Kiss – ‘Best of Solo Albums’ (1979) – Album Review (The Kiss Review Series)

By 1978, Kiss had reached the peak of stardom.  Kiss was flying high and a couple members were too.  Trouble was brewing and most especially with Ace Frehley and Peter Criss. From what I have read, they both wanted to do solo albums, but the band needed to keep the train rolling.  So Bill Aucoin and others came up with a strategy to help keep the peace.  The entire band would each do a solo album and they would all be released at the same time on the same day, however, they would be under the Kiss umbrella.  Brilliant or Stupid was still yet to be seen.  No band had ever attempted this prior or since and probably for good reason.

Each member had to find their own producer, their own musicians as no one in the band played on the other persons record.  All the albums came out on the same day, September 18, 1978. To help promote the Solo albums, the label released the ‘Best of Solo Albums’, but only overseas. To this day, there is no U.S. release of this album. To top that off, there was never a CD release of this album either. If you find one on CD, it is not legit.

‘The Best of Solo Albums’ takes three songs from each of the members with Ace Frehley and Peter Criss on Side One and Gene Simmons and Paul Stanley on Side Two. It is hard to say if these are the best 3 songs of each member especially if Peter’s and Gene’s weren’t the best of the bunch, but I have to say it is still a great set. It is enough to whet your whistle and determine which ones you need to buy. If you didn’t know, the answer is all of them!! You want the posters. So buy all of them.

My copy is actually a rather current re-issue from 2019 and it is on a beautiful Black & Silver & White Splatter vinyl. It is a limited edition on 180g and if you look at the logo, you can tell it is the German Edition as they have to change the style of their logo to normal SS so it doesn’t look like the Nazi SS army. The album looks beautiful just look at the picture above. I think this is the first German Edition I have on any of their albums. And if you want to look at the attention to detail, look at the back cover and notice they changed all the SS on them as well.

Now, let’s get to the songs…

SIDE ONE:

The album opens with Ace’s songs and a cover song, “New York Groove”, by the band Hello and written by Russ Ballard.  This was the single off the album and became a massive hit for Ace and really became his signature song.  Ace knew Russ from when Kiss opened for Argent back in the day and has worked with Russ numerous times since.  For Ace, this is a personal Anthem since he is from New York and he helped perpetuate the myth that he wrote the song even though we know he didn’t.  Ace’s version has some differences from the original including the hand-clapping sound of the original was more of a foot-stomping sound and the harmonica riff was replaced by guitar…well duh.  With surprisingly no guitar solo like you would expect with Ace, the song kept relatively close to the original.  It is a wonderful tune and the biggest hit of all the solo albums going to #13 on the Billboard charts.  This must have driven Gene crazy!!!

The opening track on the album and the second one here, “Rip It Out”, is bombastic and has a massive sound.  Guitar riffs galore and a drum sound by Anton Fig that was so huge and filled the song with the punch it needed. It is my favorite drum sound on any of the Kiss albums until Creatures comes along with Eric Carr.  Not to be overshadowed, Ace lays down a classic solo and opens the album like none of the other albums had been done.  Ace threw down the gauntlet and showed that He is someone to be noticed!

“Speedin’ Back to My Baby” is more guitar, guitar and then some guitar! Eddie Kramer is bringing out the best of Ace both vocally and that guitar.  Not only does the song open with a solo, there is another solo in the middle with a cool break right before it.  It is like solo on top of solo.  The song’s energy matches the title.  The song was co-written by Ace and Jeanette Frehley which I guess he was speedin’ back to her.

“You Matter to Me” is up first for Peter feels more disco than anything with the keyboards.  Written by Vini Poncia, John Vastano, Michael Morgan, it is one of the few songs Peter doesn’t have a hand in writing.  With Vini writing it, I am not surprised by the sound and style as you will see that more and more with the next two Kiss studio albums for which he produces.  This was the first single on his album and never charted.

“Tossin’ and Turnin’” is up next and it is the only true cover song on the album originally done by Bobby Lewis back in 1961.  It is more of a rocker with some R&B tendencies and it fits Peter’s gritty vocal style.  He feels more at home with this one and the drum work is not bad either along with the saxophone break.

For Peter’s final song we get a song that I thought was a cover called “Hooked on Rock & Roll” which was written by Peter and Stan Penridge. With Steve Lukather on guitar and the whole feel of the song, I would swear it would be something Chuck Berry could’ve done or any of those early rockers.  The song fits Peter’s vocals so might be a keeper.

SIDE TWO:

Side Two opens with the song “Radioactive” which was written by Gene Simmons, as was all but 2 songs on his album.  This song was the only single from the album and it has Joe Perry (Aerosmith) on guitar, Eric Troyer (ELO) on piano, Allan Schwartzberg (Mountain) on drums and Bob Seger on backing vocals.  A pretty stellar line-up. The song opens with a prelude that is very evil, sinister and demonesque which was filled with string orchestration and it cuts away to the song.  The prelude was removed from the single if you were interested that little fact.  The song doesn’t really match the intro as it is fun and upbeat compared to the evil that came before.  It is straight-up rock song that probably leans a little more pop friendly.  A good song all on its own.

“Mr. Make Believe” is another unexpected song from Gene that works so well.  With this album we are seeing a softer side of Gene that I am sure no one expected.  This song is pieced together from two demos, one called “One More Chance” and the other “Mr. Make Believe”.  They took the best of both and created a simply beautiful ballad.  You get the verses from “One More Chance” and the chorus of “Mr. Make Believe”.  Both are on ‘The Vault’.  If you listen to this one, you can hear the early British pop influence on the song. One of his best.

Now we get a song we’ve heard before on a prior Kiss album called “See You in Your Dreams”.  Gene wasn’t happy with the original version on ‘Rock & Roll Over’.  The biggest difference on this is the backing vocals are the women from the Group with No Name who are Katy Sagal, Gordon Grody, Diva Gray, Franny Eisenberg and Carolyn Ray .  The Kiss version rocks out a lot more and is better in my opinion so not sure a remake was necessary at all. Plus, the song gets a little too repetitive for my liking.

“Tonight You Belong to Me” comes at you with an acoustic guitar and Paul singing so lovely and softly in what you think is a ballad before the song explodes with a killer Kiss sounding riff and heavy drums and a full band with tempo sped up and Paul’s vocals just soaring.  If you remember from earlier posts, Bob Kulick was the guitarist that auditioned for Kiss and was right before Ace came in and took the job.  Bob is back on this song and actually does all the solos but one song on Stanley’s album.  And he does brilliantly.

“Move On” keeps the party rolling with a song about a parent that is advising their child to move on and explore lots of women. With wonderful backing vocals by Diana Grasselli, Miriam Naomi Vale, and Maria Vidal, more slick work from Bob, the song is another rocker with a little soul vibe thrown in with those backing vocals.

“Hold Me, Touch Me” is a pretty sappy and sugary sweet song, almost enough to give you a cavity.  A piano intro opens the song, Paul sings sweetly and the song is layered with orchestration.  It is a little over the top, but it works just the same.  Paul actually does all the guitar work on this one which isn’t a ton, mostly the solo.  The heavy lifting comes from Doug Katsaros on the piano and string sounds with Craig Krampf on drums.

If you are a Kiss Collector, this is a must as you need to have at least one of every release they have done. I am getting closer to completing that quest. Only a handful more to go. I like the fact they give each member equal billing with 3 songs each and they are really all great songs, might not have been my choices, but good nonetheless. If you see this grab it, it is worth the dough. I got lucky and KissOnline.com was running a sale and it was only around $22 plus shipping. Can’t beat that. My Overall Score is 4.5 Out of 5.0 Stars as like I said, I might’ve picked some different tracks that better represent each member. Otherwise, it is perfect.

The Kiss Review Series:

  1. Wicked Lester and the Progeny Demo Sessions (Bootleg)
  2. Kiss – Kiss (1974)
  3. Kiss – Hotter Than Hell (1974)
  4. Kiss – Dressed to Kill (1975)
  5. Kiss – Alive! (1975)
  6. Kiss – Destroyer (1976)
  7. Kiss – “Flaming Youth” 45 Promo Single – Bonus Edition (1976)
  8. Kiss – Special Kiss Album For Their Summer Tour (1976)
  9. Kiss – The Originals (1976)
  10. Kiss – Rock & Roll Over (1976)
  11. Kiss – Love Gun (1977)
  12. Kiss – Alive II (1977)
  13. Kiss – Double Platinum (1978)
  14. Kiss – Paul Stanley (1978)
  15. Kiss – Gene Simmons (1978)
  16. Kiss – Peter Criss (1978)
  17. Kiss – Ace Frehley (1978)
  18. Kiss – Best of Solo Albums (1978)
  19. Kiss – Kiss Meets the Phantom of the Park Movie (1978)
  20. Kiss – Dynasty (1979)
  21. Kiss – “I Was Made For Lovin’ You” (1979) – 12″ & 7″ Singles (Bonus Edition)
  22. Kiss – Unmasked (1980)
  23. Peter Criss – Out of Control (1980)
  24. Kiss – Music From The Elder (1981)
  25. Kiss – Killers (1982)
  26. Kiss – Creatures of the Night (1982)
  27. Kiss – Lick It Up (1983)
  28. Kiss – Animalize (1984)
  29. Wendy O. Williams – WOW (1984) (Bonus Edition)
  30. Kiss – Animalize Live Uncensored (1985)
  31. Kiss – Asylum (1985)
  32. Kiss – “Tears Are Falling” 7″ Single (Bonus Edition) (1985)
  33. Kiss – Creatures of the Night (1985 Re-Issue)
  34. Vinnie Vincent Invasion – Vinnie Vincent Invasion (1986)
  35. Black N’ Blue – Nasty Nasty (1986)
  36. Ace Frehley – Frehley’s Comet (1987)
  37. Kiss – Exposed VHS (1987)
  38. Kiss – Crazy Nights (1987)
  39. Kiss – “Crazy Crazy Nights” – 12″ Single (Bonus Edition)
  40. Kiss – “Reason To Live” – 12″ Picture Disc (Bonus Edition)
  41. Kiss – Chikara (1988)
  42. Kiss – Smashes, Thrashes & Hits (1988)
  43. Kiss – Hot In The Shade (1989)
  44. Kiss – “God Gave Rock And Roll To You II” (1991) – 12″ Picture Disc
  45. Kiss – Revenge (1992)
  46. Kiss – Alive III (1993)
  47. Kiss – Konfidential VHS (1993)
  48. Kiss – Kiss My Ass: Classic Kiss Regrooved (1994)
  49. Kiss – MTV Unplugged (1996)
  50. Kiss – You Wanted the Best, You Got the Best!! (1996)
  51. Kiss – Greatest Kiss (1997)
  52. Kiss – Carnival of Souls: The Final Sessions (1997)
  53. Kiss – Psycho Circus (1998)
  54. Kiss – The Second Coming Documentary (1998)
  55. Eric Carr – Rockology (1999)
  56. Mark St. John – Mark St. John Project (1999)
  57. Eric Singer Project – ESP (1999)
  58. Bruce Kulick – Audiodog (2001)
  59. Kiss – Kiss Symphony: Alive IV (2003)
  60. Gene Simmons – Asshole (2004)
  61. Kiss – Rock the Nation Live! DVD (2005)
  62. Kiss – Alive! The Millennium Concert (2006)
  63. Paul Stanley – Live to Win (2006)
  64. Kiss – Kissology: Volumes 1 to 3 (2006-2007)
  65. Kiss – Jigoku-Retsuden (2008)
  66. Kiss – Sonic Boom (2009)
  67. Kiss – Monster (2012)
  68. Kiss – The Casablanca Singles 1973-1982 (2012)
  69. Kiss – Kiss 40 (2014)
  70. Kiss – Kiss Rocks Vegas (2016)
  71. Kiss – Kissworld: The Best of Kiss (2017)
  72. Kiss – Off the Soundboard: Tokyo 2001 (2021)
  73. Kiss – The Albums Ranked From Worst to First (2021)

My Sunday Song – “Coming Home” by Sons of Apollo

For My Sunday Song #287, we are going to discover the first single from one of the most talented bands Jeff Scott Soto has been in. The song is “Coming Home” and it is off the album ‘Psychotic Symphony’ from the band Sons of Apollo. Why do I say most talented, let’s look at the players. Obviously you have Jeff Scott Soto on vocals or this post wouldn’t be happening, but you also have Ron “Bumblefoot” Thal on guitar, Billy Sheehan on bass, Derek Sherinian on keyboards and Mike Portnoy on drums. It don’t get much better than this. This song was the world’s introduction to the band and what a statement they made with it.

Normally, I go in to the song meanings before I get in to the music, but I can’t wait to talk about the music. That opening keyboard riff by Derek Sherinian is classic and brutal. If you expected the album to be all prog rock, you’d be wrong. This song is pure Hard Rock reminiscent of Van Halen but maybe even heavier. Bumblefoot’s effortless riffs dance throughout the song, Sheehan’s bass gives us a new sound from what you’d expect from Billy and it adds so much groove to the song. And you can’t forget Portnoy’s drums which are as immense and immersive as you’ve ever gotten from him. It is pure power! Speaking of power, Jeff Scott Soto attacks the vocals and they are filled with such anger and intensity that you feel it throughout your body and those screams are piercing and yet so beautifully done. This was so unexpected and totally amazing and you have to hear it to believe it.

And what does the song mean, who cares. Just put it on repeat and let the abundance of sound fill every void of your body and rock the hell out of you. Each time you hear it, there is something you hadn’t heard before as there is so much going on musically you can’t help but be blown away.

Continue reading “My Sunday Song – “Coming Home” by Sons of Apollo”

You Pick It! – What Album to Review in March?

You, my reader, are going to pick an album for me to review each month.  It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site.  See…simple! Now, if you want to cast more than one vote, comment on the Twitter and Facebook post and you could get up to 3 votes on your favorite pick.

There are a few simple rules I have put in to place in my selections.  They are…

  • One has to be a new release (within the last month)
  • One has to be one I have never heard before (new releases don’t count for this one)
  • One has to be from a genre I don’t normally listen to at all or very often
  • And the last two are choices from my collection that I haven’t reviewed before

What are the 5 albums you ask?  Funny you should ask because I have those right here…

  New Release – Eddie Vedder – ‘Earthling’

  Never Heard Before – Kanye West – ‘The College Dropout’

  Not My Normal Genre – Daft Punk – ‘Random Access Memories’

  From My Collection – Slaughter – ‘Stick it to Ya’

  From My Collection – Tesla – ‘Psychotic Supper’

Let me know which one you would like to see and sometime in March, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.

Thanks for participating!!

The Millennium Show: Top Five Albums from the year 2000

The LeBrain Train: 2000 Words or More with Mike & Friends

Come join me tonight as I worm my in to tonight’s episode of The LeBrain Train. See what Mike says below about the show…it will be lots of fun. Will Britney Spears, NSync or Backstreet Boys make an appearance on the list…OMG I hope not!!! But a lot of great ones will! I think my list will differ greatly from the others so should be interesting.

Episode 98 – The Millennium Show: Top Five Albums from the year 2000

A suggestion from the Meat Man — why not do our top albums from the year 2000?  The turn of the millennium was a weird time in metal.  A lot of bands were still suffering from the fallout of the past decade, while others were in the midst of big comebacks.  But there were so much more than just metal in 2000, as you will see with tonight’s lists!

The panel this evening:

Give ’em a follow while you’re at it, and make sure you don’t miss tonight’s show!  As always, the best way is to catch it live so you can participate in the comments.  And as usual, there will be special unboxings for those who show up early!  There could be something “ABSUЯD” in there.

Saturday February 18, 7:00 PM E.S.T. on YouTubeFacebook and also Facebook!


Upcoming Schedule:

  • Friday March 12, 7:00 PM:  Ten Year Anniversary of Record Store Tales
  • Friday March 26, 7:00 PM:  Two Year Anniversary of the LeBrain Train
  • Friday April 1, 7:00 PM:  The Prank Show featuring Michael Morwood and Chris Thuss

Friday New Releases – February 18, 2022

Happy Friday. Here we are with another Friday New Release post. I feel like we just had one of these last week…oh wait…we did and do every week. We have over 40 this week and sadly, nothing for me this time around which is good as I need a break every now and again plus there is a big one next week I am waiting to hear. Let me know what interests you and what I may have missed as I am sure there will be some. Thanks for stopping by and I hope you all have a great weekend.

  • 71SA-UtjmzL._AC_UL640_FMwebp_QL65_  Shovels & Rope – Manticore – (Dualtone Music Group)
  • 81Cb8V3oatL._AC_UY436_FMwebp_QL65_  Beach House – Once Twice Melody – (Sub Pop Records)
Continue reading “Friday New Releases – February 18, 2022”

Cheap Trick – ‘Busted’ (1990) – Album Review (The Cheap Trick Collection Series)

With the help of the success of “The Flame” from the bands prior album ‘Lap of Luxury’, creative control of the bands next album was given back to the band. As result, the help of outside writers was extremely minimal. This time around, the band, with Robin Zander, Rick Nielsen, Bun E. Carlos and Tom Peterrson, would get some help from friends like Mick Jones of Foreigner and Chrissie Hynde from the Pretenders. Producer Richie Zito was also brought back to man the boards. Creative control and famous guest was a recipe for success…or was it.

The album came out on June 27, 1990 and did spawn one Top 40 hit with the first single, but the following two did only #50 and not even chart. The album sold poorly and within one year after release, the band was dropped from Epic Records. Think about that…a band with the success they had, got dropped by their label. Around 14 years with the label, 11 Studio labels, millions sold and then goodbye! Would this be the end of Cheap Trick? Would they soldier on with more music? What would happen to them? Before we can answer that, we need to discuss this album.

Continue reading “Cheap Trick – ‘Busted’ (1990) – Album Review (The Cheap Trick Collection Series)”

Eyes – ‘Eyes’ (1990) – Album Review (The Jeff Scott Soto Series)

By 1990, Jeff Scott Soto was basically a journeyman as a singer. He would take any job as long as he could sing. He went from Panther, to Yngwie, to Kuni, to Kryst the Conqueror and now we have the band Eyes. Jeff wasn’t the original lead singer, that belonged to James Christian who left the band to go join this little band named House of Lords…probably a smart move on his part as House of Lords did way better than Eyes. Which is a shame because this album is a lost classic of the late 80’s Hard Rock sound. Think Bon Jovi, Danger Danger, Firehouse and any other band from that time period.

The biggest problem this album had was only timing and the fact there were 100’s of bands out there that were all the same. These guys had the sound as they had the rock anthems, they had the ballads and oh my god…they had the hair!! They weren’t on a major label which probably got them lost in the shuffle. They were on Curb Records which back in those days was not a rock label. Without the major label push, they fell to the wayside and were overlooked by most…heck, I didn’t discover them until sometime after the 2000’s began.

The band consisted of Jeff Scott Soto on vocals, Steven Dougherty on guitar, Aldy Damian on drums and Jimmy O’Shea on bass. From what I can find, it looks like Jimmy only played bass on two of the songs as the rest were played by a name I told you to remember from an earlier review…Marcel Jacobs. Marcel didn’t join the band as he was busy with another band at the time which we will discuss very soon. The album came out some time in 1990 as a specific date can’t be found on the web anywhere for its actually release. And as I said, it didn’t go anywhere but as you are about to find out, it still kick some major ass!!

Continue reading “Eyes – ‘Eyes’ (1990) – Album Review (The Jeff Scott Soto Series)”

The Original vs The Cover – “Big Yellow Taxi”

The song for this month’s The Original vs. The Cover is “Big Yellow Taxi” written by Joni Mitchell. The song is off her 1970 album ‘Ladies of the Canyon’. The song saw moderate success at the time going to #14 in her home country of Canada, but only #67 on the Billboard Charts. But in 1974, she released a live version of the song and it went to #24 on Billboard. We will focus on the studio song for this comparison. There have been many covers including a popular one from Amy Grant back in 1994, but I am going to put it up against the cover I know better which is Counting Crows’ version featuring Vanessa Carlton. The song was from their album in 2003 called ‘Hard Candy’. The song for them went to #42 on the Top 100, but did much better on the other charts going to #5 on Adult Top 40 and #2 on Top Adult Alternative Songs.

The song was inspired by a trip Joni had made to Hawaii. She arrived in Hawaii and took a cab to the hotel. I am assuming it was night, as when she woke the next morning, she threw open the curtains and saw such a beautiful view until she looked down and saw a massive parking lot. It was her political statement to the world about how we pave over everything that is beautiful. She even goes further talking about farmers and the use of the poisonous DDT chemical which is killing everyone.

She even puts a little humor in it as she jokes about the fact we take the trees and put them in museums and pay $1.50 to see them which was based on the Foster Botanical Gardens in Hawaii that she visited. There is even another line that a taxi took her old man away which either means he left her and drove away in a taxi or he was arrested as Metro Toronto Police cops cars were yellow at that time. I believe she is from Toronto so that makes sense as well. Enough of the backstory to the song, lets talk about each artist’s version.

JONI MITCHELL:

Joni’s version is more acoustic and folksy as that is who she is. The song is only an acoustic guitar and some percussion and I think that is all I hear. Her majestic vocals are all you really need anyway. Her voice sounds almost childlike in its tone, but is so smooth and beautiful. The background vocals add more depth to the overall sound. It is a soft, yet upbeat sounding song despite the fact it is a song talking about such sad imagery. I love at the end where she goes real deep with vocals and then laughs. It shows a lot of humor and I think adds to the beauty of the song.

COUNTING CROWS (Feat. VANESSA CARLTON):

Counting Crows version plugs the band in and adds more drums, a great bass groove and some good old electric guitar. Vanessa Carlton is on backing vocals duties with a lot of “ooh bop bops” which actually is a nice touch. Adam Duritz vocals are strong and his tone is really cool as well. He lacks a little of the humor that Joni had which I think makes the song slightly less impactful. The Crows version adds a little vocal break at the end where Adam sings in a little scat like way with Vanessa adding more backing vocals with some great fills. It is still a really great version of the song.

VERDICT:

It isn’t really a tough choice. I do really like the Counting Crows version a lot as it was the first time I really remember hearing the song. But Joni’s version is the best, hands down. Joni’s smooth, childlike, innocent vocals are just so hard to beat. The acoustic version gives it a more poignant vibe and I really loved the little bit of humor she threw in to the song which I think helped bring home the point how ridiculous we are paving over our world and taking away everything that is beautiful about it. I see it everyday where I live as the farms that are near us are disappearing and all the trees are getting cut down to build, yet another, subdivision. Just what we need.

I am really interested in hearing what everyone else thinks of these two songs.  Let me know which version you like the best and why.  Feel free to leave a comment and talk about the song and tell me how right or wrong I am on this one.  Thanks for stopping by and have a great day.

LYRICS:

“Big Yellow Taxi”

They paved paradise
Put up a parking lot
With a pink hotel, a boutique
And a swinging hot spot

Don’t it always seem to go
That you don’t know what you’ve got ’til it’s gone?
They paved paradise
Put up a parking lot

They took all the trees
Put ’em in a tree museum
Then they charged the people
A dollar and a half just to see ’em

Don’t it always seem to go
That you don’t know what you’ve got ’til it’s gone?
They paved paradise
Put up a parking lot

Hey, farmer, farmer
Put away that DDT now
Give me spots on my apples
But leave me the birds and the bees
Please!

Don’t it always seem to go
That you don’t know what you’ve got ’til it’s gone?
They paved paradise
Put up a parking lot

Late last night I heard the screen door slam
And a big yellow taxi took away my old man

Don’t it always seem to go
That you don’t know what you’ve got ’til it’s gone?
They paved paradise
Put up a parking lot

I said
Don’t it always seem to go
That you don’t know what you’ve got ’til it’s gone?
They paved paradise
Put up a parking lot

They paved paradise
Put up a parking lot
They paved paradise
Put up a parking lot

You Picked It! The Strokes – ‘Is This It’ – Album Review

Alright…You Picked It! And this one wasn’t really that close. They took an early lead and never looked back. The winner this month is The Strokes with their album ‘This Is It” which was one I had never heard before. I usually pick older classic albums for that slot, but thought I try and bring something more recent like in the last 20 years and it won. Here are the results.

  1. The Strokes – ‘Is This It’ – 9 votes
  2. Royal Blood – ‘How Did We Get So Dark?’ – 5 votes
  3. Blue Oyster Cult – ‘Fire of Unknown Origin – 4 votes
  4. Drive-By Truckers – ‘Decoration Day’ – 3 votes
  5. Skillet – ‘Dominion – Sadly, with ZERO votes (poor Skillet, no one wants to hear them)

Thanks to all for participating. The March choices will be up on Saturday!

THE STROKES – ‘IS THIS IT’:

The Strokes debut album came out on July 30, 2001 and I basically ignored it. It wasn’t hard enough from what I heard and I didn’t care for the over all sound so they were pushed to side and I never bothered with them. Here we are 20 years later and I thought I’d throw them on the You Pick It! Series and if they won, I’d finally give them a fair shake. Well, they won so I guess I have to live up to my end of the bargain. I spent all week listening to the album over and over and over and did my opinion change? Let’s find out…

Continue reading “You Picked It! The Strokes – ‘Is This It’ – Album Review”

My Sunday Song – “One Love” by W.E.T.

For My Sunday Song #286 is the song “One Love” by the Jeff Scott Soto band called W.E.T. What is W.E.T.? Well, it is comprised of Robert Sall of the band Work of Art, Erik Martensson of the band Eclispse and Jeff Scott Soto from the band Talisman. Take the first initial of each band and you have W.E.T. It also has 2 other members Magnus Henriksson and Robban Back. All are on the label Frontiers Records who brought the super group together. The song is off the debut album from 2009 album simply called ‘W.E.T.’. What many were afraid would be a one album deal has turned in to four album and a live album album. A legit band.

The song “One Love” was written by Erik Martensson and Vivien Searcy and is simply about that one true love. Despite all the temptations out on the road, he knows he will never find someone like her and that she is his rock. Here love is what sustains him and she is that miracle sent form heaven. It is really sweet.

The song itself is a power ballad and a pretty great modern version of one. It opens with keyboards from Erik who also handles all rhythm guitar duties. The lead guitar and solo are from Magnus and it fits the song so well. The drums are from Robban and for some reason Mr. Sail is not on the lead for this one. Musically, it is pure melodic rock gold. However, the highlight are those smooth vocals from Jeff. He really delivers and emotional, heartfelt song that matches the lyrics. You can hear from these high notes the man has some pipes and can sing about anything. If this was released in the 80’s, this ballad would’ve been top of the charts. It is infectious, catchy and simply beautiful. Man, if Jeff would’ve stayed in Journey and they released an album, this is what it would sound like.

Continue reading “My Sunday Song – “One Love” by W.E.T.”