We are now in to 2006 and Kiss hasn’t put out a studio album in 8 years. 8 YEARS!!! That is insane. I figure Paul was getting a little restless and decided it was time for the follow-up to the 1978 first solo album. Heck, Gene finally did a solo album back a few years, so why not Paul. ‘Live to Win’ was finished and released on October 24, 2006 and yes, I was a release day buyer for this one. Come on, its Paul, why would I not be.
Paul brought in a lot of people to help with this album and the usual suspects are there including his long time collaborator, Desmond Child. We also see Marti Frederiksen, Holly Knight and even John 5 plus a few other writers. I believe there is only one song Paul wrote by himself. As far as musicians on the album, you do get John 5 on a couple and you get Kiss alum Bruce Kulick on bass…wait…what??? Bruce on bass? I’m sorry, Bruce is a bad ass guitar player, why is he mitigated to only the bass. Seems like a waste. And lastly, I noticed Tommy Denander who has played on it seems hundreds of albums. The rest of the musicians I am going to guess are studio guys and all very talented because all studio musicians are amazing.
The 2000’s have seen Kiss release more live albums, greatest hits packages and box sets than Studio Albums. And this particular release has sat on the shelves for six years because one thing or another got in the way. The album was recorded on December 31, 1999 and January 1, 2000 at BC Place Stadium in Vancouver, Canada and consisted of the original band members of Gene Simmons, Paul Stanley, Peter Criss and Ace Frehley. The original intention for this album was to be released as Kiss Alive! IV, but there was a problem and it got shelved because the record label, Mercury, was being gobbled up by Universal in a giant merger. Then a few years later, Universal agreed for Mercury to release it, but the band was working on the Symphony show which would become Kiss Alive IV. One thing after another kept pushing this release back. Thoughts were that it wasn’t a good show, but I think it was bad timing.
The album would see a release on November 21, 2006 when it was included on the box set Kiss Alive! 1975-2000. That box set included Alive!, Alive II and Alive III as well and since those have already been reviewed, I went with just reviewing the Millennium show as that did get a separate vinyl release of its own.
One of the cool things about this release is that there are three songs on here that had never been played by all 4 of the original members. You get “Heaven’s On Fire” and “Lick It Up” both from the non-makeup era that Peter and Ace were not on and you get “I Love It Loud” which Peter was not on and Ace was credited on the ‘Creatures of the Night’ album but reality proved he didn’t play on it. However, the opening track on here is “Psycho Circus” and Peter and Ace actually didn’t play on that song either even though it was the “Reunion” album.
Despite not having any new albums in years, Kiss was touring. In 2000-2001, the band was touring the so called “Farewell Tour” which was supposed to be the end of Touring. Well, in 2003, the band announced The World Domination Tour where the band would be co-headlining with Aerosmith. Ace Frehley believing the Farewell Tour was the final tour, did not want to do this tour if they were the opening act for Aerosmith. Well, Ace was now gone. Because apparently the Farewell Tour was really the Farewell Tour for Kiss playing with Ace. Peter Criss came back in to the fold and did the World Domination Tour.
When that tour ended, Kiss decided to do another tour in 2004 called the Rock The Nation Tour. This time around, Kiss was the main headliner and the opening acts were Poison and Z02. Before the tour started, Peter Criss’ contract with the band had expired. According to Peter, no one contacted him about signing back up with the band for the next tour. Now, Peter was gone, yet again. Kiss was back down to just Gene Simmons and Paul Stanley with the hired guns of Eric Singer on drums and Tommy Thayer on guitar. This is the line-up that would stay in existence for the remainder of the Kisstory. The Rock The Nation Tour, was the start of a new era of Kiss. One where people either still loved the band and didn’t care who was in it or a group that hated Tommy for being in the band and wearing Ace’s make-up. Sorry folks, but so what. Tommy was hired to do a job and Tommy does that job very well. No one seemed to care too much that Eric was in the band and wearing Peter’s make-up and maybe that was because Eric had already been a big part of Kisstory before and he had earned his cat whiskers.
In 2020, Covid had the family home a lot. One thing we ended up doing was Jigsaw Puzzles. I believe we did around 6 during the year. What would happen is that the kids would get excited and open the puzzle and sort out all the pieces to find the end pieces because that is where you start the puzzle. They would work diligently and do the border and then they would slowly do less and less of the puzzle leaving me to finish them up…so I guess you could say I finished 6 puzzles and the kids started 6. My wife helped of course because she loves to sort the pieces out by color and get everything organized so we can get through it quicker and more efficiently. Yes, I think she is a little OCD, but I love that about her. Hell, even the apps on her phone are organized…BY COLOR!!!
Now for Christmas in 2020, the kids thought Daddy needs another puzzle so they got me a Kiss puzzle. Yes, why not give me one of my favorite bands. So, now I had another puzzle except this time, I started it, I sorted it and I finished it. No one really helped me because they are all sick of puzzles.
So, it was time to start it one weekend and I did what you always do, unwrap the cellophane from the box, open it and then dump all the pieces on the table…
And then it was time to sort the pieces and build the border which probably took an hour tops…
And I decided the easiest step for me is do the albums that are around the border because I know those albums intimately. I could easily see a piece and quickly know which album it belonged to and I built that up rather quickly. I would say a few hours tops (over a couple days not all in one sitting.
Then it got harder. The middle section had a lot of dark pieces and slowed me down a bunch. That took the longest part of all. It is funny how you can sit down at the puzzle and start piecing things together and the next thing you know, a whole hour has gone by and not much progress has been made, but once I got in to a rhythm and picked up on some clues, I was able to finish it up…
And then it was done…
1000 pieces in probably about a 6 hour stretch over about a week. Not too bad. It helped that I know the images, that was a huge advantage. Normal puzzles take me a lot longer as I am studying the picture a lot more.
I hope you enjoyed this silly distraction and send me pictures of your Rock & Roll Puzzles! Admit it, you know you have them too!!!
On our journey through the band Kiss, we have taken detours for one side project from every member of the band. We are almost done with that part of the journey as we only have two members left we haven’t covered. The first of those is Gene Simmons. In 2004, in between all the band’s touring, Gene managed to put together an album for his first “true” solo album. I say it that way because his first solo album was part of the 4 Kiss solo albums each member did that was under the Kiss logo. This is his first proper one. If you remember his first, you will remember it was very diverse and had a ton of guest appearances on the album. Let me tell you, this album is in no way different. It is also all over the place style wise and contains more guest appearances than any album in the history of albums…okay, that is a bit much, but there are a lot of guests.
The album was released on June 8, 2004 and didn’t do that great only going to #86 on the Billboard Charts. There is both an unedited version of the album (and cover) and an edited version of the album (and cover). The cover picture for this post is the edited as I was worried the unedited one might get dinged on Facebook or Twitter for being too offensive. And as you can see by the picture below, you get an idea of what the unedited might be like. Now, before we move on, is anyone else wondering where that finger has been in the picture below or is it just me??? I am also waiting for any minute that Sir Mix A Lot will pop out and sing his signature song…again..is that just me???
I am very familiar with this album, but not for the reason you think. It wasn’t because I ran out and bought this. Nope. I actually just bought this album a few weeks ago, because I need it to complete the collection. My familiarity with it comes from Gene Simmons ‘The Vault” as almost every song is on that collection and is on it in demo form except for maybe one or two tracks. And sometimes they are on there numerous times at different stages of completion. I will be completely honest with you…I prefer ‘The Vault’ versions immensely more than this. Why? Because at least I knew “The Vault’ versions were demos, these are supposed to be finished products, but I’m sorry, they aren’t that good AT ALL!! With minor exceptions.
The album kicks off the album with what is probably the best song on the album. And I will go further and say it is one of my favorite Gene tracks. “Sweet & Dirty Love” is a beast of a track. It rocks out with the help of Bruce Kulick and Eric Singer on guitar and drums, respectively. It is what you want the Demon to do as a song and Gene hits some killer notes and has never sounded better. I like one of ‘The Vault’ versions better only because it is a little more raw and raunchy as this is very polished. But still, the best song on the album.
The second track is a cover which is a little early to have it the #2 song on the CD in my book. And it is a strange one as Gene is covering “Firestarter” by Prodigy. The guitar work on here is fantastic as that is handled by Dave Navarro of Jane’s Addiction fame. Gene sticks to the original version for the most part and the song is ver industrial with that metallic sound and I know people think this song is awful, but I think it is so bad it is now good. I actually don’t mind it because I do love the music in it and Gene is being Gene which I have to admit I like at times.
Then we get to the song “Weapons Of Mass Destruction” which is another heavy song, completely balls to the walls bombastic power. There is even a punk edge to it. It has Bruce and Eric back helping out and if you take out the stupid “E Pluribus Unum” quote in the lyrics, this would a 5 star song, but I will ding it down to a 4. Another great track and really the last of the really good ones. There are two demos on ‘The Vault’, one with Eric and Tommy Thayer that is a little slower and darker. The other lyrics were written and it was given to Ace to play after it wasn’t picked for ‘Psycho Circus which was the original intention. The Ace version is killer. After this the album goes to shit.
Next we get the song Gene wrote with Bob Dylan…yes, that Bob Dylan. It is a ballad and it is bloody awful. It is called “Waiting on the Morning Light” and I think Gene is trying to be Dylan and he isn’t the Bob Dylan type of writer and that is okay, we love him for him. It is just a bad attempt at trying too hard.
Then we get a synth song called “Beautiful” with Mark Addison helping on guitars and such and Nina Singh on percussion who wrote the song. It is another ballad that has a nice chorus and is a pretty good effort that just falls short of being a great ballad. That annoying synth sound doesn’t really help. The verses are a little rough vocally, but he makes up for it in the chorus. “The Vault” version is actually cleaner sounding and I like it better than this one.
We are now at the title track “Asshole” which is rocking track where Gene embraces the whole “asshole” personae. It is a rock anthem type song that makes you want to scream “asshole” right at Gene and helps make it a fun singalong. It is still not a great song, but it will pass. Now, the edited version is atrocious as it doesn’t bleep out asshole, it just turns the “ass” part in to what sounds like a goat…it is horrendous.
“Now That You’re Gone” is a song Gene wrote with Bob Kulick. You get his daughter Sophie on background vocals along with Zachary Grant and Jeff Diehl on keyboards. The bass is real strong on this one, it has a children’s choir type sound with Sophie and Zachary. It plods along going nowhere and is totally uninteresting and lifeless and that is putting it nicely. ‘The Vault’ has three versions of this song and none are really that great.
Then we get “Whatever Turns You On” was a demo received from a band Gene was working with and Gene took it from them but it has the co-write of Dave Williams so he didn’t steal it. If you are going to steal a song, steal something better. This sounds like a bunch of drunks hanging around and partying having a good time and thought it would be a good idea to record it, but they’d be wrong. It does have his lovely wife Shannon Tweed and her mom on the background vocals along with Dave. I think with some work, this song could’ve been turned in to something better than what is here. At least they sound like they are having more fun than the listener. This one is on ‘The Vault’ as well with about the same effect, maybe a little better.
“Dog” was written by Gene and Alex Chuaqui (or Bags as Gene had him change his name as Alex Chuaqui wasn’t a good enough rock name and too ethnic) On the song Gene howls like a dog and he speaks a very sexual and dirty Little Red Riding Hood verse that is as dirty as it gets. It is a mid-tempo song and is so close to being something good. It isn’t bad, but could’ve been more.
Then we get an unexpected surprise an unfinished Frank Zappa song called “Black Tongue” that Gene licensed from the estate and finished it up with the help fo the entire Zappa family as Dweezil, Ahmet, Moon and Gail are all on background vocals. Frank even has a speaking part that was left over from the original demo. The guitar work is sensational as you would expect because it is being handled by Richie Kotzen. Zappa’s guitar riffs are their, Richie does the solo and adds some flair. It sounds like a mixture of grunge with still a hint of that Zappa psychedelic vibe. I will admit I like this song.
Next we get “Carnival of Souls” which was written by Gene and Scott Van Zen and recorded back in 1993 or 1994 originally. It was passed over for both the ‘Carnival of Souls’ album and ‘Psycho Circus’. ‘The Vault’ has two versions of it and both are really good. One version is a little slower tempo and much darker which is always a good thing. This version is heavy, speedy and a rocking track. It isn’t half bad. I will keep this one especially since it is another with Richie Kotzen on guitar. Also, Nick Tweed Simmons does the background vocals so now the whole family was involved.
Then we get what might be the worst song on the album “If I Had A Gun” is a horrible topic and just a horrible pile of dung. It sounds like what comes out of an Asshole for sure so if that was the intent, then he struck gold. Not a great song for all the gun violence we have. It slows down and speeds up and goes back and forth but feels so disconnected and utter trash. Skip this one as fast as you can. I skipped ‘The Vault’ version to and wound up on My Worst of the Vault list.
Lastly, we get a similar ending as we got on his 1978 solo album. Almost a carbon copy of that Disney sounding song is this copycat “1,000 Dreams”. This one even has a country music flair to it. Please cue the vomit inducing noise now as that is what you want to do when you hear this. More garbage and the worst way to end this album. Good Riddance.
Track Listing:
Sweet & Dirty Love – Keeper
Firestarter – Keeper
Weapons of Mass Destruction – Keeper
Waiting for the Morning Light – Delete
Beautiful – Keeper(1/2 Point)
Asshole – Keeper(1/2 Point)
Now That You’re Gone – Delete
Whatever Turns You On – Delete
Dog – Keeper(1/2 Point)
Black Tongue – Keeper
Carnival of Souls – Keeper
If I Had A Gun – Delete
1,000 Dreams – Delete
The Track Score is 6.5 out of 13 or 50% which is probably way to generous on my part. I have a soft spot for Gene, what can I say. However, I still think this album is horrible and not worth getting unless you are a diehard like me or a glutton for punishment. The songs are all over the place and there seems to be no direction and the album is definitely lacking good flow. Overall, the album only get s a 2.0 out of 5.0 Stars and that is probably too high of a score but that is what I am giving it. To me, ‘The Vault’ was worth what I paid for it, but this one, not so much.
Next Up: Kiss – Rock the Nation Live ! – DVD (2005)
Check out the rest of the series if you have time!!
To celebrate the band’s 30th Anniversary, it was decided that another live album was needed. However, not just any live album. Kiss was going to perform a show with a full 60-piece orchestra. Now this was the early 2000’s and apparently playing with an orchestra was the new trending thing to do especially due to the success of Metallica’s own orchestra performance on S&M in 1999. So Kiss followed trends yet again with their own version. Now they could’ve phoned it in and just put the songs together and then tack on the orchestra in the studio like I have seen some bands do (hello Jorn), but they didn’t do that. Instead, they actually performed a full live show in front of an audience with an orchestra. Good on them for not doing it half-ass.
The band at the time really was just going to be Gene Simmons and Paul Stanley. They really didn’t have a need for Peter Criss and Ace Frehley. Instead they were going to use Eric Singer and Tommy Thayer, but there was a problem. The contract with the promoter stated they had to have 3 “Original” members. Well, that changed things. Ace was definitely out, he was done. The band had to bring in Peter back to the fold so Eric was out and now Kiss was Gene, Paul, Peter and Tommy. Peter wouldn’t last much longer though.
Bruce Kulick as you know from this series, was the Kiss guitarist from 1984 to 1996…the non-makeup years. He was a perfect fit for the band and one of the most likable guys to ever be in Kiss. Before Kiss he was in a band called Blackjack with some guy named Michael Bolton from 1979-1980 and that would’ve been a good album to review since there is a Kiss connection with Michael has he co-wrote “Forever” off ‘Hot in the Shade’. But the goal for this series was to cover an album after the artist left the band, not before (unless there wasn’t an after as in Tommy’s case). That left the band Union which Bruce was in the John Corabi, even though he has been with Grand Funk Railroad for 20 years now, but they’ve never done an album. So that really got me thinking I should do his solo album since it was all Bruce.
Now technically I did already do a Bruce project when I did the Eric Singer Project, but that one was really Eric’s spotlight since the band was named after Eric which by the way had John Corabi in that band too. So Bruce’s first solo album is where I wound up. It was called ‘Audiodog’ and was released on October 23, 2001. There is a Kiss connection with this album as well, other than Bruce. That connection is Curt Cuomo who co-wrote a bunch of these tracks with Bruce and played keyboards plus some backing vocals. The Kiss connection with Curt is that he co-wrote two songs on ‘Psycho Circus’ with Paul Stanley including the title track.
The album was not a full instrumental album surprisingly. There were only 4 songs on here that were instrumental. The rest had vocals which were actually handled by Bruce. Bruce’s vocals aren’t the strongest and I would put him in the area of maybe Ace’s vocals. Not great, but definitely decent enough to be rather enjoyable as it is a solid rock tone. Bruce played all guitars and bass, but drums were handled mostly by Brent Fitz who played in Bruce’s band Union as well as with Gene Simmons. Two of the songs had legendary John Mellencamp drummer Kenny Arnoff on them which is pretty cool as well.
My youngest daughter loves her Funko Pop! Figures and was thrilled when I got my own set of the Def Leppard Funko Pop! Set. She also knows I am a huge Kiss fan and so for Christmas this past year, she searched out and found all 4 of the Kiss Funko Pop! Rocks Figures. I was thrilled and happy to get this set and to come from her makes it extra special.
This set is the 2nd Kiss set in the Funko Pop! Rocks series as they are numbered #121-124. The first set in their series was #04 to #07 and they looked a lot different than this set. And it is much more expensive, so maybe some day down the road I will find that, but for now I am going to enjoy this special set.
This set doesn’t go by the band member’s actual names as that would be tough to choose who you are basing the make-up and the costume on and possibly give credit to past members and Kiss doesn’t want to do that. Instead, they are based on the Kiss characters each rock star is playing.
It is time for us to do our shout-out to Eric Singer and one of his projects. Before Kiss, Eric had played with Black Sabbath and he even had his own band Badlands that released a stellar release in 1989. Then he joined Kiss with the Revenge album and stayed with the band up until the reunion tour in 1996. He would later play with numerous artist, but most notably the great Alice Cooper. However, I wanted to highlight one with a big Kiss connection because that is what I like to do. His side project the Eric Singer Project was a supergroup that had Eric on drums and vocals, Chuck Garric on bass and vocals, John Corabi and guitar, bass and vocals and the big Kiss connection is who was also in the band. It was Eric’s former Kiss co-hort, Bruce Kulick on guitar.
The band was a side group that played covers. They played some live shows and put out an album called ‘ESP’…Eric Singer Project. The one I see most Kiss collectors trying to grab up is this album so I figured this is the perfect album to do for Eric. I know, I probably should’ve done Badlands since this is all covers, but this had too big a Kiss connection to pass up. Plus, I love Corabi so it was a chance for me to hear him as well even if he isn’t singing all the time.
The track listing is pretty good with some not so common covers and there are a few that a typical cover songs. Here are the songs and the original band…
Up next on the side projects is former Kiss guitarist, Mark St. John. Mark played on Animalize but didn’t last real long with the band. He developed a type of arthritic condition in his fingers that was very troublesome. When the band toured live for the album, Mark only played in 3 shows. The excuse was given that he was let go because he couldn’t play due to the condition with this hands, but I am not so sure that is true. I think his guitar fill-in on the tour who happened to be Bruce Kulick fit in with the band better than Mark so they let Mark go while on tour and stuck with Bruce who would stay in the band for over a decade. Probably a great move on their part.
Now that doesn’t take away from Mark’s ability as he was a hell of a shredder on the guitar. His playing was fast and frantic and he could rip out a solo. After he left Kiss, he actually did form a band and release an album independently with a band called White Tiger so technically I should’ve reviewed that album back when we were in the 1985/86 timeline, but if you have been paying attention to the review series, I have been picking the side projects with larger Kiss connections and other than Mark, there isn’t another Kiss connection I could make. Instead, I went all the way to 1999 and his Mark St. John Project and the E.P. they released. Why you may ask. Well that is because of the 5 songs on the E.P., three of those songs were co-written with a former Kiss alum, Peter Criss. That is right, the Catman. Mark had been working on a project prior to this with Peter around 1990. They shopped around a demo but the response was not so good.
2 Loud 2 Old Music 