made his last public appearance with the band shortly after the video at the MTV Musis Awards in September 1991. Shortly thereafter, Carr suffered an aneurysm then a brain hemorrhage and never regained consciousness. He later died on November 24, 1991 which was sadly, the same day Freddie Mercury of Queen had died and that overshadowed his death.